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<title>Mol-TaGGe - Arte e Cultura</title>
<description><center>Uma montagem, um recorte, de varias notícias sobre arte e cultura no mundo. A notícia além da notícia, bem documentada e bastante ilustrada.</center></description>
<link>http://mol-tagge.blogspot.com/</link>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-9159489205773848564</guid>
<pubDate>Sat, 31 May 2014 00:49:00 +0000</pubDate>
<atom:updated>2014-05-30T21:49:22.039-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">civilizacao egipcia</category>
<category domain="http://www.blogger.com/atom/ns#">egito</category>
<category domain="http://www.blogger.com/atom/ns#">historia da arte</category>
<category domain="http://www.blogger.com/atom/ns#">imagem egipcia do corpo humano</category>
<category domain="http://www.blogger.com/atom/ns#">imagens humanas</category>
<category domain="http://www.blogger.com/atom/ns#">mundo egípcio</category>
<category domain="http://www.blogger.com/atom/ns#">venus de willendorf</category>
<title>Corpo humano na arte - Egito</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-size: 18px;"><i> Seguindo na busca pelos motivos que nos levam a representar o corpo humano de forma irreal, nossa próxima parada é no Egito, 5.000 aC.</i></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMVlVZJtU2v0UdLM_tgO9O_HfGeHQCrbRGvC9nLtdn4bmxKTbBeBFzw0sQhWx1MoEt4KG-L3NBrBEAQuh5KQer_hoVCoTDdfGxaYkpH-ikcnMf_t36nsAXPdYz-p7SiG-U-ScW43elumU/s1600/01_tumulo-ramses-VI_barco-solar.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMVlVZJtU2v0UdLM_tgO9O_HfGeHQCrbRGvC9nLtdn4bmxKTbBeBFzw0sQhWx1MoEt4KG-L3NBrBEAQuh5KQer_hoVCoTDdfGxaYkpH-ikcnMf_t36nsAXPdYz-p7SiG-U-ScW43elumU/s1600/01_tumulo-ramses-VI_barco-solar.jpg" height="480" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"><span style="font-size: x-small;">Túmulo de Ramsés VI – O barco solar</span></span></td></tr>
</tbody></table>
<h3 style="text-align: right;">
<span style="color: #323130;">30/maio/2014</span></h3>
<h2 style="text-align: right;">
<span style="color: #990000;">
História da Arte<br />
A representação do corpo humano – Parte 2<br />
O corpo humano representado pelos egípcios</span></h2>
<h3>
<span style="color: #990000;">
Egípcios</span></h3>
<div style="text-align: justify;">
Grande transformação climática forçou o povo que criou a Vênus de Willendorf, e seus contemporâneos, a migrarem em busca de água. Um daqueles grupos foi dar às margens do rio Nilo, iniciando a Civilização Egípcia.</div>
<div style="text-align: justify;">
O Nilo proporcionou àquele povo água abundante e consequente estabilidade agrícola. Ao se fixarem a terra, criaram um sistema organizado de governo, estrutura social [rígida] e o centro de sua arte foi a representação exaustiva do corpo humano.
</div>
<h3>
<span style="color: #990000;">
O <i>instinto gaivota</i></span></h3>
<div style="text-align: justify;">
Resta perguntar se após essa transformação o <i>instinto gaivota</i>, do exagero e da desproporcionalidade na representação do corpo humano, proposto pelo prof. Ramachandran [veja <a href="http://migre.me/jgsXw" target="_blank">Parte 1 - Vênus de Willendorf</a>], sobreviveu no mundo egípcio. </div>
<div style="text-align: justify;">
A tumba de Ramsés VI é decorada com milhares de imagens humanas. Mas, diferentemente da Vênus, não há exageros e desproporcionalidades, ao contrário, as imagens são bem proporcionais, o que nos leva a concluir que o<i> instinto gaivota</i> não sobreviveu no Egito. </div>
<div style="text-align: justify;">
No entanto, ainda assim, as representações egípcias não são reais. Algo as tornam diferentes.
Seria, então, possível encontrar a resposta para nossas atuais imagens irreais do corpo humano nesse povo tão distante no tempo?</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw8Dk3bQR6R6r4QwEmCoNnrXYpIGqa3gNE47Uv4MQ9dFAIz-b__ERXxQgP036Y4mg6hNJhxYs7D6ffxNbIpbi8Z42LxDd_dR4M_t1oCUvrrfL64ALsqT4mOuV6Yxo9zFMC447UZtEuquQ/s1600/02_interior-tumba-ramses-VI.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw8Dk3bQR6R6r4QwEmCoNnrXYpIGqa3gNE47Uv4MQ9dFAIz-b__ERXxQgP036Y4mg6hNJhxYs7D6ffxNbIpbi8Z42LxDd_dR4M_t1oCUvrrfL64ALsqT4mOuV6Yxo9zFMC447UZtEuquQ/s1600/02_interior-tumba-ramses-VI.jpg" height="464" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"><span style="font-size: x-small;"> Interior da tumba de Ramsés VI</span></span></td></tr>
</tbody></table>
<h3>
<span style="color: #990000;">
Representação egípcia do corpo humano</span></h3>
<div style="text-align: justify;">
Os egípcios mantinham a proporcionalidade do corpo humano. Ao representá-lo tratavam cada parte como se fosse única, mostrando cada uma delas em seu melhor ângulo. É como se a imagem fosse observada de vários pontos ao mesmo tempo.</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6LelAAIB9MID0xpUO0HBA7pdPGdcuGs8_0awa4l8uvtxUxCngqYa5QurMWiPnRLibcONbO1FAEkuRtgvz2ZiMEz_4Sv9iJD2O5i8jl6r6Nc1ov1FsdF_iB29bjsGxP3FIw1Wf7jmFgY/s1600/04_horus_ramses-I_atum_neith.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip6LelAAIB9MID0xpUO0HBA7pdPGdcuGs8_0awa4l8uvtxUxCngqYa5QurMWiPnRLibcONbO1FAEkuRtgvz2ZiMEz_4Sv9iJD2O5i8jl6r6Nc1ov1FsdF_iB29bjsGxP3FIw1Wf7jmFgY/s1600/04_horus_ramses-I_atum_neith.jpg" height="426" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"><span style="font-size: x-small;">As figuras na cena são identificadas na inscrição como: Horus, o filho de Isis (Harsiese); rei Menpehtyre Ramsés I; Atum-Senhor das duas Terras e de Heliópolis; e, Neith, a Grande, Mãe de Deus e Senhora dos Céus</span></span></td></tr>
</tbody></table>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifq_747_kzEr84EA3UiMPZZV2WklEBt_pguFKYc2p13uUAZ-fRQzxVNaKPmMI3JJZRwGcOR8kfSHK054URh9dIk2-z8XiOexclA_e5mrMPe5UUYwwtvm6Pm4EP-5OQHd-E_YP4fHZYMcA/s1600/04_ramses-I.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifq_747_kzEr84EA3UiMPZZV2WklEBt_pguFKYc2p13uUAZ-fRQzxVNaKPmMI3JJZRwGcOR8kfSHK054URh9dIk2-z8XiOexclA_e5mrMPe5UUYwwtvm6Pm4EP-5OQHd-E_YP4fHZYMcA/s1600/04_ramses-I.jpg" height="320" width="184" /></a></div>
<br />
Observando a imagem, podemos perceber que:<br />
<br />
<ul style="text-align: left;">
<li style="text-align: justify;">o busto é feito de frente, dos ombros às ancas; </li>
<li style="text-align: justify;">o rosto é sempre representado de perfil, de maneira que se perceba claramente o nariz e uma das orelhas; </li>
<li style="text-align: justify;">os olhos são vistos de frente;
os braços podem aparecer lado a lado, ou ao lado do corpo; </li>
<li style="text-align: justify;">as mãos, grande parte das vezes, são exibidas espalmadas, tendo todos os dedos o mesmo comprimento; </li>
<li style="text-align: justify;">as pernas estão também de perfil e quase não se diferenciam dos pés; </li>
<li style="text-align: justify;">os pés, por estarem de lado, apresentam somente o primeiro dedo e, muitas vezes, nem esse. </li>
</ul>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<br />
<br /></div>
<div>
<span style="text-align: justify;">O mais interessante das imagens humanas egípcias é que não se alteraram por um período de aproximadamente 3.000 anos “e, por todo esse tempo, esta foi a única imagem do corpo que se via”.</span></div>
<br />
<span style="color: #990000;"><b>Imagens das representações egípcias do corpo humano</b></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4p2DgFTFbMCQEq6W5xBkMkzPOwgO0lONbJVxhxmmrwO1MDrcdGgIoY10MO97pSPoBzIpj1ByVlL6idCrwbph6Yj0mYxizLvG0B3sOH8-XLuBKxUmbShqyyWDEwmvc5zNg_CF1F3VyopM/s1600/05_representacao-corpo-egipcios.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4p2DgFTFbMCQEq6W5xBkMkzPOwgO0lONbJVxhxmmrwO1MDrcdGgIoY10MO97pSPoBzIpj1ByVlL6idCrwbph6Yj0mYxizLvG0B3sOH8-XLuBKxUmbShqyyWDEwmvc5zNg_CF1F3VyopM/s1600/05_representacao-corpo-egipcios.jpg" height="330" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeEpGUdqKblvIyI2d2Qky_35LQLn3stxpyOTY8PlGrRW8fJM058kF-tDN3y5_JVxTB3yS6UqAdcAC0J8nj7iQqrsQ4yGAx1nywSSU81pGbuqTLwB0q5S0p4oURkQ23do7JY1Y_wMpg7xA/s1600/07_representacao-maos-egipcios.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeEpGUdqKblvIyI2d2Qky_35LQLn3stxpyOTY8PlGrRW8fJM058kF-tDN3y5_JVxTB3yS6UqAdcAC0J8nj7iQqrsQ4yGAx1nywSSU81pGbuqTLwB0q5S0p4oURkQ23do7JY1Y_wMpg7xA/s1600/07_representacao-maos-egipcios.jpg" height="328" width="640" /></a></div>
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<h3>
<span style="color: #990000;">
Razão para as imagens humanas egípcias</span></h3>
<div style="text-align: justify;">
Alguma razão muito forte deve justificar a permanência desse tipo de representação durante tantas gerações.<br />
Uma tumba vem em nossa salvação! Não uma tumba famosa, de um faraó, mas a de um sacerdote chamado Ramose. </div>
<div style="text-align: justify;">
Ramose não teve sua tumba concluída e isso permitiu que, numa das paredes inacabadas, fossem percebidas pelos arqueólogos algumas linhas vermelhas em forma de grade sobre o reboco. Ao analisá-las, observaram alguns detalhes bastante interessantes: </div>
<ul style="text-align: left;">
<li style="text-align: justify;">a figura tinha 19 quadrados de altura;</li>
<li style="text-align: justify;">o pé tinha 2,5 quadrados de comprimento;</li>
<li style="text-align: justify;">a pupila do olho estava a um quadrado da linha central. </li>
</ul>
<span style="text-align: justify;">Ao aplicarem a mesma grade a outras imagens... Bingo! Encaixavam-se perfeitamente.
Esta aí a razão para que as imagens humanas egípcias fossem tão absolutamente inalteradas por tanto tempo: técnica! </span><br />
<div style="text-align: justify;">
Na verdade, o que se percebe é que não se desejou alterá-las. Foi uma ação consciente de uma sociedade aferrada a seus costumes, tradições e todos os seus valores culturais, principalmente ordem e hierarquia.<br />
Partindo dessa descoberta, observamos que em tudo o que foi realizado por esse povo [pirâmides, estátuas, obeliscos etc.], há essa ordem e hierarquização. </div>
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<h3>
<span style="color: #990000;">
Justificativa para nossa atual representação irreal do corpo humano?</span></h3>
<div style="text-align: justify;">
Daí concluirmos que os egípcios não criaram essas imagens por condicionamentos cerebrais, mas em nome de sua cultura.<br />
Seria essa seja a resposta que procuramos? O que nos faz representar atualmente o corpo humano de forma tão irreal é nossa cultura?<br />
Talvez. Mas, certamente essa é apenas parte de nossa resposta, ainda falta alguma coisa.
Quem sabe na Grécia encontremos o que nos falta?
Assunto para um próximo post. Acompanhe!<br />
<br />
<b>Veja também:
</b><a href="http://mol-tagge.blogspot.com.br/2014/05/historia-arte-corpo-humano-venus.html" target="_blank">Corpo humano na arte – Vênus de Willendorf </a><br />
<b>Fontes:</b> BBC
<br />
<br />
<div style="text-align: center;">
<span class="Apple-style-span" style="color: #990000;"> ABBÇos</span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="color: #990000;">MarGGa Duval
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Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-7077638481453482638</guid>
<pubDate>Fri, 23 May 2014 01:35:00 +0000</pubDate>
<atom:updated>2014-05-22T22:36:11.721-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">arte suportes inusitados</category>
<category domain="http://www.blogger.com/atom/ns#">brenda lyons</category>
<category domain="http://www.blogger.com/atom/ns#">penas como tela</category>
<title>Pintura em penas de pavão</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-size: 18px;"><i>O uso de suportes inusitados na arte é uma das grandes transformações que o mundo artístico viveu no século 20 e a tendência parece irreversível. Brenda Lyons usa penas de pavão como tela em suas pinturas.</i></span>
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<h3 style="text-align: right;">
<span style="color: #323130;">22/maio/2014</span></h3>
<h2 style="text-align: right;">
<span style="color: #990000;">[Arte em suportes inusitados]</span></h2>
<h3>
<span style="color: #990000;"> Um pouco de Brenda Lyons</span></h3>
<div style="text-align: justify;">
Natural de Connecticut, Brenda Lyons, desde a infância, é fascinada pelo mundo natural. Ainda criança, se deliciava com os livros de John James Audubon [1]. Mais tarde, trabalhos de artistas como Peter Parnall [2], Arthur Rackham [3] e Susan Seddon-Boulet [4] foram sua inspiração.</div>
<div style="text-align: justify;">
Seu amor por aves de rapina continua a influenciar sua arte até hoje, onde combina falcões, gaviões e corujas dentro dos mundos de sua imaginação, criando reinos fantásticos.
Além da arte da pintura com as aves de rapina, Lyons também trabalha com máscaras e com as escandalosamente belas penas de pavão pintadas.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-ZD8PRA018ZIaiQEcUk4MfMOvNeNSAYg2bvrp1j50hQJRHLd73YXI53MbyCYfjZJYf-17nrZTsD0UauBT934wOKmeEdFEGhxrF3igWCiy4klQJeUDevrP0FEFFMQRUY2ldWQIeXE24YE/s1600/00_mascara-harpia_brenda+lyons.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-ZD8PRA018ZIaiQEcUk4MfMOvNeNSAYg2bvrp1j50hQJRHLd73YXI53MbyCYfjZJYf-17nrZTsD0UauBT934wOKmeEdFEGhxrF3igWCiy4klQJeUDevrP0FEFFMQRUY2ldWQIeXE24YE/s1600/00_mascara-harpia_brenda+lyons.jpg" height="554" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Máscara - Hárpia</td></tr>
</tbody></table>
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<h3>
<span style="color: #990000;">Penas de pavão como telas</span></h3>
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No <a href="http://www.falconmoon.com/" target="_blank">site da artista</a> você pode ver toda a sua obra.<br />
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[1] John James Audubon - Ornitólogo franco-americano, naturalista e pintor. Reconhecido por seus extensos estudos para documentar todos os tipos de pássaros norte-americanos e por suas ilustrações detalhadas das aves em seus habitats].<br />
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[2] Peter Parnall - Autor e ilustrador premiado, mais conhecido por seu trabalho em livros para leitores mais jovens. Alguns de seus livros se tornaram itens de colecionador.<br />
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[3] Arthur Rackham - O famoso ilustrador tem entre seus trabalhos mais conhecidos livros infantis como os «Contos dos irmãos Grim» (1900), «Rip van Winkle» (1905), «Peter Pan» (1906) e «Alice no país das maravilhas» (1907), entre outros. Quem se interessar pode assistir a um <a href="https://www.youtube.com/watch?v=9Ljh22qUz3w#t=39" target="_blank">vídeo no Youtube</a> com algumas de suas ilustrações, são encantadoras.<br />
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[4] Susan Seddon-Boulet foi uma ilustradora de nacionalidade brasileira, que viveu desde sua juventude [26] até seu falecimento nos EUA. Foi reconhecida por seus retratos de figuras medievais e personagens de fantasia, nas cores brilhantes do arco-íris, que predominou seu trabalho inicial. Evoluiu para uma estratificação mais complexa das imagens antropomórficas de animais, Shamans e Deusas.<br />
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<b>Veja também: </b><a href="http://mol-tagge.blogspot.com.br/2009/09/qual-suporte-das-artes.html" target="_blank">Qual o suporte das artes </a><br />
<br />
<b>Fontes:</b><a href="http://wwwpoetanarquista.blogspot.com.br/2013/09/ilustracao-arthur-rackham.html" target="_blank"> Poet’Anarquista</a>, <a href="http://www.turningpointgallery.com/bio.asp" target="_blank">Turning Point Gallery</a>, <a href="http://en.wikipedia.org/wiki/John_James_Audubon" target="_blank">Wikipédia1</a>, <a href="http://en.wikipedia.org/wiki/Arthur_Rackham" target="_blank">Wikipédia2</a>, <a href="http://en.wikipedia.org/wiki/Peter_Parnall" target="_blank">Wikipédia3</a><br />
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<pubDate>Wed, 21 May 2014 01:41:00 +0000</pubDate>
<atom:updated>2014-05-20T22:45:55.952-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">historia da arte</category>
<category domain="http://www.blogger.com/atom/ns#">representação do corpo humano na arte</category>
<category domain="http://www.blogger.com/atom/ns#">representação irreal do corpo humano</category>
<category domain="http://www.blogger.com/atom/ns#">venus de willendorf</category>
<title>Corpo humano na arte – Vênus de Willendorf</title>
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<span style="font-size: 18px;"><i>O corpo humano obcecou artistas de todo o mundo e em todas as épocas. A variedade de sua representação é sem conta. Entretanto, as imagens que mais nos chamam a atenção têm algo em comum: raramente se parecem com um ser humano real.</i></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5K7AcRsb5d1Obo2l3l03FeSWVz87IcCmIVo33i2WuC11simrbvPIAJJ9MNztQhLit9_DBdkY16684TjQ5eZcybp7pjSipkb7YxBgWKXGOYIl3fQxCG-_YZIxvgwUWf4n2EKmoquIiNuE/s1600/00_venus-de-willendorf.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5K7AcRsb5d1Obo2l3l03FeSWVz87IcCmIVo33i2WuC11simrbvPIAJJ9MNztQhLit9_DBdkY16684TjQ5eZcybp7pjSipkb7YxBgWKXGOYIl3fQxCG-_YZIxvgwUWf4n2EKmoquIiNuE/s1600/00_venus-de-willendorf.jpg" height="388" width="640" /></a></div>
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<h3 style="text-align: right;">
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15/maio/2014</span></h3>
<h2 style="text-align: right;">
<span style="color: #990000;">[História da Arte]</span></h2>
<h2>
<span style="color: #990000; font-size: 20px;">A representação do corpo humano
Parte 1 – A Vênus de Willendorf</span></h2>
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<h3>
A primeira representação artística do corpo humano</h3>
<div style="text-align: justify;">
A primeira imagem do corpo humano que se conhece foi encontrada às margens do rio Danúbio, no Vale Wachau [nordeste da Áustria], na vila de Willendorf. </div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: justify;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAkiqcPVw_ALEZ6ExeIg1TJsLoK3RpcEfBzg7yMCyjSg4RvZc5eJLocu-4OWHbD5eriJkHKEcMhGQ5tgBPYXtVdG9ByVk-rI8g5rddotz7adXEc-zfTmlCVFhN8AM-ptmaoakTQ03okFQ/s1600/02_rio-danubio-vale-wachau.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAkiqcPVw_ALEZ6ExeIg1TJsLoK3RpcEfBzg7yMCyjSg4RvZc5eJLocu-4OWHbD5eriJkHKEcMhGQ5tgBPYXtVdG9ByVk-rI8g5rddotz7adXEc-zfTmlCVFhN8AM-ptmaoakTQ03okFQ/s1600/02_rio-danubio-vale-wachau.jpg" height="174" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"><span style="font-size: x-small;">Vale Wachau [nordeste da Áustria], na vila de Willendorf</span></span></td></tr>
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Seus criadores eram nômades, viviam em pequenos grupos, sustentados pela coleta e pela caça. Encontrar vestígios desse tipo de civilização é muito difícil, mas foi uma tarefa a que se propuseram três arqueólogos austríacos.</div>
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No dia da grande descoberta, nenhum dos três pesquisadores se encontrava em campo. Ao contrário, experimentavam o vinho numa taverna da vila. Motivo pelo qual nenhum deles recebeu o crédito pela descoberta.<br />
Era 7 de agosto de 1908. Um dos trabalhadores retirou da lama a figura de uma mulher. Era uma pequena estátua de 10 cm, talhada em pedra calcárea e tinha 25 mil anos de idade. Deram-lhe o nome de Vênus de Willendorf [vênus era o termo genérico para o nu feminino no passado].<br />
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<h3 style="text-align: left;">
<span style="color: #990000;">
Vênus de Willendorf</span></h3>
<div style="text-align: justify;">
A estatueta é peça essencial na História da Arte e é considerada a mais importante obra do Museu de História Natural de Viena, possuidor de vasta coleção de artefatos de todo o mundo. </div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGN7l7gsQZJV55Y57RCQ07hnXNXsnynb1x8QbB3eg3p_o5kcXdwDLAMdw34jZfY6Dl0-OJHRnpgKBtNAXx7alfytjppwvgIOim68sbgEsZnozM46f8CqVjC118bWQ6kl3mf23y47nAAAE/s1600/04_placa-venus-willendorf-museu-viena.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGN7l7gsQZJV55Y57RCQ07hnXNXsnynb1x8QbB3eg3p_o5kcXdwDLAMdw34jZfY6Dl0-OJHRnpgKBtNAXx7alfytjppwvgIOim68sbgEsZnozM46f8CqVjC118bWQ6kl3mf23y47nAAAE/s1600/04_placa-venus-willendorf-museu-viena.jpg" height="280" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;"><span style="font-size: x-small;">Sala especial no Museu de Viena para a Vênus Willendorf</span></span></td></tr>
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<div style="text-align: justify;">
Além de seu valor financeiro e histórico, a <i>pequena </i>Vênus tem um valor inestimável: é a primeira pista do motivo pelo qual nossas imagens do corpo humano são tão irreais. </div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHrjNHeU7mPtQKLpOsz09eOCIrIAI4Q9hg37smyt4bIpB3FhUw7Zw0qsbpwFNuGKtlMO96kdcpETXqD9I1r957Z4AEuzknIAv6p2UqYSm8kZPmX-xIerZtXHKJtYVLqCXhKo1gCmHG_wI/s1600/01_estatua-corpo-humano.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHrjNHeU7mPtQKLpOsz09eOCIrIAI4Q9hg37smyt4bIpB3FhUw7Zw0qsbpwFNuGKtlMO96kdcpETXqD9I1r957Z4AEuzknIAv6p2UqYSm8kZPmX-xIerZtXHKJtYVLqCXhKo1gCmHG_wI/s1600/01_estatua-corpo-humano.jpg" height="352" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;"><span style="font-size: x-small;">Representação irreal do corpo humano</span></span></td></tr>
</tbody></table>
<div style="text-align: justify;">
A pequena Vênus é completamente irreal. Seios, estômago, quadris, coxas e órgão sexual, todos enormes, desproporcionais. Por outro lado, seus braços quase não existem e seu rosto não aparece. </div>
<div style="text-align: justify;">
Contudo, percebe-se que ela não é uma criação casual. Vê-se que foi cuidadosamente esculpida. Algum motivo levou aqueles homens, caçadores e coletores, a criá-la. O surpreendente, é que o estilo foi encontrado em várias partes do mundo, desde as estepes russas até o sudeste da Europa. Não são idênticas, mas os traços são os mesmos, os mesmos exageros e subtrações, como na pequena Vênus de Willendorf. </div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvxOXkDt3YhZ1JBBzpB1GgSrIiXYe9oPDxNcLMleu0QrP7aTQw-iiFOXNlTXlcJbqA64IkvPxdUzEHulcVzl46SULhs5WDVUzslJdppLoegmiZhLYqmTXjFFs-shrjrQb3Q-3WUuNBvtA/s1600/05_kostienki-venus-russia.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvxOXkDt3YhZ1JBBzpB1GgSrIiXYe9oPDxNcLMleu0QrP7aTQw-iiFOXNlTXlcJbqA64IkvPxdUzEHulcVzl46SULhs5WDVUzslJdppLoegmiZhLYqmTXjFFs-shrjrQb3Q-3WUuNBvtA/s1600/05_kostienki-venus-russia.jpg" height="446" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;"><span style="font-size: x-small;">The Kostienki – Rússia</span></span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyI8a8mlArV7xVXSRPVjbBNLmukmfLIusYtVT5DW4yeprvD-Ei3kbrcbGf38gDcj5kqHjx4xuBWrDfR_quM8xz5xm-L5ypC5ZU2olpMJGpKoowqxZ2V61dvSWrlnAU3nmKyGauyiT_Hyo/s1600/06_the-donli-vestonice-venus-czech-republic.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyI8a8mlArV7xVXSRPVjbBNLmukmfLIusYtVT5DW4yeprvD-Ei3kbrcbGf38gDcj5kqHjx4xuBWrDfR_quM8xz5xm-L5ypC5ZU2olpMJGpKoowqxZ2V61dvSWrlnAU3nmKyGauyiT_Hyo/s1600/06_the-donli-vestonice-venus-czech-republic.jpg" height="324" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;"><span style="font-size: x-small;">The Donli Vestonice – República Tcheca</span></span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI5fIow68VgnebpTLlwGn0AsOh-B-lILAFrJfBLRViF1qpKlj15g08sJJa2bPwH4rX1Uw53wQAqaQADrsrH8muEbUHhVggI7gJPCfJJ-pGqjI8GyFAtOr_J8fa7Oy9xY3elGvbTuZ56CQ/s1600/07_the-venus-de-lespugue-franca.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI5fIow68VgnebpTLlwGn0AsOh-B-lILAFrJfBLRViF1qpKlj15g08sJJa2bPwH4rX1Uw53wQAqaQADrsrH8muEbUHhVggI7gJPCfJJ-pGqjI8GyFAtOr_J8fa7Oy9xY3elGvbTuZ56CQ/s1600/07_the-venus-de-lespugue-franca.jpg" height="320" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small; text-align: justify;">The Venus de les Pugue – França</span></td></tr>
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<h3>
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As perguntas </span></h3>
<div style="text-align: justify;">
Responder a determinadas perguntas sobre a Vênus de Willendorf, e suas semelhantes, é essencial para compreendermos nossa história como seres humanos, como e por que construímos nossa própria imagem e por que a construímos de forma irreal. </div>
<div style="text-align: justify;">
A possível explicação não foi dada por arqueólogos ou por um especialista em arte, mas por um neurocientista, o prof. V. S. Ramachandran, que se fez as mesmas perguntas que os cientistas da área se fizeram.
O professor Ramachandran se perguntou se havia algo no cérebro dos humanos antigos que explicasse porque as Vênus teriam formas tão distantes do real.
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<h3>
<span style="color: #990000;">
A possível resposta</span></h3>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1k8TQx79JdKcmPg0-eoZgNJQZzun7JbSZOy0vntNYV7I1WXpb3MBkHjHiRGHvrjMbC6ztNZJ3thjvvZWGIqTKlXJoo-sP2wF1RKpBvcYq9w8oyU8tBg_6dRuoMdvOSgnd0nwuqB2hwMg/s1600/08_pesquisa-gaivota-de-oxford.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1k8TQx79JdKcmPg0-eoZgNJQZzun7JbSZOy0vntNYV7I1WXpb3MBkHjHiRGHvrjMbC6ztNZJ3thjvvZWGIqTKlXJoo-sP2wF1RKpBvcYq9w8oyU8tBg_6dRuoMdvOSgnd0nwuqB2hwMg/s1600/08_pesquisa-gaivota-de-oxford.jpg" height="163" width="320" /></a></div>
<div style="text-align: justify;">
Por incrível que possa parecer, o prof. Ramachandran se baseou numa pesquisa feita há 50 anos, em Oxford, com gaivotas. É isso, nada errado... Pesquisa com gai-vo-tas, tipo a imagem ao lado. </div>
<div style="text-align: justify;">
O que ocorre é que os filhotes de gaivota, logo que nascem, batem no bico da mãe, que apresenta uma cor avermelhada, pedindo comida, no que são atendidos. </div>
<div style="text-align: justify;">
Na pesquisa realizada pela Oxford, aos filhotes foi apresentada uma vareta com uma fita vermelha, eles a bicaram como se fosse o bico da mãe. O mesmo foi feito com uma vareta com três fitas vermelhas, os filhotes bicaram as fitas com mais entusiasmo. Mostradas as duas varetas ao mesmo tempo, os filhotes apresentaram preferência visível pela vareta com as três fitas. </div>
<div style="text-align: justify;">
Mas, afinal, qual a relação da pesquisa com os filhotes de gaivota e a Vênus de Willendorf?</div>
<div style="text-align: justify;">
Na verdade, o que se provou é que, no cérebro dos filhotes, assim como no cérebro humano, o que interessa é o objeto do desejo primário. No caso das gaivotas, as fitas vermelhas. No caso dos seres humanos do vale de Wachau, vila de Willendorf, os seios, estômago [ou barriga], quadris, coxas e órgão sexual.
Os caçadores e coletores de Willendorf, que viviam num rude e agressivo clima glacial, exageraram o que mais importava, as partes que eram os maiores áreas de seus desejo nas fêmeas.</div>
<h3>
<span style="color: #990000;">
Ficam as perguntas:</span></h3>
<div style="text-align: justify;">
Esse instinto primário dos seres humanos explica, realmente, por que criamos imagens irreais de nosso corpo?
Tendo essa teoria como verdade, a motivação que impeliu os homens que vieram posteriormente era a mesma?
Evoluímos nesse sentido? Ou continuamos a representar a <i>pequena Willendorf </i>até os dias de hoje<i>?</i></div>
<div style="text-align: justify;">
Posts futuros, mas não sequenciais, responderão essas e outras perguntas. Acompanhem!</div>
<div style="text-align: justify;">
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<div style="text-align: justify;">
<b>Veja também: </b><br />
<b><a href="http://mol-tagge.blogspot.com.br/2011/04/museu-academicismo-exposicao.html" target="_blank">Academicismo censura o conhecimento</a></b><br />
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</h1>
</div>
<div style="text-align: justify;">
<b>Fonte:</b> BBC</div>
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<pubDate>Fri, 16 May 2014 02:43:00 +0000</pubDate>
<atom:updated>2014-05-15T23:43:53.530-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">disney</category>
<category domain="http://www.blogger.com/atom/ns#">ever after</category>
<category domain="http://www.blogger.com/atom/ns#">filmes da disney</category>
<category domain="http://www.blogger.com/atom/ns#">ilustrações de jeff hong</category>
<category domain="http://www.blogger.com/atom/ns#">jeff hong</category>
<category domain="http://www.blogger.com/atom/ns#">para sempre</category>
<title>Filmes da Disney na vida real</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-size: 18px;"><i>Pois é, a vida não é como nos filmes. Na vida o The End vai além. Se imaginássemos o dia seguinte num mundo real... Haveria o Ever After [para sempre] como nos filmes da Disney? Jeff Hong os ilustrou.</i></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2gNMT3cFcbiKk9XfU2UYr89HCQXC9RZ3aolOuj-jtTcnkijk_Ym92XRB4iGIkJDUXVeEkwQQKU_LmxOQV5XZMToH32TRjzsUsuaut3UH7wQlgQw8h-4nbFvOUvbbPy0Q7j9Zf-ZamXTM/s1600/101+dalmatas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2gNMT3cFcbiKk9XfU2UYr89HCQXC9RZ3aolOuj-jtTcnkijk_Ym92XRB4iGIkJDUXVeEkwQQKU_LmxOQV5XZMToH32TRjzsUsuaut3UH7wQlgQw8h-4nbFvOUvbbPy0Q7j9Zf-ZamXTM/s1600/101+dalmatas.jpg" height="426" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">101 Dálmatas</td></tr>
</tbody></table>
<h3 style="text-align: right;">
<span style="color: #323130;">15/maio/2014</span></h3>
<h2 style="text-align: right;">
<span style="color: #990000;">[Ilustrações]</span></h2>
<h3>
<span style="color: #990000;">
Jeff Hong</span></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikY67Y72S_OHuRlso7dO5zRGZThCulGniMoUdiUh0il0z2viVJN_33r-g2cjuJHtFziqOdukz6H2HIL0OHs6sGH4fHjzi5sxg_Q_VyiHBdHvdFhbSQyzb6o2yulB3gnC6C0hgWwQtQ7uA/s1600/00_Jeff+Hong.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikY67Y72S_OHuRlso7dO5zRGZThCulGniMoUdiUh0il0z2viVJN_33r-g2cjuJHtFziqOdukz6H2HIL0OHs6sGH4fHjzi5sxg_Q_VyiHBdHvdFhbSQyzb6o2yulB3gnC6C0hgWwQtQ7uA/s1600/00_Jeff+Hong.jpg" height="198" width="200" /></a></div>
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<br />
Jeff Hong tem talento apresenta-se maravilhosamente nas ilustrações que fez para representar o Ever After [para sempre] das histórias infantis da Disney.<br />
Jeff é storyboard e artista de animação com mais de 16 anos de experiência. Trabalha em cinema e televisão com animação para a Walt Disney Feature, Fox Television Animation, e a Nickelodeon.<br />
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<h3>
<span style="color: #990000;">
A dura realidade dos dias seguintes</span></h3>
<div style="text-align: justify;">
Hong traz alguns dos grandes sucessos da Disney para os dias atuais e os coloca frente à realidade. Temas como maus tratos a animais, poluição, desrespeito à natureza, culto à beleza, entre outros, são abordados em ilustrações aparentemente singelas.
Exatamente por parecerem tão singelas, como os são os filmes da Disney, é que as ilustrações de Jeff Hong nos faz pensar [ou repensar] temas tão vitais à nossa sobrevivência.
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<h3>
<span style="color: #990000;">
Ilustrações de Jeff Hong</span></h3>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWsp6MMpPSq6rGWWzwmfT1wx-yR9qD763E41F2zCdDTcih_r1_-r2-am8_WARLK-cvhrpllXyj3DmjYVo3u3e2h3nNSVmx1DMm8wikrgv1ImCEhrP_2x3fXARLq55QvGaO9Saf3VoXHe8/s1600/a-bela-e-a-fera.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWsp6MMpPSq6rGWWzwmfT1wx-yR9qD763E41F2zCdDTcih_r1_-r2-am8_WARLK-cvhrpllXyj3DmjYVo3u3e2h3nNSVmx1DMm8wikrgv1ImCEhrP_2x3fXARLq55QvGaO9Saf3VoXHe8/s1600/a-bela-e-a-fera.jpg" height="358" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">A Bela e a Fera</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij67nVBRSIMXz7-rHfUkAkVfb7hCYd65arLFjx3mmOLj7v5LuLlP-usJr9eiNqdJonRQoVmMTlGsZYw7Fe6Kjf3sBDlRa4xBOazv7pI-DKXKmaW2kw2LMVP6R7L8jkpHvRV3dfvAsCqB0/s1600/a-pequena-sereia.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij67nVBRSIMXz7-rHfUkAkVfb7hCYd65arLFjx3mmOLj7v5LuLlP-usJr9eiNqdJonRQoVmMTlGsZYw7Fe6Kjf3sBDlRa4xBOazv7pI-DKXKmaW2kw2LMVP6R7L8jkpHvRV3dfvAsCqB0/s1600/a-pequena-sereia.jpg" height="426" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">A Pequena Sereia</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIAkutLojH5EsX3122Yse0q1O4j-VfgIaW9yOCaaiaAVJ779Y-OZ4UqM3nDqJeVJHZe8QPrMiTSe-cu7Q4wrQwi4J6tdqsc8JgShBkH4FyF-SimJndl1V5eUE0yoDu0yfGgO6d9sPH00o/s1600/a-princesa-e-o-sapo.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIAkutLojH5EsX3122Yse0q1O4j-VfgIaW9yOCaaiaAVJ779Y-OZ4UqM3nDqJeVJHZe8QPrMiTSe-cu7Q4wrQwi4J6tdqsc8JgShBkH4FyF-SimJndl1V5eUE0yoDu0yfGgO6d9sPH00o/s1600/a-princesa-e-o-sapo.jpg" height="426" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">A Princesa e o Sapo</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtBN48ouV7xy7rJ577w24uFuKM6Qy4w6OXMZEC6OufVgdPyCpcqzp1dcfNIUo4foI0PrEZ1z41MtsNJ98HB7sEIxB1HIkxg9CP7yv4b6A-cOhhwRHjSiMM1QJuUccdNtQaeSrj6TJ82Ko/s1600/alice-no-pais-das-maravilhas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtBN48ouV7xy7rJ577w24uFuKM6Qy4w6OXMZEC6OufVgdPyCpcqzp1dcfNIUo4foI0PrEZ1z41MtsNJ98HB7sEIxB1HIkxg9CP7yv4b6A-cOhhwRHjSiMM1QJuUccdNtQaeSrj6TJ82Ko/s1600/alice-no-pais-das-maravilhas.jpg" height="424" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alice no País das Maravilhas</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiasDidaEe0EnGvGGmpPkBfCY_hwfqBaEDEhr8hgJcIvbimnJ1goagPfF3R7z7_ywa1pRN_7O0KT2bUyOvK4kjg1bj7TwqSaW4T2CeQi0QX1K0ZRCqNFqKoWlZjMWRDs5ebuJeXiMHEEOU/s1600/bambi.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiasDidaEe0EnGvGGmpPkBfCY_hwfqBaEDEhr8hgJcIvbimnJ1goagPfF3R7z7_ywa1pRN_7O0KT2bUyOvK4kjg1bj7TwqSaW4T2CeQi0QX1K0ZRCqNFqKoWlZjMWRDs5ebuJeXiMHEEOU/s1600/bambi.jpg" height="422" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bambi</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimvB4ncqI1MSopwtOXIa2BwFytw54sVbAUSIdpKyLoSjC_glG5h8mA0MlxqI5PLHZcU0JzYOHZdgze6Wb_kgfFObAmLrC_i-VEAjEgoAcOJmGeN2YYHF8FOrNRrHLF7LeSxfqEMgtvYes/s1600/cinderela.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimvB4ncqI1MSopwtOXIa2BwFytw54sVbAUSIdpKyLoSjC_glG5h8mA0MlxqI5PLHZcU0JzYOHZdgze6Wb_kgfFObAmLrC_i-VEAjEgoAcOJmGeN2YYHF8FOrNRrHLF7LeSxfqEMgtvYes/s1600/cinderela.jpg" height="320" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cinderela</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcBGEzxI6Oij0bdBHuD5zRFm71D3Abti1PzOHF_Bg-GI28Gw26Nz9UZ1hSM3frr0_C1eowcwViG4V-8CUcPXd3mDckb-jKsOY83LGi3CwJCAjMo4JR7VUhkNlRR6sNDED1ajYMfQaGfWw/s1600/dumbo.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcBGEzxI6Oij0bdBHuD5zRFm71D3Abti1PzOHF_Bg-GI28Gw26Nz9UZ1hSM3frr0_C1eowcwViG4V-8CUcPXd3mDckb-jKsOY83LGi3CwJCAjMo4JR7VUhkNlRR6sNDED1ajYMfQaGfWw/s1600/dumbo.jpg" height="448" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dumbo</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrfYQHtMLjhMOl5qQ1FjtK1uVfQf66NJ6T4Okr4uxgmfKUvlIL5tiSjIW3s-KZM5K5t3KGleuG9dMza1kjx_lPme1EUbGX5JlmNk7C1QD0WNPNo_WIB8FTpucOzuMID_CXN6MVkasE1nE/s1600/kiara-rei-leao.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrfYQHtMLjhMOl5qQ1FjtK1uVfQf66NJ6T4Okr4uxgmfKUvlIL5tiSjIW3s-KZM5K5t3KGleuG9dMza1kjx_lPme1EUbGX5JlmNk7C1QD0WNPNo_WIB8FTpucOzuMID_CXN6MVkasE1nE/s1600/kiara-rei-leao.jpg" height="382" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">O Rei Leão - Kiara</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz1cL57yyXvpSMCKH8AX9mTVKdUOWeV9n81FbwAle7UyHvd_lwEMe0Wr5Csnxi-l4dv-nUWtUthdIOS2ycZvnbUg7JWXBIK21qpoUHM6cPLI1fmM9N8qXxDc171sOXwcHCqtVnNN9kWkI/s1600/mulan.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz1cL57yyXvpSMCKH8AX9mTVKdUOWeV9n81FbwAle7UyHvd_lwEMe0Wr5Csnxi-l4dv-nUWtUthdIOS2ycZvnbUg7JWXBIK21qpoUHM6cPLI1fmM9N8qXxDc171sOXwcHCqtVnNN9kWkI/s1600/mulan.jpg" height="426" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mulan</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixrpqfYiGonzuwhyjjAilrQmJO5tnOqhG7UBhyphenhyphenIu0rQjJ0tBFTyoufwQYoizaAJwGI15ucy9hg0robXJW5zTtsVuLTq0ebk30Tjqq5lOVzRU-6xoqU_IePEblJ8OiECfboOGgwEIgB_iI/s1600/o-corcunda-de-notre-dame.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixrpqfYiGonzuwhyjjAilrQmJO5tnOqhG7UBhyphenhyphenIu0rQjJ0tBFTyoufwQYoizaAJwGI15ucy9hg0robXJW5zTtsVuLTq0ebk30Tjqq5lOVzRU-6xoqU_IePEblJ8OiECfboOGgwEIgB_iI/s1600/o-corcunda-de-notre-dame.jpg" height="358" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">O Corcunda de Notre Dame</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh19sdwZSjtl2nlBccJ1CUIvbIMwws5mKZ2JunWKhlXNF3r7teHOn5HigrRBItDM3nc2TqNWWwQFRVceLhV3kRV-3sj1qCoP3-Z-2yt0QSwfwE5wc0TONTdUUEwhPhI_xyANx4eqrrHTy8/s1600/o-galinho-chicken-little.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh19sdwZSjtl2nlBccJ1CUIvbIMwws5mKZ2JunWKhlXNF3r7teHOn5HigrRBItDM3nc2TqNWWwQFRVceLhV3kRV-3sj1qCoP3-Z-2yt0QSwfwE5wc0TONTdUUEwhPhI_xyANx4eqrrHTy8/s1600/o-galinho-chicken-little.jpg" height="456" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">O Galinho Chicken Little</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCNausZ0AlKu_2sQNFeEeSWXQKznyWe7RCBwBIIUWBAqJfLxG-2_Xv5CSmQsEgSSSUAEKwlS0nHV0217R9iXKB5WDSY_67GAizgewgn1kq4SIJ99VLusyIFNXxYeAY3uG6ekmvguIGBgI/s1600/pocahontas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCNausZ0AlKu_2sQNFeEeSWXQKznyWe7RCBwBIIUWBAqJfLxG-2_Xv5CSmQsEgSSSUAEKwlS0nHV0217R9iXKB5WDSY_67GAizgewgn1kq4SIJ99VLusyIFNXxYeAY3uG6ekmvguIGBgI/s1600/pocahontas.jpg" height="346" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pocahontas</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixqj5zwu4qZmmUg52my14NgqVHeVOVjLq5N7ctJYiKinqlBO7GVJRTUMseare1XDnzJcVJfjKxOZ-Yb-NfwQ9YA-ww3S2cI8yDeY4hCCFHtKhFQx4qEjfVwTCtzpByZtkr5Tv0skFHb0A/s1600/ratatouille.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixqj5zwu4qZmmUg52my14NgqVHeVOVjLq5N7ctJYiKinqlBO7GVJRTUMseare1XDnzJcVJfjKxOZ-Yb-NfwQ9YA-ww3S2cI8yDeY4hCCFHtKhFQx4qEjfVwTCtzpByZtkr5Tv0skFHb0A/s1600/ratatouille.jpg" height="424" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ratatouille</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHQDbS-jiqZ0E0yQ9Pdm9LZYUYSFjTZF1JTEHd8aEgOFwd99DltHzzBBL3Q5Fic8hhVEyynfuQNVOY3QtI90ZCjIkQJlltUxKtIUm482_7DbcSGYpTqVE_B3yfCeJE1XpJQLE6UV_Hj0k/s1600/ursinho-puff.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHQDbS-jiqZ0E0yQ9Pdm9LZYUYSFjTZF1JTEHd8aEgOFwd99DltHzzBBL3Q5Fic8hhVEyynfuQNVOY3QtI90ZCjIkQJlltUxKtIUm482_7DbcSGYpTqVE_B3yfCeJE1XpJQLE6UV_Hj0k/s1600/ursinho-puff.jpg" height="426" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ursinho Puff</td></tr>
</tbody></table>
<div>
<b>Veja também: </b></div>
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<a href="http://mol-tagge.blogspot.com.br/2010/11/animacao-salvador-dali-disney.html" target="_blank">Destino uniu Salvador Dali e Disney</a> </div>
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Fontes: <a href="http://disneyunhappilyeverafter.tumblr.com/" target="_blank">Tumblr do artista</a>, <a href="http://vimeo.com/jeffhong" target="_blank">Vimeo </a></div>
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<pubDate>Thu, 15 May 2014 04:11:00 +0000</pubDate>
<atom:updated>2014-05-15T01:11:27.637-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">yayoi kusama arte performática pintura pintura em tela artista</category>
<title>Yayoi Kusama - Versão japonesa de Andy Warhol</title>
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<i>Considerada a versão japonesa de Andy Warhol, a <b>artista Yayoi Kusama</b> é multimídia. Trabalha pinturas, colagens, esculturas, <b>arte performática</b>, instalações ambientais, literatura e cinema. Considera-se uma artista obsessiva e suas obras têm como padrão a repetição e a acumulação.</i><br />
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<span class="Apple-style-span" style="color: #990000; font-size: 19px; font-weight: bold;">Psicopatologia de Kusama</span><br />
<h4 style="text-align: justify;">
Yayoi Kusama nasceu em Matsumoto (Nagano/Japão), <span class="Apple-style-span" style="font-weight: normal;">em 1929. Desde criança sofre de alucinações e tem pensamentos obsessivos, muitos deles suicidas. Segundo ela, seus problemas psicológicos decorrem dos abusos físicos graves causados por sua mãe, quando ela ainda era uma menina.</span></h4>
<blockquote>
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Minha mãe era uma empresária astuta, sempre terrivelmente ocupada com seu trabalho. [...] ela era extremamente violenta. Ela odiava me ver pintar, então ela destruiu as telas que eu estava trabalhando. Eu tenho as fotos de minhas pinturas desde que eu tinha dez anos quando comecei a ter alucinações.</div>
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Eu as fiz em grandes quantidades. Mesmo antes de eu começar a pintar, eu era diferente das outras crianças. Minha mãe me batia e me chutava no traseiro a cada dia, irritada porque eu estava sempre na pintura. [Entrevista concedida por fax ao <a href="http://bombsite.com/issues/66/articles/2192" target="blank">Bomb Site</a>]</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWK7w88OO0EsmbvLIkeuzjNWtN-ye7vhpnTzSJT-93UKjfYbizW_wm27b91nDgFLBSqf7tUUMXkehY132Z_kbYi4FeIjMCNUNv0fS0Xf-LS-QvUeytEG9BNArmiTJTF_5kd6vlyJNFBCk/s1600/02_yayoi+kusama.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWK7w88OO0EsmbvLIkeuzjNWtN-ye7vhpnTzSJT-93UKjfYbizW_wm27b91nDgFLBSqf7tUUMXkehY132Z_kbYi4FeIjMCNUNv0fS0Xf-LS-QvUeytEG9BNArmiTJTF_5kd6vlyJNFBCk/s640/02_yayoi+kusama.jpg" height="190" width="640" /></a></div>
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<span class="Apple-style-span" style="color: #990000; font-size: 19px; font-weight: bold;">A descoberta de sua arte</span></h3>
<h4 style="text-align: justify;">
Embora tenha formação acadêmica em pintura japonesa, <span class="Apple-style-span" style="font-weight: normal;">chamada Nihonga – pinturas feitas de acordo com as convenções de materiais e técnicas tradicionais japonesas, não foi esse o caminho artístico percorrido por Yayoi Kusama.</span></h4>
<h4 style="text-align: justify;">
Foi aos 21 anos (1950), que Yayoi Kusama começou a cobrir tudo o que via com bolinhas <span class="Apple-style-span" style="font-weight: normal;">– paredes, pisos, objetos domésticos, quadros, pessoas... A essa compulsão, a artista deu o nome de “redes de infinitos”. A artista afirma que as redes de infinito saíram de suas alucinações.</span></h4>
<h4 style="text-align: justify;">
Sua primeira série de “pintura em tela”, intitulada “Infinity Nets”, <span class="Apple-style-span" style="font-weight: normal;">surgiu em 1951. Na verdade, são uma série de telas cobertas por uma sequência de redes e pontos, aludindo às suas visões alucinatórias.</span></h4>
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<span class="Apple-style-span" style="color: #990000; font-size: 19px;">A vida artística de Yayoi Kusama</span></h4>
<h4 style="text-align: justify;">
Depois de viver em Tóquio e França, Kusama foi para Nova Iorque. <span class="Apple-style-span" style="font-weight: normal;">Lá se tornou líder do movimento de vanguarda da época. Realizou diversas apresentações performáticas em locais públicos, como o Central Park e a ponte do Brooklyn. Suas performances de rua faziam enorme sucesso, principalmente quando pintou bolinhas em homens e mulheres nus enaquelas em que protestava contra a Guerra do Vietnã.</span></h4>
<h4 style="text-align: justify;">
Foram momentos de muita fama. <span class="Apple-style-span" style="font-weight: normal;">Kusama era conhecida como a versão feminina e japonesa de Andy Warhol pelos amantes da Pop Art. Era reconhecida como minimalista.</span></h4>
<h4 style="text-align: justify;">
Parece ter sido esquecida por um tempo.</h4>
<h4 style="text-align: justify;">
Em 1973 Yayoi retornou ao Japão. <span class="Apple-style-span" style="font-weight: normal;">Nesse período Kusama escreveu muito – romances, contos e poesias –, mas o mundo das artes parecia tê-la esquecido. Além disso seu transtorno obsessivo-compulsivo parece ter se intensificado naqueles dias.</span></h4>
<h4 style="text-align: justify;">
Yayoi se internou em um hospital psiquiátrico, <span class="Apple-style-span" style="font-weight: normal;">onde vive até hoje. Foi uma decisão pessoal da artista. Seu ateliê fica próximo à instituição e, assim, Kusama pode trabalhar frequentemente.</span></h4>
<h4 style="text-align: justify;">
Em 1994, a artista inaugurou suas esculturas ao ar livre. <span class="Apple-style-span" style="font-weight: normal;">Em 96, chegou às galerias nova-iorquinas. Em 98-99, foi a vez de Londres. Em 2000, Paris. No ano de 2004, em Tóquio, sua exposição recebeu nada menos que 520 mil pessoas. Neste mesmo ano, fez um turnê pelo Japão.</span></h4>
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<h4 style="text-align: justify;">
Pessoalmente, <span class="Apple-style-span" style="font-weight: normal;">Yayoi me chega como uma mulher amplificada. Sua aparente loucura a sintoniza a todos os movimentos. Talvez por isso mesmo a imagem que escolheu seja circular, ondas que se amplificam engolindo todas as coisas como em movimento cósmico. Por isso a infinitude de suas redes.</span></h4>
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<h3>
<span class="Apple-style-span" style="color: #990000; font-size: 19px; font-weight: bold;">Imagens</span></h3>
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<h4 style="text-align: center;">
Yayoi Kusama – retratos</h4>
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<h4>
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Arte performática</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWJxQaM7yszUlfzGGLzLkaj934TgWLbScBbY0_p-phpPVYqdU2sec47BLezGNykypUAo7__74D4mMmLLsl2fniSNDUdcoYvVr3jGZUIZSiiDKYs0h_sGVfiohYdy0C25nqmOiq2LL_4iQ/s1600/11_yayoi+kusama_arte+performatica_nyork.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWJxQaM7yszUlfzGGLzLkaj934TgWLbScBbY0_p-phpPVYqdU2sec47BLezGNykypUAo7__74D4mMmLLsl2fniSNDUdcoYvVr3jGZUIZSiiDKYs0h_sGVfiohYdy0C25nqmOiq2LL_4iQ/s320/11_yayoi+kusama_arte+performatica_nyork.jpg" height="320" width="254" /></a></div>
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<blockquote>
<div style="text-align: center;">
<span class="Apple-style-span" style="font-weight: normal;"><i>Minha arte é uma expressão da minha vida, sobretudo da minha doença mental. </i></span></div>
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</h4>
<h4 style="text-align: center;">
Obras</h4>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBpV1MSgBV_gSQTMxUpSjvxAy3FwNNAe0CoOOpz2jHdqp3-QX61v3GpgdQoUPsEaOwok7jQssN8w6BbDboAv3DOpWGQydJKdWCdahTvv7w1MxCpHVQwLHGKD9Z2NBjQion_03QxAHTeME/s1600/12_yayoi+kusama_infinity+nets_1951.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBpV1MSgBV_gSQTMxUpSjvxAy3FwNNAe0CoOOpz2jHdqp3-QX61v3GpgdQoUPsEaOwok7jQssN8w6BbDboAv3DOpWGQydJKdWCdahTvv7w1MxCpHVQwLHGKD9Z2NBjQion_03QxAHTeME/s320/12_yayoi+kusama_infinity+nets_1951.jpg" height="320" width="207" /></a></div>
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<span class="Apple-style-span" style="font-size: x-small;">Yayoi Kusama Infinity nets (1951)</span></div>
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<span class="Apple-style-span" style="font-size: x-small;">© MoMA (Museu de Arte Moderna/NY)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivyYHVJbc2kLBcp01jOYRO26MI7aB77uqOgT6X2847fPmxUBNARtgsga0SMUYJ1zZ5fP3etgxCGNIX7McX3hn9LGa4HZah4mV8MOjMU06A4mkYu-5sNfMLQOSZ8cisQp8Ui3BVraBpWyk/s1600/13_yayoi+kusama_abobora+pontilhada.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivyYHVJbc2kLBcp01jOYRO26MI7aB77uqOgT6X2847fPmxUBNARtgsga0SMUYJ1zZ5fP3etgxCGNIX7McX3hn9LGa4HZah4mV8MOjMU06A4mkYu-5sNfMLQOSZ8cisQp8Ui3BVraBpWyk/s320/13_yayoi+kusama_abobora+pontilhada.jpg" height="239" width="320" /></a></div>
<span class="Apple-style-span" style="font-size: x-small;">Abóbora pontilhada</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHXWOua68MnEkquDNW735xoG8ITaoMNNhyphenhyphen67ZcN_u7NE75WjuznbNrNAAATzjjhikO-eFUgSXSr09WaFJPhzydOV05IM2TaRC1DzDtG0riNgswmlIqWzrc1nLamzr9XCDm3UbETzMSXI4/s1600/14_yayoi+kusama_anos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHXWOua68MnEkquDNW735xoG8ITaoMNNhyphenhyphen67ZcN_u7NE75WjuznbNrNAAATzjjhikO-eFUgSXSr09WaFJPhzydOV05IM2TaRC1DzDtG0riNgswmlIqWzrc1nLamzr9XCDm3UbETzMSXI4/s320/14_yayoi+kusama_anos.jpg" height="240" width="320" /></a></div>
<span class="Apple-style-span" style="font-size: x-small;">Anos</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZs5oVx6MI_T7R6CDzcqShXMQe-W9I7ft6z_8YFlc4d80Dj-IQTOndEwOwnRTWeqq-jcOSvSY7_dpUflk54GkZJpqqVdVpJrGs8buaBRktZeuW5bCUU-lpFCRFhGNOWNDnwzdyir5GfDw/s1600/15_yayoi+kusama_as+luzes+brilhantes+das+almas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZs5oVx6MI_T7R6CDzcqShXMQe-W9I7ft6z_8YFlc4d80Dj-IQTOndEwOwnRTWeqq-jcOSvSY7_dpUflk54GkZJpqqVdVpJrGs8buaBRktZeuW5bCUU-lpFCRFhGNOWNDnwzdyir5GfDw/s320/15_yayoi+kusama_as+luzes+brilhantes+das+almas.jpg" height="214" width="320" /></a></div>
<span class="Apple-style-span" style="font-size: x-small;">As luzes brilhantes das almas</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEvl0kbxCc8TEJat2kDhqATDJg0qc49jS-STKy07brraEI-x-5cX6md2zannbKh0TFL2AmIVZY-2pXFOBXOY2xNZoTf6Hk58eIs_GnL6u-5z_mtmQgd7TurAd-eAasAPrM0sNkUP2VrBc/s1600/16_yayoi+kusama_bienal+de+singapura_orchard+road_singapura.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEvl0kbxCc8TEJat2kDhqATDJg0qc49jS-STKy07brraEI-x-5cX6md2zannbKh0TFL2AmIVZY-2pXFOBXOY2xNZoTf6Hk58eIs_GnL6u-5z_mtmQgd7TurAd-eAasAPrM0sNkUP2VrBc/s320/16_yayoi+kusama_bienal+de+singapura_orchard+road_singapura.JPG" height="213" width="320" /></a></div>
<span class="Apple-style-span" style="font-size: x-small;">Bienal de Singapura (Orchard Road/Singapura)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqNfekzp863qPnmjB_314QlRJrfZi7pIGTJI2pdjw8Aq7U-BP-BTz8KrDANhc3mCFX4Lyubp0cV9Zp7xZRvPqcrbkgOge6xv8eUQXLN6HdZHlSE6yEVOPMqr-fLTP2-eXRmMhx2OjObjE/s1600/17_yayoi+kusama_escadas+para+o+ceu.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqNfekzp863qPnmjB_314QlRJrfZi7pIGTJI2pdjw8Aq7U-BP-BTz8KrDANhc3mCFX4Lyubp0cV9Zp7xZRvPqcrbkgOge6xv8eUQXLN6HdZHlSE6yEVOPMqr-fLTP2-eXRmMhx2OjObjE/s320/17_yayoi+kusama_escadas+para+o+ceu.jpg" height="320" width="243" /></a></div>
<span class="Apple-style-span" style="font-size: x-small;">Escadas para o céu</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiI6J-bNHc6DADEg5sAQ6hRzxiOxQDnXRW2tW25EmZpWyxeQIxi3prme2YI-0BZDEdv0DMNzJahmpd_vXCBA7HS9p4zPaOVTX5Ba1B4fEZl42dhNx_M7hUfSJf5Sr6XZjvnJMBsFX9fh4/s1600/18_yayoi+kusama_flor+basel.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiI6J-bNHc6DADEg5sAQ6hRzxiOxQDnXRW2tW25EmZpWyxeQIxi3prme2YI-0BZDEdv0DMNzJahmpd_vXCBA7HS9p4zPaOVTX5Ba1B4fEZl42dhNx_M7hUfSJf5Sr6XZjvnJMBsFX9fh4/s320/18_yayoi+kusama_flor+basel.jpg" height="240" width="320" /></a></div>
<span class="Apple-style-span" style="font-size: x-small;">Flor basel</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3t-roIoXIglynpEtqpwN8bY63UlHBhUxEOzP7I4SRzpLLeEDcIElG4ONs0WSoRcDWMGal06Z5ywQYDv6qLeOP19_32wtLL9eCEG3N3JzCQc1NyvOVRBo393NhcBRfh7vhdj4T8BVeYe8/s1600/19_yayoi+kusama_flores+florescem+em+azumino.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3t-roIoXIglynpEtqpwN8bY63UlHBhUxEOzP7I4SRzpLLeEDcIElG4ONs0WSoRcDWMGal06Z5ywQYDv6qLeOP19_32wtLL9eCEG3N3JzCQc1NyvOVRBo393NhcBRfh7vhdj4T8BVeYe8/s320/19_yayoi+kusama_flores+florescem+em+azumino.jpg" height="313" width="320" /></a></div>
<span class="Apple-style-span" style="font-size: x-small;">Flores florescem em azumino</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMaoMkf-gjVX5oGDsUPcs8qlLjkb5LrdA77ghf8To91lkcqurrDdMjL0y4ia9palbkcxxP9s0ETr_yCFLZMAjP0xIjvr_hBuNmpA5WOrfJR-sMTRgtRMfWxECTVUyg3YoKFAAfb0mepeE/s1600/20_yayoi+kusama_infinita+parede+de+espelhos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMaoMkf-gjVX5oGDsUPcs8qlLjkb5LrdA77ghf8To91lkcqurrDdMjL0y4ia9palbkcxxP9s0ETr_yCFLZMAjP0xIjvr_hBuNmpA5WOrfJR-sMTRgtRMfWxECTVUyg3YoKFAAfb0mepeE/s320/20_yayoi+kusama_infinita+parede+de+espelhos.jpg" height="237" width="320" /></a></div>
<span class="Apple-style-span" style="font-size: x-small;">Infinita parede de espelhos</span><br />
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<div style="text-align: center;">
<i>Minha arte é originário das alucinações que eu posso ver. Traduzo as alucinações e imagens obsessivas que me atormenta em esculturas e pinturas. Todos os meus trabalhos em pastel são os produtos da neurose obsessiva e, portanto, intrinsecamente ligado à minha doença. Eu crio peças, mesmo quando eu não vejo alucinações, no entanto. </i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI9kkofJ2ZaWoH0xWEyD2ajk6IlD2Tg2DoQG2ge-m3qibB_cwNZn97V0ZRK43MS_7Cy1md3ojL__eJHRMJh72Ugc7w_uwCIJdWVsqDGswruolNciGx6i1W6HA1djcs5yLx2EaC0AwOhiI/s1600/21_yayoi+kusama_infinita+sala+dos+espelhos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI9kkofJ2ZaWoH0xWEyD2ajk6IlD2Tg2DoQG2ge-m3qibB_cwNZn97V0ZRK43MS_7Cy1md3ojL__eJHRMJh72Ugc7w_uwCIJdWVsqDGswruolNciGx6i1W6HA1djcs5yLx2EaC0AwOhiI/s320/21_yayoi+kusama_infinita+sala+dos+espelhos.jpg" height="320" width="311" /></a></div>
<span class="Apple-style-span" style="font-size: x-small;">Infinita sala dos espelhos</span></div>
</blockquote>
</blockquote>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkm53F3FFBBBYCLdG-Zw43ikzbGDoV9TjTABF6yhTer8dGPpv5Q2ex71WjJuvuaddypUztgL8D6r6GuNet9MO8fssuNR9IB5v1YJxVnJg9udKcOslZMX6GVW2GH2zDaSeCvkfclKVaV8E/s1600/22_yayoi+kusama_jardim+narcisus.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkm53F3FFBBBYCLdG-Zw43ikzbGDoV9TjTABF6yhTer8dGPpv5Q2ex71WjJuvuaddypUztgL8D6r6GuNet9MO8fssuNR9IB5v1YJxVnJg9udKcOslZMX6GVW2GH2zDaSeCvkfclKVaV8E/s320/22_yayoi+kusama_jardim+narcisus.jpg" height="320" width="238" /></a></div>
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<span class="Apple-style-span" style="font-size: x-small;">Jardim narcisus</span></div>
<blockquote>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3MHSe-h3yi0G6efnj-1gqj68UZtrQHoMCjgj8iVifYpJ7AClvtl0dJjrPnQ_XwalPNAw5ZC2mVt4mWXdspGLafhRzNGlKKF7_ri-1MHlB0l6p_uVW3qXhyphenhyphenL4evuYL6-stLQ1_o-1YdmY/s1600/23_yayoi+kusama_let-s+carry+das+flores+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3MHSe-h3yi0G6efnj-1gqj68UZtrQHoMCjgj8iVifYpJ7AClvtl0dJjrPnQ_XwalPNAw5ZC2mVt4mWXdspGLafhRzNGlKKF7_ri-1MHlB0l6p_uVW3qXhyphenhyphenL4evuYL6-stLQ1_o-1YdmY/s320/23_yayoi+kusama_let-s+carry+das+flores+.jpg" height="251" width="320" /></a></div>
<span class="Apple-style-span" style="font-size: x-small;">Let's carry das flowers</span></div>
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<span class="Apple-style-span" style="font-size: x-small;"> Momento da regeneração</span></div>
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<span class="Apple-style-span" style="font-size: x-small;">Morte de uma ilusão</span></div>
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<span class="Apple-style-span" style="font-size: x-small;">Parc de Villette</span></div>
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<span class="Apple-style-span" style="font-size: x-small;">Sexy</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhidoatk6snvb3wAxgbQfPW748Wc8SnTjxBmrG8hYGN7U4LBg6_vq8D4VlvhfxReHpJ-MNmjoazn1G-Qd-aGZNYeFq2oHDRYALvwKrVJZlbFVJmTEqac6jYhBPWsX6pIquB2q1ZmPLQP4U/s1600/28_yayoi+kusama_xadrez.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhidoatk6snvb3wAxgbQfPW748Wc8SnTjxBmrG8hYGN7U4LBg6_vq8D4VlvhfxReHpJ-MNmjoazn1G-Qd-aGZNYeFq2oHDRYALvwKrVJZlbFVJmTEqac6jYhBPWsX6pIquB2q1ZmPLQP4U/s320/28_yayoi+kusama_xadrez.jpg" height="320" width="288" /></a></div>
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<span class="Apple-style-span" style="font-size: x-small;">Xadrez</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz1dyi_b2OxzX_iI5FTgqXBD6EXkwZ-nVKW3r7oVG9i5q1ht2H-pK1Nvo02z7mMu54Qy45q_771JoC-HG_uGWNUmpH6GhtQw_jEPnDSnt9NW_sljpJ_n6iEmfbw3DdeMPXKPey_LReOGI/s1600/29_yayoi+kusama+trabalhando.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz1dyi_b2OxzX_iI5FTgqXBD6EXkwZ-nVKW3r7oVG9i5q1ht2H-pK1Nvo02z7mMu54Qy45q_771JoC-HG_uGWNUmpH6GhtQw_jEPnDSnt9NW_sljpJ_n6iEmfbw3DdeMPXKPey_LReOGI/s640/29_yayoi+kusama+trabalhando.jpg" height="426" width="640" /></a></div>
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<span class="Apple-style-span" style="font-size: x-small;">Yayoi kusama trabalhando</span></div>
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<b><span class="Apple-style-span" style="color: #990000;">Veja também:</span></b></div>
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<a href="http://mol-tagge.blogspot.com/2009/06/andy-warhol-e-romero-brito.html">Andy Warhol e Romero Brito publicitários e artistas</a></div>
<div style="text-align: justify;">
<a href="http://mol-tagge.blogspot.com/2011/03/arte-retrato-pintura-em-tela.html">A arte do retrato está viva – Pintura em tela</a></div>
<div style="text-align: justify;">
<a href="http://mol-tagge.blogspot.com/2011/01/artista-plastico-damien-hirst-polemico.html">Porque Damien Hirst é o artista plástico atual mais polêmico e polemizado</a></div>
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<span class="Apple-style-span" style="color: #990000;">ABBÇo fraterno!</span></div>
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<span class="Apple-style-span" style="color: #990000;">MarGGa Duval</span></div>
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Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2011/05/artista-yayoi-kusama.html</link>
<author>noreply@blogger.com (margga)</author>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-6731375263913838686</guid>
<pubDate>Wed, 14 May 2014 02:00:00 +0000</pubDate>
<atom:updated>2014-05-13T23:01:02.755-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">cultura do tráfico</category>
<category domain="http://www.blogger.com/atom/ns#">extorsão cultural</category>
<category domain="http://www.blogger.com/atom/ns#">mercado negro de antiguidades</category>
<category domain="http://www.blogger.com/atom/ns#">saque patrimonio historico artistico mundial</category>
<title>Patrimônio histórico e artístico perdido para o crime</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<div dir="ltr" style="text-align: left;" trbidi="on">
<i>Em março/2010, falamos sobre <a href="http://mol-tagge.blogspot.com/2010/03/obras-de-arte-museus.html" target="_blank">Como obras de arte chegam aos museus</a>. Quatro anos depois voltamos ao tema, desta vez de forma mais abrangente: como o crime está corroendo o patrimônio histórico, cultural e artístico mundial, principalmente o egípcio. </i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho-oCOZkF_oSa5QjTtazRoS42JPniGryphry21jzfAVy0n4qktbmx2gX4QIiIfiIEYapCBhUVVcScr970lYPw-6utaUSTNPlyJy_9u8qhqSFVa3qZo1_nzUYEmzp5Gt9Y_GBPJVQE5T78/s1600/01_soldados-egipcios-museu-cairo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho-oCOZkF_oSa5QjTtazRoS42JPniGryphry21jzfAVy0n4qktbmx2gX4QIiIfiIEYapCBhUVVcScr970lYPw-6utaUSTNPlyJy_9u8qhqSFVa3qZo1_nzUYEmzp5Gt9Y_GBPJVQE5T78/s1600/01_soldados-egipcios-museu-cairo.jpg" height="400" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Soldados egípcios, no Museu do Cairo, inspecionam tentativa de saque de artefatos do tempo dos faraós [AP/2011]</span></div>
<h3 style="text-align: right;">
<span style="color: #323130;">
12/maio/2014</span></h3>
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<h2 style="text-align: right;">
<span style="color: #990000;">[Cultura/Patrimônio Histórico, Cultural e Artístico Mundial]</span></h2>
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<br />
Em maio do mesmo ano, no post <a href="http://mol-tagge.blogspot.com.br/2010/05/museu-obra-de-arte.html" target="_blank">Museu não guarda só obras de arte</a>, deixamos claro que há muitas peças que chegam clandestinamente aos museus e suas origens são simplesmente ignoradas [fecham os olhos, como se diz por aqui]. </div>
<div style="text-align: justify;">
Agora, o advogado e pesquisador afiliado do Centro Escocês de Crime e Justiça de Pesquisa da Universidade de Glasgow, Tess Davis, em artigo publicado no <a href="http://www.huffingtonpost.com/tess-davis/egypts-history-is-being-l_b_5240549.html?utm_hp_ref=arts&ir=Arts" target="_blank">HuffPost</a>, adverte que o Egito, desde o início da Primavera Árabe, mais que nunca, tem sido vítima de saqueadores, ladrões e contrabandistas. E que o governo vem criando campanhas na tentativa de que o povo colabore na luta contra os saques. </div>
<div style="text-align: justify;">
Davis vai além, estendendo a extorsão cultural ou cultura do tráfico para todo o globo. Afirma que o mercado negro vem destruindo parte da história da humanidade e que, assustadoramente, tais crimes vêm sustentando insurgentes e terroristas. O perigo já chegou à Líbia, Síria e Tunísia. Destino final dos artefatos? Estados Unidos da América. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj16G6Ox0nZy5r4WECeq6CnnqyCKgnejny0cZjmGdzBjapHY6OICStpsBr15gUd-7xF5GZoZMOXk-jx1RNSr1du2DYkYY7oml6fsXuHV_aTzDdmbeK7fdajwe5w0gOu-DiohXhKGOYSfis/s1600/02_saque-museu-mallawi-egito.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj16G6Ox0nZy5r4WECeq6CnnqyCKgnejny0cZjmGdzBjapHY6OICStpsBr15gUd-7xF5GZoZMOXk-jx1RNSr1du2DYkYY7oml6fsXuHV_aTzDdmbeK7fdajwe5w0gOu-DiohXhKGOYSfis/s1600/02_saque-museu-mallawi-egito.jpg" height="430" width="640" /></a></div>
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<span style="font-size: x-small;">Mais de mil objetos foram roubados ou saqueados Museu Mallawi, </span></div>
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<span style="font-size: x-small;">em Minia, no Egito, 190 milhas ao norte de Cairo ao longo do rio Nilo</span></div>
<h3 style="text-align: justify;">
<span style="color: #990000;">Responsabilidade norte-americana</span></h3>
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É preciso lembrar que os EUA, há muito, são os grandes receptores do contrabando do patrimônio histórico, cultural e artístico global – como um dia o foi a Europa. E sobre essas extorsões culturais têm grande parcela de responsabilidade [primemos pela honestidade: os norte-americanos atualmente têm inteira responsabilidade pela atual situação]. Sem contar que a América do Norte e o Reino Unido não assinaram a <a href="http://www.unesco.org/new/en/culture/themes/armed-conflict-and-heritage/" target="_blank">Convenção para a Proteção da Propriedade Cultural em Conflitos Armados</a> [1954]. </div>
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Sem muito esforço, basta lembrarmos os conflitos no Afeganistão [2001] e no Iraque [2003]. Nos dois países nenhuma preocupação houve em salvaguardar os patrimônios nacionais [muito ao contrário]. </div>
<blockquote class="tr_bq" style="text-align: justify;">
<span style="font-size: 16px;">A guerra não saqueia, não rouba ou faz contrabando de obras culturais ou artísticas, mas na guerra facilita-se o roubo, o saque e o contrabando. Na guerra se destrói a história, a cultura e a arte.</span> </blockquote>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcko7LsJ9qX6rnMs73SvlZW0q105s8W8qQsNo1EnyPsTEwLT1e4vXqdZeVWHi3tngwNA98FI_eCQ6pDpqMPMeS5tStAfi1mUqFFxvcztvCOtHdgp0wWmJNFpEQHV71SR1JgfSrHIEH0V4/s1600/03a_ruinas-babilonia-destruidas-soldados-americanos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcko7LsJ9qX6rnMs73SvlZW0q105s8W8qQsNo1EnyPsTEwLT1e4vXqdZeVWHi3tngwNA98FI_eCQ6pDpqMPMeS5tStAfi1mUqFFxvcztvCOtHdgp0wWmJNFpEQHV71SR1JgfSrHIEH0V4/s1600/03a_ruinas-babilonia-destruidas-soldados-americanos.jpg" height="418" width="640" /></a></div>
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<span style="font-size: x-small;">Ruínas da antiga Babilônia. A Porta de Ishtar, portão de 2.500 anos da Babilônia, foi esmagada por tanques e obviamente danificada. O pátio de Khan al-Raba, antiga hospedaria de caravanas do século 10, foi usado pelos americanos para explodirem armas capturadas. Uma dessas explosões demoliu os telhados e derrubou muitas das paredes. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpMrw9O2SvL6BC7yT3O3P6fDkZ71e9Obi660ifIHzzwzsLRha-uQIdhWJTe03ocW-9yfXEIg_IkhRe-fB-zQMn9thwammM5SXMVuobMJBlkZC1-vk-J6X2KA3ITLcMWorprwTuDMxe7xw/s1600/03b_Diario_Noticias_14042003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpMrw9O2SvL6BC7yT3O3P6fDkZ71e9Obi660ifIHzzwzsLRha-uQIdhWJTe03ocW-9yfXEIg_IkhRe-fB-zQMn9thwammM5SXMVuobMJBlkZC1-vk-J6X2KA3ITLcMWorprwTuDMxe7xw/s1600/03b_Diario_Noticias_14042003.jpg" height="640" width="566" /></a></div>
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<span style="font-size: x-small;">Diário de Noticias [14/4/2003] – clique na imagem para ampliá-la e depois clique sobre ela</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhom0yCfgQySpJ6Mskjbgg1HGCF57izHloFd55aB3hvUC1X8ize1bN0hrtkzg7MUezfzDRA_xqh_U9_5uTFrEUwvMrfTuBgpzB42ajpAAfbtlVKHyWYJuJWSl4Jm9YztOqF8ZZAe1jhPmM/s1600/03c_Euro_Noticias_17_04_2003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhom0yCfgQySpJ6Mskjbgg1HGCF57izHloFd55aB3hvUC1X8ize1bN0hrtkzg7MUezfzDRA_xqh_U9_5uTFrEUwvMrfTuBgpzB42ajpAAfbtlVKHyWYJuJWSl4Jm9YztOqF8ZZAe1jhPmM/s1600/03c_Euro_Noticias_17_04_2003.jpg" height="640" width="548" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Euro Noticias [17/4/2003] – clique na imagem para ampliá-la </span><span style="font-size: x-small;"> </span><span style="font-size: x-small;">e depois clique sobre ela</span></div>
<h4 style="text-align: justify;">
<span style="color: #990000;"> Invasão Norte-Americana e o Patrimônio
Histórico, Cultural e Artístico do Afeganistão</span></h4>
<div style="text-align: justify;">
No Afeganistão, não fizeram nenhum movimento para proteger os Budas de Bamiyán [veja: <a href="http://mol-tagge.blogspot.com/2010/07/arte-arqueologia-budas-baiyman.html" target="_blank">Erro imperdoável - Budas de Bamiyán</a>] destruídos pelo Taliban. </div>
<div style="text-align: justify;">
A pilhagem, ainda que travestida de proteção, foi tão descarada e literal que, dos 4.000 objetos catalogados, 2.500 foram perdidos[?!]. Óbvio que toda a responsabilidade foi jogada sob a túnica do Taliban e o uniforme militar norte-americano saiu ileso [como sempre!]. </div>
<div style="text-align: justify;">
Atualmente uma exposição itinerante com objetos salvos dos Talibans [breve falaremos sobre ela] corre o mundo. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6pdBE2kQIad_bHFvLOJ41gSoxLDF3DwHEfFSsLbBLYNyWSs_k3hBA8l-F9PhMINR5gvihPs8EWw2Z_zil_vtdowrD5SfEpEn_viM_9weZOMHHT8-m_Gzy-p4hDgC7HuNlmeaAYfgC6ok/s1600/04_destruicao-budas-bamiyan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6pdBE2kQIad_bHFvLOJ41gSoxLDF3DwHEfFSsLbBLYNyWSs_k3hBA8l-F9PhMINR5gvihPs8EWw2Z_zil_vtdowrD5SfEpEn_viM_9weZOMHHT8-m_Gzy-p4hDgC7HuNlmeaAYfgC6ok/s1600/04_destruicao-budas-bamiyan.jpg" height="508" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Destruição dos Budas de Bamiyán </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOEUGDI06j6fRAUxhguDKy50ahgcV_uOsj9COk2NIsHZjvT1uEtJA9OmQR64qE60fenwpmSM2YOmOtL79eyfcrORRMap_h9GIyQJuGrBRX8VZPLJ2yUIWypM5Zbx0zLLSpjH2vIJyGjvY/s1600/05_objetos-retirados-afeganistao.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOEUGDI06j6fRAUxhguDKy50ahgcV_uOsj9COk2NIsHZjvT1uEtJA9OmQR64qE60fenwpmSM2YOmOtL79eyfcrORRMap_h9GIyQJuGrBRX8VZPLJ2yUIWypM5Zbx0zLLSpjH2vIJyGjvY/s1600/05_objetos-retirados-afeganistao.jpg" height="640" width="636" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small; text-align: justify;">Objetos em ouro e marfim do Museu Nacional do Afeganistão</span></div>
<div style="text-align: center;">
<span style="font-size: x-small; text-align: justify;">escondidos em Cabul sendo embalados para a exposição itinerante</span></div>
<h4 style="text-align: justify;">
<span style="color: #990000;">Invasão Norte-Americana e o Patrimônio
Histórico, Cultural e Artístico do Iraque</span></h4>
<div style="text-align: justify;">
No Iraque, em abril/2003, tropas americanas tomaram o controle da Capital e assistiram de camarote os saqueadores levarem obras das civilizações mais antigas do mundo do Museu Nacional. Fato que foi considerado por muitos como <i>o crime do século</i>. Alguns acreditam que a operação foi previamente planejada, o que configuraria e justificaria a expressão cultura do tráfico. </div>
<div style="text-align: justify;">
Dois dias depois de saqueado o Museu Nacional, a Biblioteca Nacional foi incendiada por saqueadores.
Embora um grupo de pesquisadores tenham enviado, à época, ao governo norte-americano e britânico um manifesto solicitando que respeitassem o patrimônio histórico e cultural do país, na semana seguinte simplesmente detonaram uma das universidades mais velhas do mundo árabe, do século 13. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvujvEpX-8_iNJbHmtYhCgeXmpajqoX1Vhn2c-_Esk_TXqzlniEHKdPJwRWpCcceXc_P8Sba2mSQQ463lzkLsOUNi8ut-1UhM2tf1iYJLCWG-t11-wBWKmLuRCtPTVPSeNp8PG0rr8vMw/s1600/06_policial-egipcio-caixa-vidro-saqueada.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvujvEpX-8_iNJbHmtYhCgeXmpajqoX1Vhn2c-_Esk_TXqzlniEHKdPJwRWpCcceXc_P8Sba2mSQQ463lzkLsOUNi8ut-1UhM2tf1iYJLCWG-t11-wBWKmLuRCtPTVPSeNp8PG0rr8vMw/s1600/06_policial-egipcio-caixa-vidro-saqueada.jpg" height="400" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Membro das Forças Especiais egípcias observa caixa de vidro </span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">quebrada por saqueadores no Museu do Cairo </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYmPBwyO-zjsOUEFnxdV7vezlkkpohaY7z5PSbwbQNFrUByRB5YTV83KUvnrSb4pPS-lR3Ehr_R2P0B6zwvXQs756Olo2mHlZJxsgYUrZQ_5wgX0PhkGUAGrIgp-gAEIcA0pCFoert_5o/s1600/07_obras-egipcias-antes-depois-saque.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYmPBwyO-zjsOUEFnxdV7vezlkkpohaY7z5PSbwbQNFrUByRB5YTV83KUvnrSb4pPS-lR3Ehr_R2P0B6zwvXQs756Olo2mHlZJxsgYUrZQ_5wgX0PhkGUAGrIgp-gAEIcA0pCFoert_5o/s1600/07_obras-egipcias-antes-depois-saque.jpg" height="626" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Montagem mostra alguns dos artefatos antes e depois da invasão do Museu do Cairo</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizKR_aQxgJVRqVZsBy4w44lSjBd_SdQKkDkPqDkbX4lqTHQCU_yDmwfeDcqhGWmeqzYIqBJ7DgQzOlxikDfRJlkHdgCJB3NvdTtvOHBPD-1n3K552n4c_cE2h7SZuLRt_6ows3MU7CUA8/s1600/08_mumias-decaptadas-saque-museu-cairo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizKR_aQxgJVRqVZsBy4w44lSjBd_SdQKkDkPqDkbX4lqTHQCU_yDmwfeDcqhGWmeqzYIqBJ7DgQzOlxikDfRJlkHdgCJB3NvdTtvOHBPD-1n3K552n4c_cE2h7SZuLRt_6ows3MU7CUA8/s1600/08_mumias-decaptadas-saque-museu-cairo.jpg" height="398" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Múmias decapitadas durante saque ao Museu do Cairo </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhheHcMXpNeqE6LFrSAfhueP2koIsL_7rRDOeKr3sXX_f0hzRdg9izLb-BtVvel1SYFBaZ5WFfEWPpk-i0q5Qj0hbNNIvG7hBYs1T9bF9X_0Ra7Wi5adE8_JGBWzsJGYeQrni18n6lm6zQ/s1600/03d_Visao_17042003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhheHcMXpNeqE6LFrSAfhueP2koIsL_7rRDOeKr3sXX_f0hzRdg9izLb-BtVvel1SYFBaZ5WFfEWPpk-i0q5Qj0hbNNIvG7hBYs1T9bF9X_0Ra7Wi5adE8_JGBWzsJGYeQrni18n6lm6zQ/s1600/03d_Visao_17042003.jpg" height="640" width="438" /></a></div>
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<span style="font-size: x-small; text-align: justify;">Visão [17/4/2003] – clique na imagem para ampliá-la </span><span style="font-size: x-small;"> </span><span style="font-size: x-small;"> </span><span style="font-size: x-small;">e depois clique sobre ela</span></div>
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<div style="text-align: center;">
<span style="font-size: x-small; text-align: justify;">Expresso [18/4/2003] – clique na imagem para ampliá-la </span><span style="font-size: x-small;"> </span><span style="font-size: x-small;">e depois clique sobre ela</span><br />
<span style="font-size: x-small;"><br /></span></div>
<div style="text-align: left;">
<span style="text-align: justify;">Uma boa dica para quem quizer saber mais sobre os saques realizados no Iraque: visite o <a href="http://www.ecientificocultural.com/ECC3/historia.htm" target="_blank">Espaço Científico e Cultural</a>.</span></div>
<h3 style="text-align: justify;">
<span style="color: #990000;">A realidade da cultura do tráfico</span></h3>
<div style="text-align: justify;">
A realidade é tão séria que não só preocupa os arqueólogos, mas governos, criminologistas, a Justiça e os políticos. A situação está a tal ponto descontrolada que o Conselho Europeu de Investigação instituiu um dos mais importantes programas sobre o tema, vinculado ao Centro Escocês de Pesquisa de Crime e Justiça [SCCJR] e não a departamentos de arqueologia, como seria de se esperar. Afinal, <b>pilhagem é crime!</b> </div>
<div style="text-align: justify;">
Sem dúvida, há um mercado legal e próspero para antiguidades, mas nenhuma fonte jurídica. Galerias, casas de leilões, museus e outras instituições equivalentes, têm lá seus critérios que lhes dão certa respeitabilidade e criam em seu entorno uma aura de confiabilidade. No entanto, nos bastidores...</div>
<blockquote class="tr_bq" style="text-align: justify;">
<span style="font-size: 16px;">Nos bastidores fecham-se olhos, fala-se a boca miúda e nada se ouve além do zumbido persistente de um silêncio quebrado apenas pelo sussurrar dos negociantes.
</span></blockquote>
</div>
<h3 style="text-align: justify;">
<span style="color: #990000;">O mercado negro de antiguidades</span></h3>
<div style="text-align: justify;">
Na verdade, quase nada se sabe sobre o sistema e a extensão do mercado negro de antiguidades. Algumas variáveis dificultam muito esse controle: não há dados oficiais suficientes para um levantamento estatístico; os roubos são registrados de acordo com as circunstâncias e não em relação aos objetos roubados; não há como controlar os saques em sítios arqueológicos, uma vez que muitos são desconhecidos e, mesmo os conhecidos não são todos catalogados. </div>
<div style="text-align: justify;">
Entretanto, pesquisa recente, com 2.500 participantes, espalhados por mais de cem países, constatou-se que 79% dos pesquisados tiveram experiências com saques; 25% encontraram saques em andamento; e, aproximadamente, 50% tiveram experiências não isoladas. Tais dados indicam que a cultura do tráfico, além de mundialmente difundida, é comum e interativa.
Países que possuem sítios recém-descobertos ou a descobrir, como o Egito, Camboja, Peru, entre outros, não têm como conter o tráfico. De outro lado, países como os Estados Unidos da América e o Reino Unido não têm vontade política [sejamos honestos, nem financeira, nem econômica, nem nenhuma...]. </div>
<h3 style="text-align: justify;">
<span style="color: #990000;">Recuperação de peças não é a solução</span></h3>
<div style="text-align: justify;">
Embora não possa ser considerada uma luz no fim do túnel, algumas peças foram recentemente devolvidas ao Egito. No entanto, nem de longe essa é a solução do problema, ao contrário, é uma vertente do problema. Países sem condições têm que manter equipes destinadas à caça de seu próprio patrimônio. </div>
<div style="text-align: justify;">
A questão é mundial e precisa ser avaliada, pensada e estruturada não só sob o aspecto da preservação, mas também [e principalmente] sob o âmbito econômico e da segurança. </div>
<div style="text-align: justify;">
Apenas a título de exemplo:</div>
<blockquote class="tr_bq" style="text-align: justify;">
<span style="font-size: 16px;">
a National Gallery of Australia gastou US$5 milhões de dólares em um único artefato indígena flagrantemente saqueado e vendido por um dos mais infames contrabandistas atuais.
</span></blockquote>
<h3 style="text-align: justify;">
<span style="color: #990000;">Possível solução</span></h3>
<div style="text-align: justify;">
No entanto, a solução é tão simples que até parece brincadeira de criança [não fossem os homens o que são]: parar de comprar antiguidades que sejam produtos de roubo ou saque. Indo um pouco mais além, criminalizar, mundialmente, aqueles que comprarem obras sem o devido atestado de procedência. </div>
<div style="text-align: justify;">
Essa é a postura que se espera de galerias, casas de leilões, museus e demais instituições sérias e dignas da responsabilidade que detêm. </div>
<div style="text-align: justify;">
Entretanto, num mundo no qual a Inglaterra detém o poder sobre grande parte dos <a href="http://mol-tagge.blogspot.com.br/2010/04/obra-de-arte-museu-grecia.html" target="_blank">Mármores de Elgin</a> e a Pedra de Roseta; Vênus de Milo, pertence a França; o busto de Nefertiti é da Alemanha etc. etc. etc. Falta-nos fé. </div>
<div style="text-align: justify;">
O Egito, como o Afeganistão e o Iraque, assim como a Síria, Tunísia e outros, podem se tornar mais uma catástrofe do patrimônio histórico, cultural e artístico mundial. É momento de cuidarmos do que pertence a toda a humanidade.</div>
<div style="text-align: center;">
<span class="Apple-style-span" style="color: #990000;"><br /></span>
<span class="Apple-style-span" style="color: #990000;"> ABBraços fraternos e</span><br />
<span class="Apple-style-span" style="color: #990000;">boa semana!</span></div>
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<span class="Apple-style-span" style="color: #990000;">MarGGa Duval
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<div class="blogger-post-footer"><hr 'style: color black' />
Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/05/patrimonio-historico-artistico-saque.html</link>
<author>noreply@blogger.com (margga)</author>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-2379620025903266128</guid>
<pubDate>Mon, 28 Apr 2014 23:43:00 +0000</pubDate>
<atom:updated>2014-04-28T20:43:56.625-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">johannes-stoetter</category>
<category domain="http://www.blogger.com/atom/ns#">pintura corporal</category>
<title>Não é um papagaio – Pintura corporal </title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
A pintura corporal é uma paixão. Não porque o corpo seja a tela, mas porque se reveste do imaginário. Como o papagaio de Johannes Stoetter, que não é um papagaio é um corpo, mas um corpo que se transfigura em papagaio.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPJobyL3jv4v-L5emDwiLW4Eb9opp8zC6OxSQth3rRRN1lkji0G2RxtlYgPm9q8G8paxD2_tWj7oSCCgiAQqs7ru_iBOuiVDEp9HRsBtczRCaMs_I3hqxDyfSof8fbSWFlfLJiS5lzuF4/s1600/01_o-papagaio-johannes-stoetter.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPJobyL3jv4v-L5emDwiLW4Eb9opp8zC6OxSQth3rRRN1lkji0G2RxtlYgPm9q8G8paxD2_tWj7oSCCgiAQqs7ru_iBOuiVDEp9HRsBtczRCaMs_I3hqxDyfSof8fbSWFlfLJiS5lzuF4/s1600/01_o-papagaio-johannes-stoetter.jpg" height="292" width="640" /></a></div>
<h2 style="text-align: right;">
<span style="color: #990000;">[Pintura Corporal]</span></h2>
Não há mais o que dizer desse artista do corpo, veja as imagens abaixo e, para saber mais, veja outro post aqui do Mol-TaGGe – <a href="http://mol-tagge.blogspot.com.br/2013/07/pintura-corporal-papel-de-parede-ilusao.html" target="_blank">Um mágico da pintura corporal</a> .<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieS7tiXIaHEhqC4-0yyO-f5e-JSDEQcMcu3M9FVzrfmNF2KcybG3PyndceM6X-OSOes2igxalO3exTj7vXHQA-zRfCqjqd_pSdQmw-UG-yV_0cqaDaXN4ObgtVxuO2oKEhnLTmSL7JpPQ/s1600/02_papagaio-johannes-stoetter_iniciando-pintura.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieS7tiXIaHEhqC4-0yyO-f5e-JSDEQcMcu3M9FVzrfmNF2KcybG3PyndceM6X-OSOes2igxalO3exTj7vXHQA-zRfCqjqd_pSdQmw-UG-yV_0cqaDaXN4ObgtVxuO2oKEhnLTmSL7JpPQ/s1600/02_papagaio-johannes-stoetter_iniciando-pintura.jpg" height="404" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0pXHOzXIXpNotaf7gxKCC0VwZ1OXSIgMkSf_quw-WgVFOZIOtr8bIunrcwwS-AZ4P-5P9OE4Pf2xN0B5JB-dQuClZ1WgapwV10hyphenhyphenq866FJ4EctDVQkLC2IOt-gW0VGNuuCPmTbbR8O98/s1600/03_papagaio-johannes-stoetter_desenvolvendo-pintura.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0pXHOzXIXpNotaf7gxKCC0VwZ1OXSIgMkSf_quw-WgVFOZIOtr8bIunrcwwS-AZ4P-5P9OE4Pf2xN0B5JB-dQuClZ1WgapwV10hyphenhyphenq866FJ4EctDVQkLC2IOt-gW0VGNuuCPmTbbR8O98/s1600/03_papagaio-johannes-stoetter_desenvolvendo-pintura.jpg" height="408" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhczZSYaQsXgTmgl4X7VGjQkS_VRclGhGAnz-vueMSwnhBi5UNGfQ3mGY-k9c1fZosmXijk6p8Ced9DAad0bfnp53AcC7CmC3cTaOO3oMAOvxcvLwss4vYaMoBAAR6rvy4S6PFB90yihA8/s1600/04_papagaio-johannes-stoetter_terminando-pintura.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhczZSYaQsXgTmgl4X7VGjQkS_VRclGhGAnz-vueMSwnhBi5UNGfQ3mGY-k9c1fZosmXijk6p8Ced9DAad0bfnp53AcC7CmC3cTaOO3oMAOvxcvLwss4vYaMoBAAR6rvy4S6PFB90yihA8/s1600/04_papagaio-johannes-stoetter_terminando-pintura.jpg" height="424" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgax__90oDSY7cMnZphPulIxUjFnriPvIbIT7zxzkden3JVs6pu3UkYsRjYF_paWGx9X9VsDWDGFsdcFGt8CB1cQI_iKp4lQpfMiIv4-LQCJJI4mN4sE8Bd67NFIK511TdIFTpTjXmu8As/s1600/05_papagaio-johannes-stoetter_pintura-corporal.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgax__90oDSY7cMnZphPulIxUjFnriPvIbIT7zxzkden3JVs6pu3UkYsRjYF_paWGx9X9VsDWDGFsdcFGt8CB1cQI_iKp4lQpfMiIv4-LQCJJI4mN4sE8Bd67NFIK511TdIFTpTjXmu8As/s1600/05_papagaio-johannes-stoetter_pintura-corporal.jpg" height="464" width="640" /></a></div>
<br />
<b>Veja também:</b>
<a href="http://mol-tagge.blogspot.com/2012/02/corpo-como-tela-tela.html" target="_blank">O corpo como tela </a><br />
<br />
<b>Fontes:</b> <a href="http://www.demilked.com/parrot-optical-illusion-body-art-johannes-stoetter/" target="_blank">Demilked</a>, <a href="http://www.johannesstoetterart.com/" target="_blank">Site do artista</a><br />
<div style="text-align: center;">
<span class="Apple-style-span" style="color: #990000;"> ABBraços fraternos e</span><br />
<span class="Apple-style-span" style="color: #990000;">boa semana</span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="color: #990000;">MarGGa Duval
</span><br />
<br />
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<div class="blogger-post-footer"><hr 'style: color black' />
Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/04/pintura-corporal-johannes-stoetter.html</link>
<author>noreply@blogger.com (margga)</author>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-2616755793445520136</guid>
<pubDate>Sat, 26 Apr 2014 02:20:00 +0000</pubDate>
<atom:updated>2014-04-25T23:41:37.090-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">arte</category>
<category domain="http://www.blogger.com/atom/ns#">google earth</category>
<category domain="http://www.blogger.com/atom/ns#">mistérios</category>
<category domain="http://www.blogger.com/atom/ns#">moais</category>
<category domain="http://www.blogger.com/atom/ns#">obra de arte</category>
<category domain="http://www.blogger.com/atom/ns#">pirâmides</category>
<title>Mistérios explicados pela arte</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
Alguns mistérios do mundo podem ser explicados através de uma única palavra: arte. Arte pela arte. Arte como a primária expressão humana. Necessitamos da arte para libertarmos o sobrenatural em nós e necessitamos do sobrenatural para suportarmos a natureza de nossa humanidade.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwS_9l3AXzb1INPlFw1icA1xF7h_Gf-GOznc4F7mV-wa9jE-iJlmdLI2lySMtCRdLbN_BN9Kd3rnDmqInQrBJ5nyeXaCzD22-mc1_49F6yLwTh77Lg_GUPXpmf9PvSSDy3pSkvQx7XOME/s1600/01_misterios-mundo-arte.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwS_9l3AXzb1INPlFw1icA1xF7h_Gf-GOznc4F7mV-wa9jE-iJlmdLI2lySMtCRdLbN_BN9Kd3rnDmqInQrBJ5nyeXaCzD22-mc1_49F6yLwTh77Lg_GUPXpmf9PvSSDy3pSkvQx7XOME/s1600/01_misterios-mundo-arte.jpg" height="606" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;"><i>Mistérios do mundo explicados pela arte</i></span></div>
<h2 style="text-align: right;">
<span style="color: #990000;">[Arte e Cultura]</span></h2>
<div style="text-align: justify;">
Caso ocorra uma catástrofe em nosso mundo, o que dirão os homens dos anos 2300-2500, sobre os monumentos que hoje construímos e que, por um desses inexplicáveis acasos, sobreviverem à destruição?
Eles, sem nenhuma noção do que fomos e aqueles monumentos incríveis, ostentando uma tecnologia que, certamente, sob a ótica dos “novos humanos” não seríamos capazes de possuir.
</div>
<h3>
<span style="color: #990000;">Os Moais</span></h3>
<div style="text-align: justify;">
As 887 estátuas monumentais da Ilha de Páscoa, conhecidas como Moais, são consideradas um mistério. Mas quem chegar a Esbjerg [Dinamarca] será recebido por monumentos tão colossais quanto eles – quatro homens sentados em cadeiras, visíveis a 10 km da costa. </div>
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A obra foi criada por Svend Wiig Hansen, por ocasião do 100º aniversário do município, tornado independente em 1994. </div>
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Conceitualmente, a partir de suas estaturas e rigidez [como nos monumentos egípcios], a obra de arte representa o encontro dos homens puros, inocentes e de mãos limpas, com a natureza. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkM8g9P6pzduqRAs0vmevquF8zvE1v8mRG3Ag6Bo-O2wg3YMtcGtWnAldO233xpbP_20vwCPO2INWi5BHyxGis2visv8q9uamvxPGw7kvoN6klqfI2T-emF39Gri1R2NvmqVXkSucgToM/s1600/02_moais_ilha+de+p%25C3%25A1scoa-rapanui1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkM8g9P6pzduqRAs0vmevquF8zvE1v8mRG3Ag6Bo-O2wg3YMtcGtWnAldO233xpbP_20vwCPO2INWi5BHyxGis2visv8q9uamvxPGw7kvoN6klqfI2T-emF39Gri1R2NvmqVXkSucgToM/s1600/02_moais_ilha+de+p%25C3%25A1scoa-rapanui1.jpg" height="354" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;"><i>Moais – Ilha de Páscoa / Rapanui </i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghM6hbcPRfG4fRakDpgHUQs9bflRb_qRJXCW5q7GQn9BrejFB5A__VWTZgBxF9_yo0TWhC6JGzug2y9qD6BInvQdpmQsFkaQ1dR4Fup9Yk-eLQwXG7MBUe8RA65Eq7N-RdnxpkNkMBXo8/s1600/03_o-homem-encontra-o-mar_svend-wiig-hansen1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghM6hbcPRfG4fRakDpgHUQs9bflRb_qRJXCW5q7GQn9BrejFB5A__VWTZgBxF9_yo0TWhC6JGzug2y9qD6BInvQdpmQsFkaQ1dR4Fup9Yk-eLQwXG7MBUe8RA65Eq7N-RdnxpkNkMBXo8/s1600/03_o-homem-encontra-o-mar_svend-wiig-hansen1.jpg" height="426" width="640" /></a></div>
<div style="text-align: center;">
<i><span style="font-size: x-small;">O homem encontra o mar – Svend Wiig Hansen</span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipXZeAfy-F_u4YnNm2QzakfbG1xWr0w4EI3bKfLw3kdMuMBMeLXS9I15hpopQpuUXdf-CG43cx62YUxXpG62lu3UH-n6rocm74dEzHrlWADtak4rMhLDCzZcK7WRimecZU-yuIkRh_aOo/s1600/06_moais_ilha+de+p%25C3%25A1scoa-rapanui3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipXZeAfy-F_u4YnNm2QzakfbG1xWr0w4EI3bKfLw3kdMuMBMeLXS9I15hpopQpuUXdf-CG43cx62YUxXpG62lu3UH-n6rocm74dEzHrlWADtak4rMhLDCzZcK7WRimecZU-yuIkRh_aOo/s1600/06_moais_ilha+de+p%25C3%25A1scoa-rapanui3.jpg" height="522" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguWjof_6w6MJP1WI5K5UAQe92G17VyHfppDRAecCXBh1Ct98iOeHwZ8bEFQbSfkFE5R7fqiVn8rWyFyN96yuGq7uE0cabUps-8sjxpHpOXYGUJt6FcaYuBFcmfIW5gbdI9NKOubsgfJhc/s1600/09_o-homem-encontra-o-mar_svend-wiig-hansen4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguWjof_6w6MJP1WI5K5UAQe92G17VyHfppDRAecCXBh1Ct98iOeHwZ8bEFQbSfkFE5R7fqiVn8rWyFyN96yuGq7uE0cabUps-8sjxpHpOXYGUJt6FcaYuBFcmfIW5gbdI9NKOubsgfJhc/s1600/09_o-homem-encontra-o-mar_svend-wiig-hansen4.jpg" height="478" width="640" /></a></div>
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<i><span style="font-size: x-small;"><br /></span></i></div>
<h3>
<span style="color: #990000;">
Imagens do Google Earth</span></h3>
<div style="text-align: justify;">
Logo após o lançamento do Google Earth a web foi invadida por imagens, no mínimo, curiosas. Certamente, grande parte delas são ilusões de ótica, outro tanto tem uma explicação lógica e outras ainda são obras pensadas e executadas por pessoas determinadas. </div>
<div style="text-align: justify;">
Esse é o caso da floresta em forma de guitarra criada pelo argentino Pedro Martin Ureta. São mais de 7 mil eucaliptos que compõem o corpo, braço e boca da guitarra, contornados por cipestres, e as cordas são formadas por eucaliptos azuis. </div>
<div style="text-align: justify;">
Embora se trate de uma verdadeira obra de arte, a floresta em forma de guitarra de Martin Ureta foi criada em homenagem à sua esposa Graciela, falecida aos 25 anos devido a um aneurisma cerebral. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOVM3NsHo-UUy5AE0XMZMUbbAVg_SSbUKlXLM24gtCGAaY-9wefO1_soKk8-GDPcHtnsfuRe2p046LDoKckehqcR80xBj9eVU1bi3xjA-_OkjbHk9JGYnR1Ga5PiGDy7PrmwEdaFw9mgo/s1600/10_arvore-azul-google-earth-australia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOVM3NsHo-UUy5AE0XMZMUbbAVg_SSbUKlXLM24gtCGAaY-9wefO1_soKk8-GDPcHtnsfuRe2p046LDoKckehqcR80xBj9eVU1bi3xjA-_OkjbHk9JGYnR1Ga5PiGDy7PrmwEdaFw9mgo/s1600/10_arvore-azul-google-earth-australia.jpg" height="514" width="640" /></a></div>
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<span style="font-size: x-small;">Árvore Azul – Google Earth (Austrália) </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI-MDw6HhMxCq4vyKIMWQNQrDSyWrF5zd3Mg2F7OcfRUQSFJJqx5JMhB8u-GJbnRd-jgs-DkAxaBQqvMIUjcK1soEjYhVpf2KKeZ0xKb9ngEjmrhHvlMkNhP2EsEVqSw_kozhZh99JY6E/s1600/11_labios-na-terra-google-earth-darfur-sudao.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI-MDw6HhMxCq4vyKIMWQNQrDSyWrF5zd3Mg2F7OcfRUQSFJJqx5JMhB8u-GJbnRd-jgs-DkAxaBQqvMIUjcK1soEjYhVpf2KKeZ0xKb9ngEjmrhHvlMkNhP2EsEVqSw_kozhZh99JY6E/s1600/11_labios-na-terra-google-earth-darfur-sudao.jpg" height="538" width="640" /></a></div>
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<span style="font-size: x-small;">Lábios na Terra – Google Earth (Darfur/Sudão) </span></div>
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<span style="font-size: x-small;">Paz Mundial – Google Earth (Ontário/Canadá) </span></div>
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<span style="font-size: x-small;">Floresta em forma de guitarra - Pedro Martin Ureta (Planaltos argentinos)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgaQw9lRgzVvZi6SfTWnBZP_6nylfZaQmzr_TAvZVIW5D6Uo-KOPtBKfhAxJAsDY6_UjmZ9Gctc-cbeSmtq6BeAAouW6_7vBb2lxWGkk5o6tjNIFA5QuIgK0ZMqXiF8lEJU-6O-smCBEA/s1600/14_guitarra-floresta.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgaQw9lRgzVvZi6SfTWnBZP_6nylfZaQmzr_TAvZVIW5D6Uo-KOPtBKfhAxJAsDY6_UjmZ9Gctc-cbeSmtq6BeAAouW6_7vBb2lxWGkk5o6tjNIFA5QuIgK0ZMqXiF8lEJU-6O-smCBEA/s1600/14_guitarra-floresta.jpg" height="464" width="640" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgz4BVbLHV4sER88SEHE6FVLhmfm7ZKJllBCnZu1Xo9j_HDCp-vfBy4bj6DlEYTuVinlmRBSNf3CUzIhSpx7YpcS0ygMx9UCqnUdr3KA05rLgtsqblSQCNoRE6xVulAO5Maj-H802vdlI/s1600/15_guitarra-floresta.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgz4BVbLHV4sER88SEHE6FVLhmfm7ZKJllBCnZu1Xo9j_HDCp-vfBy4bj6DlEYTuVinlmRBSNf3CUzIhSpx7YpcS0ygMx9UCqnUdr3KA05rLgtsqblSQCNoRE6xVulAO5Maj-H802vdlI/s1600/15_guitarra-floresta.jpg" height="408" width="640" /></a></div>
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<h3>
<span style="color: #990000;">
Disseminação de uma mesma ideia em vários lugares do mundo</span></h3>
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Muito se questiona o fato de existirem pirâmides em várias partes do mundo, construídas no mesmo período em que os egípcios construíam as suas e algumas até muitos anos anteriores e ou posteriores. Considere-se que não havia comunicação entre regiões tão distantes. </div>
<div style="text-align: justify;">
Contudo, não tão raro quanto se imagina acontecer ideias idênticas em pessoas completamente diferentes e distantes espacial e temporalmente. </div>
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<span style="font-size: x-small;">Gebel Barkal (Núbia/Sudão) </span></div>
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<div style="text-align: center;">
<span style="font-size: x-small;">Kukulcán (Chichén Itzá/México)</span></div>
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<div style="text-align: center;">
<span style="font-size: x-small;">Um dos principais monumentos da cidade de
Sukuh (Java/Indonésia) </span></div>
<div style="text-align: justify;">
Na cidade mineira de Ouro Preto, no Sábado de Aleluia, acontece a confecção dos tapetes de serragem, de uma beleza indescritível, não só pela obra de arte que é realizada comunitariamente, mas, também, pela extensão da obra. O costume teve início em 1733. </div>
<div style="text-align: justify;">
Embora seja necessário considerar o acesso irrestrito à informações na atualidade, ideia extremamente similar teve o arquiteto e paisagista belga Etienne Stautemans que, criou, em 1971, no Grand-Place, o primeiro tapete de begônias de 77 x 24 m. </div>
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<div style="text-align: center;">
<span style="font-size: x-small;">Tapete de serragem – Semana Santa (Ouro Preto/MG) </span></div>
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<div style="text-align: center;">
<span style="font-size: x-small;">Tapete begônias – Homenagem à França (Bruxelas/2008) </span></div>
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<div style="text-align: center;">
<span style="text-align: justify;"><span style="font-size: x-small;">Tapete begônias – Homenagem à África/Croqui (Bruxelas/2008) </span></span></div>
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<div style="text-align: center;">
<span style="font-size: x-small; text-align: justify;">Tapete begônias – Homenagem à África (Bruxelas/2008)</span></div>
<h3>
<span style="color: #990000;">
Considerações finais</span></h3>
Talvez os exemplos sejam singelos para a força das palavras – Mistérios explicados pela arte. Mas na singeleza dos exemplos, clareia como se tudo o que complicamos, teorizamos em excesso, não passe de raciocínios simplesmente humanos.<br />
<br />
<b>Veja também:</b><br />
<a href="http://mol-tagge.blogspot.com/2010/10/pintura-tela-da-vinci-virgem-rochedos.html" target="_blank">Mistérios d’A Virgem dos Rochedos de Da Vinci </a><br />
<a href="http://mol-tagge.blogspot.com/2009/10/de-shakespeare-segredos-e-misterios.html" target="_blank">Segredos e mistérios de William Shakespeare </a><br />
<br />
<b>Fontes: </b><a href="ttp://www.atlasobscura.com/places/guitar-forest" target="_blank">Atlas Obscura</a>, <a href="ttp://www.ouropreto.mg.gov.br/noticia/966/a-semana-santa-em-ouro-preto-2" target="_blank">Site oficial Ouro Preto</a>, <a href="hhttp://whenonearth.net/grand-place-flower-carpets-in-brussels/" target="_blank">Whenonearth [esculturas]</a>, <a href="http://whenonearth.net/men-sea-esbjerg-denmark/" target="_blank">Whenonearth [tapetes]</a> <br />
<div style="text-align: center;">
<span class="Apple-style-span" style="color: #990000;"><br /></span>
<span class="Apple-style-span" style="color: #990000;"> ABBraços fraternos</span><br />
<span class="Apple-style-span" style="color: #990000;">Bom fim de semana</span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="color: #990000;">MarGGa Duval
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Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/04/arte-misterios-moais-google-earth.html</link>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-5766456373899366711</guid>
<pubDate>Fri, 25 Apr 2014 00:39:00 +0000</pubDate>
<atom:updated>2014-04-24T21:40:03.152-03:00</atom:updated>
<title>Os chapéus que a vida nos impõe</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<i>Durante 2013 reunimos imagens de pessoas carregando fardos na cabeça, como fossem chapéus. Surpreendeu-nos encontrar, no mesmo sentido, a série fotográfica de Floriane de Lassee: "Quanto você pode carregar".
</i><br />
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<h2 style="text-align: right;">
<span style="color: #990000;">[Cultura e Fotografia]</span></h2>
<h3>
<span style="color: #990000;">Quanto você pode carregar</span></h3>
<div style="text-align: justify;">
A ideia da série fotográfica de Floriane de Lassee lhe veio quando em viagem a África, em 2012. A fotógrafa observou que havia algo comum em todos os lugares por onde andava: caminhantes carregando objetos na cabeça. Todos pendendo para trás, devido ao peso e cansaço, mantendo o pescoço para a direita, a fim de manter o equilíbrio. Lassee os comparou a formigas. </div>
<div style="text-align: justify;">
Na visão da fotógrafa o fato lhe remetia a dois aspectos distintos. Por um lado, as imagens em si mesmas, que pendiam entre o agradável e o “maluco”. De outro, uma leitura subjetiva do peso que todos nós, de alguma forma, carregamos pela vida, física e/ou psicologicamente.
</div>
<h3>
<span style="color: #990000;">Floriane de Lassee</span></h3>
<div style="text-align: justify;">
Floriane de Lassee (37) é francesa, vive e trabalha em Paris. Como fotógrafa, tem viajado o mundo num micro-ônibus 4x4, de câmera na mão. Já esteve na Etiópia, Ruanda, Nepal, China, Brasil, entre outros países.</div>
<div style="text-align: justify;">
O trabalho de Lassee esteve em exposição de fevereiro a março deste ano na <a href="http://www.lagalerieparticuliere.com/fr/artistes/oeuvres/12894/floriane-de-lassee" target="_blank">La Galerie Particuliere</a> </div>
<blockquote class="tr_bq" style="text-align: justify;">
"‘Quanto você pode carregar’ é acima de tudo uma homenagem aos portadores de vida; aqueles cuja vida é pesada e onde os sorrisos e risos se tornam a chave para uma existência suportável".</blockquote>
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<h3>
<span style="color: #990000;">Reunindo imagens</span></h3>
<div style="text-align: justify;">
O que faz alguém reunir imagens sobre determinado tema? A princípio, duas paixões: pelo tema e pelas imagens [às vezes mais pela primeira, n’outras, pela segunda].
Ao mesmo tempo, surge um sentimento confuso de identificação com algo maior, que transcende nossa compreensão imediata, mas que, aos poucos, vai tomando forma, ganhando corpo e acaba por ter um rosto. </div>
<div style="text-align: justify;">
Nas imagens que reunimos sobre os pesos que as pessoas carregam sobre a cabeça e até de alguns chapéus, inicialmente sem uma razão aparente, acabou tomando o corpo e o rosto do fardo que todos carregamos. Cada qual com o seu, cuidando de modo muito particular de sustentá-lo pela vida. Visão bem próxima da que levou Lassee a construir sua série fotográfica. </div>
<div style="text-align: justify;">
Percebemos, à medida que fomos escolhendo as imagens, que a cultura está embutida no peso do fardo que as pessoas levam vida afora, aliviando-o ou tornando-o cada vez mais pesado.
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<h3>
<span style="color: #990000;">Entre a série fotográfica de Lassee e as recolhidas na web</span></h3>
Floriane de Lassee construiu suas imagens de acordo com a cultura de cada povo, sob a ótica de que os fardos dependem de onde se vive, da sociedade à qual se pertence.<br />
De um lado, Lassee trabalha a criatividade, do outro, é vida real.<br />
Lassee busca seus modelos entre o povo, as imagens retratam pesos impostos, fardos que não pertencem ao povo que os carregam – chapéus que a vida nos impõe.<br />
As fotografias de Lassee constroem uma série, as imagens são construções diárias.<br />
<br />
<b>Veja também: </b><br />
<a href="http://mol-tagge.blogspot.com/2010/02/chapeu-caracul.html" target="_blank">Um chapéu na Presidência </a><br />
<br />
<b>Fontes:</b>
<a href="http://www.mediapart.fr/portfolios/par-dessus-la-tete" target="_blank">MediaPart</a>, <a href="http://www.florianedelassee.com/portfolio/how-much-can-you-carry/#prettyPhoto" target="_blank">Site da artista</a><br />
<div style="text-align: center;">
<span class="Apple-style-span" style="color: #990000;"> ABBraços frataernos</span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="color: #990000;">MarGGa Duval
</span><br />
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<div class="blogger-post-footer"><hr 'style: color black' />
Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/04/serie-fotografica-imagens-fardos-humanos.html</link>
<author>noreply@blogger.com (margga)</author>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-5554154803290751554</guid>
<pubDate>Wed, 23 Apr 2014 01:26:00 +0000</pubDate>
<atom:updated>2014-04-22T22:26:27.945-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">app store</category>
<category domain="http://www.blogger.com/atom/ns#">arte</category>
<category domain="http://www.blogger.com/atom/ns#">bansky 2014</category>
<category domain="http://www.blogger.com/atom/ns#">not on app store</category>
<category domain="http://www.blogger.com/atom/ns#">porque não há um ap para tudo</category>
<category domain="http://www.blogger.com/atom/ns#">projeto fotográfico</category>
<category domain="http://www.blogger.com/atom/ns#">tecnologia</category>
<title>Arte questiona tecnologia</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<i>A instantaneidade tecnológica contemporânea é questionada pela arte, através de <span id="goog_1413701755"></span><a href="http://mol-tagge.blogspot.com/2012/01/segredos-da-arte-de-rua.html" target="_blank">Bansky</a> <span id="goog_1413701756"></span>[o grafiteiro desconhecido] e pelo projeto fotográfico “Not on App Store”. A arte reflete a cultura.</i><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbLAFb2o1yd2ALmx857nt2KRHVezYxUySVBX2wZmAR1ruEiv76MAfPUXum5PaSLsYc5ov9rybkjw7Ka-U6Yl_SqLNXnyb4OsNQgti44Y-6RgWLAwtlkPLTtxGK1UEm6IgSkAfyeT8q970/s1600/01_bansky_amor-mobile_inglaterra_2014-jan.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbLAFb2o1yd2ALmx857nt2KRHVezYxUySVBX2wZmAR1ruEiv76MAfPUXum5PaSLsYc5ov9rybkjw7Ka-U6Yl_SqLNXnyb4OsNQgti44Y-6RgWLAwtlkPLTtxGK1UEm6IgSkAfyeT8q970/s1600/01_bansky_amor-mobile_inglaterra_2014-jan.jpg" height="332" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"><span style="font-size: x-small;">Mobile Lovers [Amor Mobile] - Bansky (Inglaterra/2014) </span></span></td></tr>
</tbody></table>
<h2 style="text-align: right;">
<span style="color: #990000;">[Arte e Tecnologia]</span></h2>
<h3>
<span style="color: #990000;">Refletindo um pouco sobre o tema</span></h3>
<div style="text-align: justify;">
Por que corremos tanto? Por que tudo parece tão veloz? De onde essa sensação de incompletude e essa sede onipresente de informação, de saber tudo de tudo? De onde essa enorme dor diante da consciência de que nunca se saberá nada? </div>
<div style="text-align: justify;">
Temos pressa, mas fomos feitos para o vagar [para o devagar e o divagar], para o ócio [ainda que criativo]. Feitos para a partilha, mas partilhamos apenas imagens do que gostaríamos [e deveríamos] ser: felizes! </div>
<div style="text-align: justify;">
Não temos mais segredos, nem intimidade. Nosso rostos, fichas e bundas estão expostos na janela [e, olha, podem até passar a mão nela, diferentemente do que diz Chico – o Buarque]. </div>
<div style="text-align: justify;">
Nessa batalha, não sabemos o que guardar e o que descartar, confundimos o importante [com o des], perdemo-nos no fluxo sensorial e já não sabemos onde gostaríamos de estar: no aqui, visível e palpável, ou no ali, apenas palatável.
</div>
<h3>
<span style="color: #990000;">Bansky, o grafiteiro desconhecido</span></h3>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTroFbPq6BJwZfOmdc4uanSA3hR1MC1vx4oXqIxfbEMfEN-HpzhYkI4xVkRSzSxYpyfavVOPNEHgPbms-epMqMhJ6quCltgvyXmLPKMuFoYj9sCReNBYLllvtvfuf-bViR3TRUC0u6U9k/s1600/02_bansky_amor-mobile_inglaterra_2014-jan.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTroFbPq6BJwZfOmdc4uanSA3hR1MC1vx4oXqIxfbEMfEN-HpzhYkI4xVkRSzSxYpyfavVOPNEHgPbms-epMqMhJ6quCltgvyXmLPKMuFoYj9sCReNBYLllvtvfuf-bViR3TRUC0u6U9k/s1600/02_bansky_amor-mobile_inglaterra_2014-jan.jpg" height="334" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small; text-align: left;">Sua obra diz por si só</span></td></tr>
</tbody></table>
<h3>
<span style="color: #990000;">Projeto fotográfico “Não disponível na App Store”</span></h3>
<div style="text-align: justify;">
O projeto tem como objetivo convidar as pessoas para experimentarem momentos prazerosos longe de seus smartphones.</div>
<div style="text-align: justify;">
Aparentemente, o criador [ou criadores, não foi possível identificar], direciona[m] o chamamento para as crianças, o que se percebe pelas imagens divulgadas.
No entanto, o slogan que usa[m] é amplo [além de uma boa direita na boca do estômago]: "because there isn't an ap for everything" [porque não há um ap para tudo].
</div>
<h4>
<span style="color: #990000;">Imagens do projeto</span></h4>
<div style="text-align: center;">
<span style="font-size: 18px;">"Porque não há um ap para tudo"
</span></div>
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<h4>
<span style="color: #990000;">Outras imagens possíveis</span></h4>
<div style="text-align: center;">
<span style="font-size: 18px;">Porque não há um ap para tudo!</span><br />
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<span style="font-size: 20px;"><br />
</span></div>
<b>Fontes: </b><a href="http://golem13.fr/banksy-cheltenham/" target="_blank">Golem Treize</a>, <a href="http://notonappstore.tumblr.com/" target="_blank">Not on App Store</a><br />
<b>Donwload etiquetas: </b><a href="https://www.dropbox.com/s/a27yl78389fyyg2/notonappstore.pdf" target="_blank">Not on App Store</a><br />
<br />
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<div style="text-align: center;">
<b>Descobrir onde gostaríamos de estar: </b><br />
<b>no aqui, visível e palpável, ou no ali, apenas palatável.</b></div>
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<b>MarGGa Duval
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Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/04/arte-tecnologia-bansky-not-on-app-store.html</link>
<author>noreply@blogger.com (margga)</author>
<media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbLAFb2o1yd2ALmx857nt2KRHVezYxUySVBX2wZmAR1ruEiv76MAfPUXum5PaSLsYc5ov9rybkjw7Ka-U6Yl_SqLNXnyb4OsNQgti44Y-6RgWLAwtlkPLTtxGK1UEm6IgSkAfyeT8q970/s72-c/01_bansky_amor-mobile_inglaterra_2014-jan.jpg" height="72" width="72"/>
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...</item>
<item>
<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-3029037155502041609</guid>
<pubDate>Tue, 08 Apr 2014 01:40:00 +0000</pubDate>
<atom:updated>2014-04-07T22:40:18.742-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">ato de fotografar</category>
<category domain="http://www.blogger.com/atom/ns#">crianças seus animais</category>
<category domain="http://www.blogger.com/atom/ns#">elena shumilova</category>
<category domain="http://www.blogger.com/atom/ns#">fotografia</category>
<category domain="http://www.blogger.com/atom/ns#">fotos</category>
<category domain="http://www.blogger.com/atom/ns#">fotógrafa</category>
<category domain="http://www.blogger.com/atom/ns#">sensibilidade</category>
<category domain="http://www.blogger.com/atom/ns#">sonho e arte</category>
<title>Fotografia: sensibilidade e sonho</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
As fotos feitas por Elena Shumilova de seus filhos são de um encantamento indescritível. A fotógrafa [e mãe] consegue captar momentos de extrema sensibilidade e sonho.
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<br />
<h2 style="text-align: right;">
<span style="color: #990000;">[Fotografia]</span></h2>
<h3 style="text-align: justify;">
<span style="color: #990000;">Elena Shumilova</span></h3>
<div style="text-align: justify;">
A russa Elena Shumilova é uma arquiteta que, só recentemente [2012], encontrou o mundo da fotografia, quando ganhou sua primeira máquina profissional. Seu desejo de guardar os belos momentos de seus dois filhos, Yaroslav [5] e Vanya [2], tornou-a uma fotógrafa de excepcional qualidade.</div>
<div style="text-align: justify;">
Shumilova mora com sua família numa fazenda em Adreapol (Rússia), onde possuem vários animais, incluindo os de estimação: cães, gatos, patos e coelhos. A interação e o amor que unem suas crianças aos animais lhe chamou especialmente a atenção e, sob esse prisma, dedicou boa parte de seu ato de fotografar. </div>
<div style="text-align: justify;">
Momentos especiais, de extrema sensibilidade, de carinho entre os irmãos e de sonhos fazem parte do mundo da fotógrafa. </div>
<div style="text-align: justify;">
Na composição das imagens que retrata Elena Shumilova prefere usar a luz natural, o que, segundo ela, dá profundidade emocional às suas fotos e lhes acrescenta uma abordagem intuitiva. </div>
<div style="text-align: justify;">
"Fico inspirada principalmente pelo desejo de expressar algo que sinto, embora geralmente não possa dizer exatamente o que é" </div>
<div style="text-align: justify;">
Shumilova consegue equilibrar a exuberância de suas imagens, com a naturalidade própria das crianças, num casamento perfeito entre sensibilidade, sonho e arte.
</div>
<h3>
<span style="color: #990000;">Efeitos da relação criança e animais</span></h3>
<div style="text-align: justify;">
Segundo a Psicologia, o fato de uma criança ter uma forte ligação emocional com um animal, estimula suas competências em nível social e de comunicação não verbal, promove suas relações afetivas e emocionais, além de ter efeito direto sobre a auto-estima. </div>
<div style="text-align: justify;">
O companheirismo fiel e o confidente [perfeito], a parceria e o amor incondicionais de um animal reservam para a vida adulta das crianças sensibilidade, capacidade de desenvolver fortes laços sociais, inclinação para o cuidado, respeito ao outro e facilidade de conexões emocionais. </div>
<div style="text-align: justify;">
Há um relato no site <a href="http://www.religaretaa.com/#!historia-alisson/cp02" target="_blank">Religare – Terapias Assistidas por Animais</a>, do psicólogo Leonardo Curi, que demonstra como uma relação de amizade com um animal pode fazer bem a uma criança.
</div>
<h3>
<span style="color: #990000;"> Yaroslav e seu cão</span></h3>
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<span style="color: #990000;"><br /></span></div>
<h3>
<span style="color: #990000;">Crianças e seus animais</span></h3>
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<h3>
<span style="color: #990000;"> Sensibilidade</span></h3>
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<h3>
<span style="color: #990000;"> Amor entre irmãos</span></h3>
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<span style="color: #990000;"><br /></span></div>
<h3>
<span style="color: #990000;"> Sonhos</span></h3>
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<span style="color: #990000;"><br /></span></div>
<h3>
<span style="color: #990000;">Liberdade!</span></h3>
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<div>
<span style="color: #990000;"><br /></span></div>
No <a href="https://www.flickr.com/photos/75571860@N06/with/8224011949/" target="_blank">Flickr da artista</a> tem muito mais – são tão belas que vale à pena dedicar um tempo para apreciá-las [todas!].<br />
<br />
<b>Veja também:</b><br />
<a href="http://mol-tagge.blogspot.com/2014/02/fotografia-pesca-corvos-china.html%20" target="_blank">Fotografia e a pesca com corvos-marinhos na China </a><br />
<a href="about:invalid#zClosurez" target="_blank">Fotógrafo e fotos além das expectativas</a><br />
<br />
<b>Fonte: </b><a href="http://www.liveinternet.ru/community/1726655/post311906584/" target="_blank">Live Internet</a>, <a href="http://oficinadepsicologia.com/os-efeitos-dos-animais-nas-criancas%20" target="_blank">Oficina de Psicologia</a>, <a href="https://shine.yahoo.com/photos/stop-39-doing-swoon-over-slideshow/-photo-2746730-192000639.html%20" target="_blank">Shine</a> <br />
<br />
<b>Fontes Imagens: </b><a href="about:invalid#zClosurez" target="_blank">2Photo</a>, <a href="about:invalid#zClosurez" target="_blank">Ertata</a>, <a href="http://www.liveinternet.ru/community/1726655/post311906584/" target="_blank">Live Internet</a>, <a href="http://twistedsifter.com/2014/01/portraits-of-kids-bonding-with-animals-by-elena-shumilova/" target="_blank">Twisted Sifter </a><br />
<br />
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<span class="Apple-style-span" style="color: #990000;">MarGGa Duval
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Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/04/fotografia-criancas-seus-animais-elena.html</link>
<author>noreply@blogger.com (margga)</author>
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<item>
<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-3027041431580471896</guid>
<pubDate>Wed, 02 Apr 2014 01:09:00 +0000</pubDate>
<atom:updated>2014-04-01T22:15:54.186-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">1860</category>
<category domain="http://www.blogger.com/atom/ns#">a dança</category>
<category domain="http://www.blogger.com/atom/ns#">arte</category>
<category domain="http://www.blogger.com/atom/ns#">carpeaux</category>
<category domain="http://www.blogger.com/atom/ns#">escultura</category>
<category domain="http://www.blogger.com/atom/ns#">escândalo</category>
<category domain="http://www.blogger.com/atom/ns#">Jean-Baptiste Carpeaux</category>
<category domain="http://www.blogger.com/atom/ns#">opera de paris</category>
<title>Escândalo na arte do séc. 19</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<div style="text-align: justify;">
Foi uma comoção. A Ópera de Paris representava o que havia de mais requintado e luxuoso nas artes parisienses da segunda metade do século 19. Mas o escultor Carpeaux (1827-75), transformou-a no maior escândalo da época.
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjntTt13HGOl33CehBYEldoiru-1ybT-EBuHYQ696nEb-NSWyJBx6kCYECGg0_PEBRa9yeF7Q96T26ddd1t0R0T1dF2OC-LzNTlpoCMVpIndDwJsk80K61z8NgUTHA1WZQyo_acPTwTLQY/s1600/06_jean-baptiste-carpeaux_a-danca2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjntTt13HGOl33CehBYEldoiru-1ybT-EBuHYQ696nEb-NSWyJBx6kCYECGg0_PEBRa9yeF7Q96T26ddd1t0R0T1dF2OC-LzNTlpoCMVpIndDwJsk80K61z8NgUTHA1WZQyo_acPTwTLQY/s1600/06_jean-baptiste-carpeaux_a-danca2.jpg" height="640" width="430" /></a></div>
<h2 style="text-align: right;">
<span style="color: #990000;">[Escultura/Arte Moderna]</span></h2>
<blockquote>
<div style="text-align: justify;">
<i>O palco dessa história é o mesmo do famoso romance “O Fantasma da Ópera”, de Gaston Leroux: a Ópera de Paris.</i></div>
</blockquote>
<h3>
<span style="color: #990000;">Carpeaux o escultor da fachada da Ópera de Paris</span></h3>
<div style="text-align: justify;">
Tudo começou quando Napoleão III, na esteira da grande reforma da cidade levada a cabo por <a href="http://mol-tagge.blogspot.com.br/2014/03/paris-seculo-19-registro-fotografico.html" target="_blank">Haussmann</a>, lançou, em 1860, um concurso para a construção do novo teatro da Ópera de Paris e Charles Garnier foi o arquiteto ganhador. </div>
<div style="text-align: justify;">
Garnier e o Jean-Baptiste Carpeaux eram amigos, ex-colegas de escola e, ambos, filhos de rendeiras. Garnier convidou o amigo, excelente escultor, para realizar a obra central a ser esculpida na importante fachada do edifício.</div>
<div style="text-align: justify;">
Carpeaux ficou exultante e, em 1863, escreveu: </div>
<div style="text-align: justify;">
“Estou exultante, pois acabo de ser escolhido por Garnier para preencher uma das mais belas páginas da Ópera, criando um dos grandes baixos-relevos da fachada, no mesmo espírito do Arco do Triunfo”.</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic_0TDsNyad6MxwgkEhqfq-2Dv3sso3KHPLECoEY1lIXBQFtph5o_fF4PgbC3UhA3iYgPi9NH90vd5qeHYQDhCAxPjN1O8eeJbc7DtlVVo7y6H1HPGrDhhep3Vu6YKefAo6XEKV1GOa1A/s1600/02_agencia-municipal-opera-paris-ca-1865.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic_0TDsNyad6MxwgkEhqfq-2Dv3sso3KHPLECoEY1lIXBQFtph5o_fF4PgbC3UhA3iYgPi9NH90vd5qeHYQDhCAxPjN1O8eeJbc7DtlVVo7y6H1HPGrDhhep3Vu6YKefAo6XEKV1GOa1A/s1600/02_agencia-municipal-opera-paris-ca-1865.jpg" height="462" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div>
<span style="font-size: x-small;">Agência Municipal da Ópera (ca. 1865). </span><span style="font-size: x-small;">Charles Garnier é o homem à direita, </span><br />
<span style="font-size: x-small;">próximo à porta, pensativo e com o queixo apoiado na mão.</span></div>
</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8-y30o1X707F5HXYSsss0l2KQGDXSYB7kuLkdA-lV3dhyphenhyphenBIiKkMpMlAS0ka-66zTRGk5uw7ZFQ95vSawQyk4l6Nq88TBibu6vMN31SQXhHtyFjAnv7QL0KRMrLy7MbXyUPY-3CuWgyvo/s1600/03_jean-baptiste-carpeaux_artista-pintura.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8-y30o1X707F5HXYSsss0l2KQGDXSYB7kuLkdA-lV3dhyphenhyphenBIiKkMpMlAS0ka-66zTRGk5uw7ZFQ95vSawQyk4l6Nq88TBibu6vMN31SQXhHtyFjAnv7QL0KRMrLy7MbXyUPY-3CuWgyvo/s1600/03_jean-baptiste-carpeaux_artista-pintura.jpg" height="640" width="474" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small; text-align: justify;">Retrato de Jean-Baptista Carpeaux, pintado por Bruno Cherier (1819-20)</span></td></tr>
</tbody></table>
<h3>
<span style="color: #990000;">Projetando a escultura</span></h3>
<div style="text-align: justify;">
Garnier encarregou Carpeaux de executar “A Dança Báquica” [Baco era o deus do vinho e dos excessos, principalmente os carnais]. </div>
<div style="text-align: justify;">
Carpeaux pegou uma pluma e papel e traçou algumas linhas. A concepção da obra estava pronta. Garnier diria:</div>
<div style="text-align: justify;">
“[...] traçou algumas linhas que se entrecruzavam e movimentos que se compunham lindamente. Em cinco minutos ele havia criado sua peça.” </div>
<div style="text-align: justify;">
Carpeaux ficou empolgado com o fascínio de seu amigo com a ideia, inclusive, determinando que as outras três esculturas seguissem o plano do artista.
Algum tempo depois, quando as figuras em argila estavam concluídas, Garnier escreveria: </div>
<div style="text-align: justify;">
“Achei o modelo fantástico. Fiquei encantado com a composição tão viva, a modelagem palpitante dessas figuras em argila. Afinal de contas, se o monumento padece com a exuberância do meu escultor, não tem importância. Teria se eu mantivesse minhas ideias e privasse a França de uma peça que será uma obra prima.” </div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMGj_LoT_Hghmc0zr4yZYgFOPdmNEwmtaED_51LuOiQ_m8PvA25sXLi3hpOODyP0FVZHC0BLYBxuKTy2slxNsFLUt_MCR3OFQCOBWBplVLXcCr1-Rv4kOJ-dHa_UrlXxGtSZHrxVoowH8/s1600/04_esboco_escultura_a-danca_jean-baptiste-carpeaux.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMGj_LoT_Hghmc0zr4yZYgFOPdmNEwmtaED_51LuOiQ_m8PvA25sXLi3hpOODyP0FVZHC0BLYBxuKTy2slxNsFLUt_MCR3OFQCOBWBplVLXcCr1-Rv4kOJ-dHa_UrlXxGtSZHrxVoowH8/s1600/04_esboco_escultura_a-danca_jean-baptiste-carpeaux.jpg" height="470" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">O esboço feito por Carpeaux para criação de sua obra</span></td></tr>
</tbody></table>
<h3>
<span style="color: #990000;">Criando a peça</span></h3>
A criação foi demorada. O artista solicitava o adiamento da entrega constantemente, o que ocorreu até 1868. Garnier diria: “Ele acrescenta uma figura por dia”... mas ele restringiu a criatividade do artista a sete.
<br />
<h3>
<span style="color: #990000;">Carpeux vai além em sua criação</span></h3>
<div style="text-align: justify;">
Carpeaux foi além. A peça principal da estrutura de “A Dança Báquica” foi nomeada “O espírito da dança”, um ser feminino. No entanto, tornou-a híbrida. Para o corpo, o artista usou um marceneiro como modelo, para o rosto, a modelo foi a princesa Helene de Racovitza [Romênia]. </div>
<div style="text-align: justify;">
O escultor se instalou entre os andaimes da construção do edifício. O tempo e o cansaço consumiam o artista. Certa vez, escreveu a sua esposa [a quem já não via]: </div>
<div style="text-align: justify;">
“Querida e doce Amélie, alguns homens titubeiam de tanto cansaço. Deus tem me apoiado de forma extraordinária, pois tenho resistido a cansaços inconcebíveis. A vontade supera o corpo. Não se preocupe, preciso estar a postos até o último instante”. </div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpernEbrcv8BwCx6yKgOKVpVcniiLg2vp13lS9c3Kwlk8Cnc43-7R1u7nHqu1FtW1FNMIyRf3Gliy_uE9j1kNIklNTsX6sxow-8EQqHf-OJ6ags5wKU02tTvALnjKmNL_pgadkcNLDEqI/s1600/05_carpeaux_a-danca_parte-superior.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpernEbrcv8BwCx6yKgOKVpVcniiLg2vp13lS9c3Kwlk8Cnc43-7R1u7nHqu1FtW1FNMIyRf3Gliy_uE9j1kNIklNTsX6sxow-8EQqHf-OJ6ags5wKU02tTvALnjKmNL_pgadkcNLDEqI/s1600/05_carpeaux_a-danca_parte-superior.jpg" height="426" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div>
<span style="font-size: x-small;">“O espírito da Dança” – personagem central da obra: </span></div>
<div>
<span style="font-size: x-small;">corpo do marceneiro Visat e rosto da princesa Racovitza </span></div>
</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDeOqPFrXPh7VInH6vkzvG6OWHLcs7MX_8lUc73JIdkCUOPQ4Ize-csJuwZmSkSbULf9ndhxRQn0PwftCEsoI5fsB_RRdlEPLKMzz5tkSsSBM-nfjdcWUNIDWiJS7TvzOqu_CswToHrOY/s1600/06_helene-de-racovitza.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDeOqPFrXPh7VInH6vkzvG6OWHLcs7MX_8lUc73JIdkCUOPQ4Ize-csJuwZmSkSbULf9ndhxRQn0PwftCEsoI5fsB_RRdlEPLKMzz5tkSsSBM-nfjdcWUNIDWiJS7TvzOqu_CswToHrOY/s1600/06_helene-de-racovitza.jpg" height="326" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Rosto de Helene de Racovitza</span></td></tr>
</tbody></table>
<h3>
<span style="color: #990000;">A obra concluída</span></h3>
<div style="text-align: justify;">
A obra “A Dança” foi concluída. Em 27 de julho de 1869, os andaimes foram retirados e a criação de Carpeaux foi descoberta. </div>
<div style="text-align: justify;">
Escândalo! A sociedade burguesa parisiense ficou chocada: a dança [lembrem-se que era uma dança báquica], a nudez, a simbologia da orgia...
“A Dança”
</div>
<h3>
<span style="color: #990000;">Ataques</span></h3>
<div style="text-align: justify;">
Dois meses após sua apresentação, a obra foi vandalizada. Jogaram tinha sobre ela. Mas o tiro saiu pela culatra, deram celebridade à peça. As reações foram extremadas.</div>
<div style="text-align: justify;">
“Os neoclássicos na ‘Revue dês Duex Mondes’: ‘São mulheres comuns, mal-escolhidas, deformadas pelas roupas que tiraram e que dançam apenas para completar a orgia que começaram.’”</div>
<div style="text-align: justify;">
Os defensores da beleza ideal: “Deformadas pelas roupas”. </div>
<div style="text-align: justify;">
“‘Gazette dês Beaux-Arts’: ‘Luix XV taparia o nariz diante dessa obra’.”
Um dos oponentes do Segundo Império, Jules Claretir: “É a alegoria mais verdadeira da atualidade e seus gostos. É a personificação da arte, da literatura e do prazer no Segundo Império. Eis aqui a arte desse quarto de século, arte nervosa e louca, sincopada, doente e incomparável. É a epilepsia reinante, a exaltação dos apetites, a sede de prazer e a necessidade ardente de volúpias brutais que regem essa época e produzem uma neurose universal. As mulheres de Carpeaux dizem: ‘Muito prazer!’ A mulher de Rude grita: ‘Atacar!’ É uma bravata desprezível do Baixo Império.” </div>
<div style="text-align: justify;">
O convencionalista Visconde de Salele: “Meu senhor, tenho esposa e filhas apaixonadas por música que costumam freqüentar a Ópera. Agora, não mais, pois não permitirei que entrem num monumento que tem um covil como insígnia!” (sic)</div>
<div style="text-align: justify;">
O escritor e jornalista Louis Veuillot: “As obras-primas como a do sr. Carpeaux são, para o cristão, objeto de desprezo e paciência sem limite.” </div>
<div style="text-align: justify;">
Em baixo da obra colocaram um cartaz: “Não é a mancha que deveria ser tirada, e sim esta peã de uma indecência revoltante! Ela deve sumir ou será quebrada!” </div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj86vGlmxp3JBRP6tjwy46VjzSWMGStagPjXngO7soNFyK-9nCB0m2G7N2O9mB4aBiV-idNgzK4YiBcapzRgULPkQg1NlEfP6YuaM02kcNN_mt0NqvccbcuQw_I8ha5bJj-8FIyCBNif1E/s1600/07_ataque-obra-carpeaux.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj86vGlmxp3JBRP6tjwy46VjzSWMGStagPjXngO7soNFyK-9nCB0m2G7N2O9mB4aBiV-idNgzK4YiBcapzRgULPkQg1NlEfP6YuaM02kcNN_mt0NqvccbcuQw_I8ha5bJj-8FIyCBNif1E/s1600/07_ataque-obra-carpeaux.jpg" height="470" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Ataque à obra de Carpeaux</span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiGhIfVaZBoXfmPtEeIW_JuyFPLKrmcKV165pEVNexnCGB1DKJtm_ej7yVae6MwYbygPz09n_cO5DqCnyHe54PESrDiH401fpwEk_k0UNGB4-mMcA1C-4ICm8HA_28-mj0u0TvaP_xJY8/s1600/jean-baptiste-carpeaux_critica-a-danca_opera-de-paris_garnier.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiGhIfVaZBoXfmPtEeIW_JuyFPLKrmcKV165pEVNexnCGB1DKJtm_ej7yVae6MwYbygPz09n_cO5DqCnyHe54PESrDiH401fpwEk_k0UNGB4-mMcA1C-4ICm8HA_28-mj0u0TvaP_xJY8/s1600/jean-baptiste-carpeaux_critica-a-danca_opera-de-paris_garnier.jpg" height="470" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Crítica à obra de Carpeaux</span></td></tr>
</tbody></table>
<h3>
<span style="color: #990000;">Resultado dessa longa história</span></h3>
<div style="text-align: justify;">
Tentaram substituir a obra, mas o escultor contratado morreu antes do tempo.
A guerra franco-prussiana impediu a continuação das obras da Ópera. O edifício foi inaugurado em 1875 e Carpeaux morreria de câncer naquele mesmo ano. </div>
<div style="text-align: justify;">
A França já não era a mesma, Paris não era a mesma. “A Dança” foi reconhecida como obra-prima.
Tornou-se uma obra tão importante que, em 1918, foi substituída na fachada da Ópera de Paris por uma cópia feita por Belmondo e transferida para o Louvre, lá ficando por 22 anos.
Em 1986, “A Dança” foi transferida novamente, desta vez para o Museu de Orsay, onde são apresentadas a arte e a civilização da segunda metade do século 19.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx-9YN0dpEOWOTOuBJkrdQfGnGeerdz18XApT271Y2ReAETV7c2bShDiNQ0Ex9pvplElxdyLgG3KZE-kYjCj6-l5wzzlkx7-Q52QA4VcxtTnykE77RMcqBeIRdHx1S6svlqnYp1jH4Pyw/s1600/place-de-l-Opera_c.+1889.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx-9YN0dpEOWOTOuBJkrdQfGnGeerdz18XApT271Y2ReAETV7c2bShDiNQ0Ex9pvplElxdyLgG3KZE-kYjCj6-l5wzzlkx7-Q52QA4VcxtTnykE77RMcqBeIRdHx1S6svlqnYp1jH4Pyw/s1600/place-de-l-Opera_c.+1889.jpg" height="490" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Praça da Ópera de Paris (ca. 1889)</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFY3-wOu8-zMPp1RQefOHZR__HHDDseLcPf_A5byVS0gN4Vq39YdB26IMpjkepmfPcFz-hhtRpBmZU_RCjKUGezjvk-rbFhGV_aTwbgZp8tJT3agy0RqFgPKla_l44mCno0iaR1emSUdw/s1600/jean-baptiste-carpeaux_a-danca_transferencia.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFY3-wOu8-zMPp1RQefOHZR__HHDDseLcPf_A5byVS0gN4Vq39YdB26IMpjkepmfPcFz-hhtRpBmZU_RCjKUGezjvk-rbFhGV_aTwbgZp8tJT3agy0RqFgPKla_l44mCno0iaR1emSUdw/s1600/jean-baptiste-carpeaux_a-danca_transferencia.jpg" height="492" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small; text-align: left;">Transferência da obra “A Dança” </span></td></tr>
</tbody></table>
<div style="text-align: center;">
<div style="text-align: justify;">
<b style="text-align: left;">Veja também: </b></div>
</div>
<a href="http://mol-tagge.blogspot.com.br/2009/06/camille-claudel-amor-loucura.html" target="_blank">Claudel amor até os limites impossíveis da loucura </a><br />
<a href="http://mol-tagge.blogspot.com.br/2009/06/continuacao-camille-claudel-amor.html" target="_blank">Camille Claudel: amor até os limites impossíveis da loucura (continuação) </a><br />
<br />
<b>Fontes: </b><a href="http://www.homoerotimuseum.net/eur/eur02/441/009.html" target="_blank">Homo Erotic Museum</a>; <a href="http://www.culturecommunication.gouv.fr/" target="_blank">Ministério da Cultura e Comunicação da França</a>, <a href="http://www.youtube.com/watch?v=kNhMBuKv1qQ" target="_blank">Youtube</a><br />
<br />
<b>Fontes imagens:</b> <a href="http://www.museumsyndicate.com/images/artists/815.jpg" target="_blank">Museum Syndicate</a>, <a href="http://viladeanteira.blogspot.com.br/2004_06_01_archive.html" target="_blank">Vila Dianteira</a>, <a href="http://vergue.com/category/Auteurs/Charles-Marville" target="_blank">Vergue</a>, outras da web e do vídeo no Youtube<br />
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<span class="Apple-style-span" style="color: #990000;">MarGGa Duval
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Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/04/escandalo-arte-opera-de-paris-carpeaux.html</link>
<author>noreply@blogger.com (margga)</author>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-8704133850508428996</guid>
<pubDate>Sat, 29 Mar 2014 03:00:00 +0000</pubDate>
<atom:updated>2014-03-29T00:00:14.417-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">coringa</category>
<category domain="http://www.blogger.com/atom/ns#">grafite</category>
<category domain="http://www.blogger.com/atom/ns#">personagem</category>
<category domain="http://www.blogger.com/atom/ns#">vilão</category>
<title>20 melhores grafites do Coringa</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<i>Legalizado [ou não], arte para alguns, poluição visual para outros, o grafite se firmou na vida urbana. Encantado com o Coringa, o vilão dos quadrinhos e do cinema, tomou posse do personagem. Conheça os 20 melhores grafites do Coringa encontrados na rede.
</i><br />
<h2 style="text-align: right;">
<span style="color: #990000;">[Grafite]</span></h2>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5ovn2NJjhhJtrU6xxrufV_yd9VCdif5zOSHbnOtmvE0eo-IYbCCtnqwhWfcibUwbvgBvxVNzTftzw5SG2SVESXLkTSj-6wBeqjFhyphenhyphenGe-fnS3vsTR_miNof2_sqj0mMX4y30vTf2mhdnY/s1600/01_coringa-grafite_twe-crew.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5ovn2NJjhhJtrU6xxrufV_yd9VCdif5zOSHbnOtmvE0eo-IYbCCtnqwhWfcibUwbvgBvxVNzTftzw5SG2SVESXLkTSj-6wBeqjFhyphenhyphenGe-fnS3vsTR_miNof2_sqj0mMX4y30vTf2mhdnY/s1600/01_coringa-grafite_twe-crew.jpg" height="170" width="640" /></a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
O fato de o grafite ter se apossado do Coringa, na maioria das vezes lembrando a interpretação de Heath Ledger [1979-2008] e Jack Nicholson (76), provavelmente tem um sentido simbólico.</div>
<div style="text-align: justify;">
Assim como o vilão, os grafiteiros se vêm sujeitos ligados visceralmente à realidade de suas cidades e ruas.
Ainda que sãos, na madrugada, às escondidas [quase sempre], distribuem a [in]sanidade que percebem pelos muros, garagens, casas abandonadas... E, se pegos, também como o personagem, são bem-humorados. </div>
<div style="text-align: justify;">
Outra característica que marca um e outro é o arsenal que carregam. O Coringa, suas armadilhas terríveis; os grafiteiros, independente do tipo de grafite que fazem [stencil art, muralismo, stickers, lambe-lambes e intervenções urbanas] suas latas de spray, moldes vazados, aerógrafo e outro tanto de tranqueiras.
A grande diferença é que quase não se sabe de grafiteiros maus, perversos, ou o que o valha.</div>
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<span style="font-size: x-small;">Bélgica (em um hospital abandonado)</span></div>
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<span style="font-size: x-small;">San Diego - Texas</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN37QRBtWt6PuUq-iDZST62QuwmqJT2LMCUlmkVcZdMtB16lQwr7aZksTiST__lXV7K7HpTVShIq4RDOXGfQQMi5PoSsuFKwFxweacoBgcJw1FlP5g0MSjPJxb_rL1_TYeBitnK1T0X28/s1600/07_coringa-grafite_basileia_suica.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN37QRBtWt6PuUq-iDZST62QuwmqJT2LMCUlmkVcZdMtB16lQwr7aZksTiST__lXV7K7HpTVShIq4RDOXGfQQMi5PoSsuFKwFxweacoBgcJw1FlP5g0MSjPJxb_rL1_TYeBitnK1T0X28/s1600/07_coringa-grafite_basileia_suica.jpg" height="426" width="640" /></a></div>
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<span style="font-size: x-small;">Basilléia - Suiça</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtf8At3t8DGNsVKH6LRkbd_3sWIyac4vj0Tc_NEKXyUDu43QzZ_3-AS6k3lc4mM7LUjELBtKDVnM_qu_EFD9fZ_RyBy5orWhdQLt0a3w3c0d4pKykFTe8Y7LpqjkDrivVDfpyZQO_PMB8/s1600/08_coringa-grafite_melbourne_australia_owen+dippie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtf8At3t8DGNsVKH6LRkbd_3sWIyac4vj0Tc_NEKXyUDu43QzZ_3-AS6k3lc4mM7LUjELBtKDVnM_qu_EFD9fZ_RyBy5orWhdQLt0a3w3c0d4pKykFTe8Y7LpqjkDrivVDfpyZQO_PMB8/s1600/08_coringa-grafite_melbourne_australia_owen+dippie.jpg" height="424" width="640" /></a></div>
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<span style="font-size: x-small;">Melbourne - Austrália</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhskUd0sEAGn9idK3AbHI0cFJe4IvnOWwE_qONuSTRwvR19MS86JmENwpQRSitXT82Mox0pinFCDEmLWIBp-j8UbKKKQoVIggrGuxGOiXOj0Oaza4uyY4I85Hz3ysjR1UtFaKXxk58NCLg/s1600/09_coringa-grafite_los-angeles.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhskUd0sEAGn9idK3AbHI0cFJe4IvnOWwE_qONuSTRwvR19MS86JmENwpQRSitXT82Mox0pinFCDEmLWIBp-j8UbKKKQoVIggrGuxGOiXOj0Oaza4uyY4I85Hz3ysjR1UtFaKXxk58NCLg/s1600/09_coringa-grafite_los-angeles.jpg" height="640" width="474" /></a></div>
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<span style="font-size: x-small;"> Los Angeles - EUA</span></div>
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<span style="font-size: x-small;">Cairo</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcCK5ythoelLEp2XoyxWU82jJqquzXCnWGfHAxpgUl9kFVsLB88ALCQ163U82tVpqoMxi5goW1iT98qLGprwJPx51TP-7bLUzMMOVisXR1NS3MJH6zNrKnTJhjWDFkc0W9-CRUhL4oWHs/s1600/13_coringa-grafite_melbourne_australia_owen-dippie2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcCK5ythoelLEp2XoyxWU82jJqquzXCnWGfHAxpgUl9kFVsLB88ALCQ163U82tVpqoMxi5goW1iT98qLGprwJPx51TP-7bLUzMMOVisXR1NS3MJH6zNrKnTJhjWDFkc0W9-CRUhL4oWHs/s1600/13_coringa-grafite_melbourne_australia_owen-dippie2.jpg" height="434" width="640" /></a></div>
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<span style="font-size: x-small; text-align: right;">Melbourne - Austrália</span></div>
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<span style="font-size: x-small;">Tijuana - México</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCts1r5mFaj_6aqCA4ff8OA0v_FwHzPCamzhzWWLGW3dSppak3xV5XEb91Vlg0fhcEiRJWKT0OWqCVil6Pl7ut2LKkdcWpPNXTiX7kmQqCAKNRuyj3n2a_eomZoVSwzXHbgN5Q00gPwJ8/s1600/18_coringa-grafite.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCts1r5mFaj_6aqCA4ff8OA0v_FwHzPCamzhzWWLGW3dSppak3xV5XEb91Vlg0fhcEiRJWKT0OWqCVil6Pl7ut2LKkdcWpPNXTiX7kmQqCAKNRuyj3n2a_eomZoVSwzXHbgN5Q00gPwJ8/s1600/18_coringa-grafite.jpg" height="640" width="480" /></a></div>
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<b>Veja também:</b><br />
<a href="http://mol-tagge.blogspot.com.br/2011/04/grafite-grafiteiro-zevs.html" target="_blank">Grafite e sua evolução na mente e mãos de Zevs </a><br />
<a href="http://mol-tagge.blogspot.com.br/2012/09/grafite-feminino-faith47.html" target="_blank">Grafite feminino de Faith47 </a><br />
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<b>Fontes:</b> imagens: colhidas na internet.
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<link>http://mol-tagge.blogspot.com/2014/03/20-melhores-grafite-coringa-na-rede.html</link>
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<pubDate>Thu, 27 Mar 2014 02:12:00 +0000</pubDate>
<atom:updated>2014-03-28T22:40:40.380-03:00</atom:updated>
<title>Vintage – Secadores de cabelos</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<i>Cuidar dos cabelos é uma coisa que fazemos há séculos, homens e mulheres. Houve um tempo em que os secadores de cabelo pareciam mais capacetes espaciais ou polvos. Secadores de cabelos vintage são curiosidade à parte no mundo da beleza. </i><br />
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</div>
<h2 style="text-align: right;">
<span style="color: #990000;">Vintage</span></h2>
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Os secadores que normalmente reconhecemos como antigos são os de mão, mas num tempo anterior tinham formatos e formas inimagináveis. As fotos pertencem à primeira metade do século 19 e são bem curiosas, para não dizer hilárias.
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<b><span style="color: #990000;">Veja também:</span></b><br />
<a href="http://mol-tagge.blogspot.com.br/2009/06/chapeus-femininos-1820-1950.html" target="_blank">Chapéus femininos no período de 1820 a 1950 </a><br />
<a href="http://mol-tagge.blogspot.com.br/2009/08/uma-artista-vintage-giulietta-masina.html" target="_blank">Uma artista vintage Giulietta Masina</a><br />
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<pubDate>Sat, 22 Mar 2014 00:18:00 +0000</pubDate>
<atom:updated>2014-03-21T21:18:34.648-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">barão de Haussmann</category>
<category domain="http://www.blogger.com/atom/ns#">bulevares parisienses</category>
<category domain="http://www.blogger.com/atom/ns#">charles marville</category>
<category domain="http://www.blogger.com/atom/ns#">fotografia</category>
<category domain="http://www.blogger.com/atom/ns#">paris século 19</category>
<category domain="http://www.blogger.com/atom/ns#">registro fotográfico</category>
<title>A Paris perdida do séc. 19</title>
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<i>A Paris perdida do século 19 e a que estava a surgir na aurora do século 20 em <b>registro fotográfico</b> de <b>Charles Marville</b> é uma curiosidade para aqueles que conhecem Paris, os que conheceram e conhecerão e, [até] para os que não terão essa oportunidade. </i><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnJJck9TiISid8FQfuI0vUUXaWjWQpJRwHtRiDZREZ2GvaHeAFGZaqVtpR03zujBG7I-0Gy8dG7FmYo3K25pE2XQJFz7cWrUexgGmmBn_HLMu7-BpqaP2nG65ZAIRhZ4yaPdKELPxgJ5U/s1600/01-1a_charles-marville_rue-champlain_paris-1872.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnJJck9TiISid8FQfuI0vUUXaWjWQpJRwHtRiDZREZ2GvaHeAFGZaqVtpR03zujBG7I-0Gy8dG7FmYo3K25pE2XQJFz7cWrUexgGmmBn_HLMu7-BpqaP2nG65ZAIRhZ4yaPdKELPxgJ5U/s1600/01-1a_charles-marville_rue-champlain_paris-1872.jpg" height="330" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"><span style="font-size: x-small;">Topo da Rue Champlain – Charles Marville (1872). Em primeiro plano, jovem olha a Paris do final do século 19<br />e, à distância, o alvorecer da Paris do século 20, a Paris do barão de Haussmann</span></span></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX-O4saA39EF8mc9_mRiOvjTsNgXczhdFkokLhO12LDFmrYkR9mko78NEcB1TbDZ9cD2ZhDoN0M1lOl8-CqghS6P2Lj6oRgEMl_ycU7QLBBtK-aPnPc4Y2mwPW64jJSSZ1ztZqqtPU4lo/s1600/03-04_rue-du-quatre-septembre_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX-O4saA39EF8mc9_mRiOvjTsNgXczhdFkokLhO12LDFmrYkR9mko78NEcB1TbDZ9cD2ZhDoN0M1lOl8-CqghS6P2Lj6oRgEMl_ycU7QLBBtK-aPnPc4Y2mwPW64jJSSZ1ztZqqtPU4lo/s1600/03-04_rue-du-quatre-septembre_m.jpg" height="185" width="320" /></a></div>
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Charles Marville foi contratado para fotografar a Paris que deixaria de existir no anoitecer do século 19, assim como <a href="http://mol-tagge.blogspot.com.br/2010/03/fotografia-surreal-urbano-atget.html" target="_blank">Atget</a> o fez, mas sem a chancela oficial. Registraria a cidade percorrida por Alexandre Dumas, Balzac, Baudelaire, Flaubert, Franz Liszt, Paganini, Turner, Victor Hugo... que sumiria sob o peso do rolo compressor que era o barão Georges-Eugène Haussmann. Imagens que hoje nos parecem encantadas, como a dos edifícios de alvenaria quase que totalmente recoberto por cartazes, fazendo fundo a carroças puxadas por cavalos, desapareceriam para sempre, não fosse o fotógrafo.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjES3o67SXU03cWu0Gs6Rpn3r-y7bDxbA9-VaE58PbnYnQXIwJT9Z-QrwjsmC8NEZ1ROSomq0GlvhYAFbMV85O9ZjlN78XrPAEQatt8BPJeDSGe1DTqLNzzx1VC6k5rSMVAdTq-dkar7vs/s1600/01-1c_impasse-de-la-bouteille-de-la-rue-montorgeuil.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjES3o67SXU03cWu0Gs6Rpn3r-y7bDxbA9-VaE58PbnYnQXIwJT9Z-QrwjsmC8NEZ1ROSomq0GlvhYAFbMV85O9ZjlN78XrPAEQatt8BPJeDSGe1DTqLNzzx1VC6k5rSMVAdTq-dkar7vs/s1600/01-1c_impasse-de-la-bouteille-de-la-rue-montorgeuil.jpg" height="390" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;"><span style="font-size: x-small;">La Bouteille de La Rue Montorgeuil [A casa de vinhos da Rua Montorgeuil – Livre Trad.]</span></span></td></tr>
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A modernidade iluminista e o planejamento urbano chegariam arrasando tudo, extinguindo existências, expulsando famílias e trabalhadores para a periferia daquela que viria a ser conhecida mais tarde como a <b>Cidade Luz</b>.<br />
O <b>barão de Haussamann</b> redesenharia Paris. Ao fazê-lo, não só garantiria a realização do sonho de Napoleão III – dar à cidade a estatura majestosa da antiga Roma dos Césares, mas também lhe proporcionaria condições de iluminação, segurança e salubridade.<br />
<blockquote class="tr_bq">
“Quebrar os laços que as unem parece ser instinto de certas famílias miseráveis”.<br />
Victor Hugo, em Os Miseráveis </blockquote>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgly2ZQvgO8K2g_F2LVemRcl4QtN8aQIXVtl0UECrzUvEF1Pv72UDjujoK6w6jeGbBJej4WzAIFmEh9dkLSzLymQEgJAQdRpoh190qtoU4T1HQ2C0e8nv7h_Qbyzemi9sB5IfDksyAddTg/s1600/01-1b_demolicao-perto-l%2527Op%25C3%25A9ra-Paris_1877.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgly2ZQvgO8K2g_F2LVemRcl4QtN8aQIXVtl0UECrzUvEF1Pv72UDjujoK6w6jeGbBJej4WzAIFmEh9dkLSzLymQEgJAQdRpoh190qtoU4T1HQ2C0e8nv7h_Qbyzemi9sB5IfDksyAddTg/s1600/01-1b_demolicao-perto-l%2527Op%25C3%25A9ra-Paris_1877.jpg" height="400" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;"><span style="font-size: x-small;">Demolição perto l'Opéra – Paris (1877)</span></span></td></tr>
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Seriam mais de 120 mil habitações destruídas. A Paris das ruelas de esgoto a céu aberto e sem luz; dos casebres lúgubres, sem sol ou brilho; dos operários maltrapilhos, dos sem teto, dos curtumes e dos edifícios que abrigavam ricos, pobres e miseráveis, seria devorada pelas pás e picaretas do barão. A Paris que abrigava Delacroix e “<a href="http://mol-tagge.blogspot.com.br/2013/02/o-quadro-revolucao-estatua-o-atentado.html" target="_blank">A liberdade guiando o povo</a>”, o “Enterro em Ornans”, de Gustave Coubert, despareceria para sempre, mas não antes das lentes de <b>Marville </b>descerrar sobre ela um último olhar.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNlKSrFED0Bd6jfvQ0TJsU43v8nZUTm6a-BI9ruyajjekwyrbMpB16BaOnCe_ozbPxL54FZ_TItE8ZVodWna86piKpJI3JvSN-YGtapRwZq69iHmjDOg4W6AysA68Ut2NtM0lmuj3Bakc/s1600/-1-1b1_rio-bievre_quinto-distrito_1862_alegria-de-dar-algo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNlKSrFED0Bd6jfvQ0TJsU43v8nZUTm6a-BI9ruyajjekwyrbMpB16BaOnCe_ozbPxL54FZ_TItE8ZVodWna86piKpJI3JvSN-YGtapRwZq69iHmjDOg4W6AysA68Ut2NtM0lmuj3Bakc/s1600/-1-1b1_rio-bievre_quinto-distrito_1862_alegria-de-dar-algo.jpg" height="426" width="640" /></a></div>
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<span style="font-size: x-small;">Rio Bièvre – Quinto distrito (1862)</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2Glnzp_718E3fa4ev8Xw4jmUZcLPt4_LyppA-FTC-E6CFWmc2g15xKOTI3sOU1AQ8_UPIhilw1TszmcW7599Ps6Nl-hXzg46Kimp4Ld7KI63yvVjjVm6BZM7ylx9xQAHyAGhtiHZo8U4/s1600/01-7_charles-marville_au-sud+de-tanneries-bievre.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2Glnzp_718E3fa4ev8Xw4jmUZcLPt4_LyppA-FTC-E6CFWmc2g15xKOTI3sOU1AQ8_UPIhilw1TszmcW7599Ps6Nl-hXzg46Kimp4Ld7KI63yvVjjVm6BZM7ylx9xQAHyAGhtiHZo8U4/s1600/01-7_charles-marville_au-sud+de-tanneries-bievre.jpg" height="466" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small; text-align: justify;">Centro-Sul, curtumes de Bièvre Rue Saint Jacques – Paris (1865-1866) </span></td></tr>
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Nos planos do barão de Haussmann, algumas coisas estavam bem claras: alargar e abrir novas vias, os atualmente conhecidos <b>bulevares parisienses</b>; criar grandes e imponentes prédios públicos, como a Ópera, delegada ao arquiteto Garnier, cuja fachada ostentaria uma das obras primas de Jean-Baptiste Carpeaux [<u>brevemente por aqui</u>]; criação de belos jardins, ao estilo inglês; dividir a cidade em grandes distritos; resolver o problema de iluminação e sanitário da cidade e manter intocáveis os grandes monumentos.<br />
<blockquote class="tr_bq">
"O futuro tem muitos nomes. Para os incapazes o inalcançável, para os medrosos o desconhecido, para os valentes a oportunidade."<br />
Victor Hugo, Os Miseráveis </blockquote>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsKsaQdwBHiPtc2lyFP-yfOzjFNb1LGQtaZZU0oFe8vtOh7Ez2NG4CUDt9XGyPhFNiqTHjUJ6L48EJaJurrZendB3Oc8wfnFsFfnrc51INMcSKRWI4eJPKw2g1oRQQSSFXjvgp-HsnMvk/s1600/03.1_camara+municipal.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsKsaQdwBHiPtc2lyFP-yfOzjFNb1LGQtaZZU0oFe8vtOh7Ez2NG4CUDt9XGyPhFNiqTHjUJ6L48EJaJurrZendB3Oc8wfnFsFfnrc51INMcSKRWI4eJPKw2g1oRQQSSFXjvgp-HsnMvk/s1600/03.1_camara+municipal.jpg" height="446" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;"><span style="font-size: x-small;">Câmara Municipal (1874-1877), tendo Antoine-Julien Henard como arquiteto. <br />Na fotografia não se vê duas estátuas [de um enólogo e de um carpinteiro], que só seriam instaladas em 1879</span></span></td></tr>
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Charles Marville construiu um dos maiores registros fotográficos e históricos conhecido de uma cidade. De seu trabalho surgiu o <i>Album du Vieux Paris </i>[ Álbum da Velha Paris – LT].<br />
<h3>
<span style="color: #990000;">Em fotografias de Marville: a Paris perdida do século 19</span></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGVlHzFkscNazZ0tQh52CJU2u0CzGrrgzwxaLbgZ93gBR1qPzCUsqOU1my87OHs8o_LPlsjy0s3K3mS9vsNDyq11JlKGW8udrTjU9ts6By_1RJfNziL4dizGQ8B45RzMN5gK0iO3Cr9eE/s1600/01-2_charles-marville_margens-do-rio-bievre-parte-inferior-rue-des-gobelins_paris-1858-78.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGVlHzFkscNazZ0tQh52CJU2u0CzGrrgzwxaLbgZ93gBR1qPzCUsqOU1my87OHs8o_LPlsjy0s3K3mS9vsNDyq11JlKGW8udrTjU9ts6By_1RJfNziL4dizGQ8B45RzMN5gK0iO3Cr9eE/s1600/01-2_charles-marville_margens-do-rio-bievre-parte-inferior-rue-des-gobelins_paris-1858-78.jpg" height="480" width="640" /></a></div>
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<span style="font-size: x-small;">Passagem sobre o rio Bièvre - parte inferior da rua rue des Gobelins – Paris (1862)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4ollW8_eCxf_BC-e4ySEUA0yFTOJb1grIqBrdnXFlFH-wQ6YyqkMAzCIrsANwgNHBCkta-neAXFucSivTEi1o2oJ8lNZ9v_ek-tLUhav5IfX_Gl6FvjU1OHOVojVCg_SugyR88LYXy04/s1600/01-3_charles-marville_rue-de-constantine_paris_ca.1865.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4ollW8_eCxf_BC-e4ySEUA0yFTOJb1grIqBrdnXFlFH-wQ6YyqkMAzCIrsANwgNHBCkta-neAXFucSivTEi1o2oJ8lNZ9v_ek-tLUhav5IfX_Gl6FvjU1OHOVojVCg_SugyR88LYXy04/s1600/01-3_charles-marville_rue-de-constantine_paris_ca.1865.jpg" height="470" width="640" /></a></div>
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<span style="text-align: justify;"><span style="font-size: x-small;">Rue de Constantine – Paris (ca. 1865)</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6IragUdgzzpCaJKoNq-xOpYeN5XHVCp5Dbv5ROuy5UkatNRqySRER9hnRwMxWKfMlkt6lDW8333zBkZHvAE1bfhKuDsDgrSM6mHE_NiBedwTrh4OMnEfDX-ulIdchf6XGubLVmLNBdyM/s1600/01-4_charles-marville_rue-de-la-montagne-sainte-genivieve_paris-1858-78.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6IragUdgzzpCaJKoNq-xOpYeN5XHVCp5Dbv5ROuy5UkatNRqySRER9hnRwMxWKfMlkt6lDW8333zBkZHvAE1bfhKuDsDgrSM6mHE_NiBedwTrh4OMnEfDX-ulIdchf6XGubLVmLNBdyM/s1600/01-4_charles-marville_rue-de-la-montagne-sainte-genivieve_paris-1858-78.jpg" height="640" width="604" /></a></div>
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<span style="text-align: justify;"><span style="font-size: x-small;">Rue de la Montagne Sainte Genivieve – Paris (1858-78)</span></span></div>
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<span style="text-align: justify;"><span style="font-size: x-small;">Rue Traversine, com Rue d’Arras – Paris (1858-78) </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxCrxmD2rL1C4C2nJlIz-9shoxesiIzVJcYKvJBOohrCerdTjUAy27yqsYY6gNRhQ6cTEBn8l1HtXLlf8uX8RPL9lb9YzlukW1j49hmuoYI1hvxRWuisyV9kYiYT0Lpte1Y-CeqlFdWMY/s1600/01-6_charles-marville_rue-du-moulin-rue-de-glatigny+_paris-1858-78.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxCrxmD2rL1C4C2nJlIz-9shoxesiIzVJcYKvJBOohrCerdTjUAy27yqsYY6gNRhQ6cTEBn8l1HtXLlf8uX8RPL9lb9YzlukW1j49hmuoYI1hvxRWuisyV9kYiYT0Lpte1Y-CeqlFdWMY/s1600/01-6_charles-marville_rue-du-moulin-rue-de-glatigny+_paris-1858-78.jpg" height="640" width="514" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small; text-align: justify;">Rue du Moulin, com Rue de Glatigny – Paris (1858-78)</span><span style="text-align: justify;"> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtWBPFYrGMfpNTRZMeX3rorcz3sfMs-AScqrXAHruWsOAmtRQgyoQ3DWEmAmPMwkItmo8ofnR6ZXd8qdObOi6er_m0n-hUkPLnXLUvobya81EFxK5UNz5UShOuvkblJsnIuWEqBDoAnE4/s1600/01-9_charles-marville_rue-st-julien-le-pobre_paris.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtWBPFYrGMfpNTRZMeX3rorcz3sfMs-AScqrXAHruWsOAmtRQgyoQ3DWEmAmPMwkItmo8ofnR6ZXd8qdObOi6er_m0n-hUkPLnXLUvobya81EFxK5UNz5UShOuvkblJsnIuWEqBDoAnE4/s1600/01-9_charles-marville_rue-st-julien-le-pobre_paris.jpg" height="640" width="530" /></a></div>
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<div style="text-align: center;">
<span style="text-align: justify;"><span style="font-size: x-small;">Rue St. Julien le Pobre – Paris
Carrefour de Bien-Certains – Paris</span></span></div>
<h3>
<span style="color: #990000;">Em fotografias de Charles Marville: a Paris do início do século 20</span></h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo-R0PbnjU0iZK82KGqQsfWJ6OAlhdmpyfDF1vnJ4rQttuVFzKgbkMsOJ7VaJC4_2B3062HqbsVN9cU9rTMwCbaWhJ4ZA6Ccl2tlO1bDgeEL8Xgm8fEhbiNxbDhiQqGpVwcOPbP4HdWWA/s1600/03-01_avenue-iena.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo-R0PbnjU0iZK82KGqQsfWJ6OAlhdmpyfDF1vnJ4rQttuVFzKgbkMsOJ7VaJC4_2B3062HqbsVN9cU9rTMwCbaWhJ4ZA6Ccl2tlO1bDgeEL8Xgm8fEhbiNxbDhiQqGpVwcOPbP4HdWWA/s1600/03-01_avenue-iena.jpg" height="350" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Avenue d'Iena, para o Arco do Triunfo – Paris (ca. 1877)
À esquerda, as ruas </span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Dumont d'Urville e La Pérouse e, à direita, duas mansões.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVBpWtw3Jf4Yv9X-Tf_CSohijM__zAFfrv6yIIxVqK_aREOzJPOlxZV-wibttGQUHSpMiRpJc2eI37zyJzAB5HHdsqKyse0b8NuM6sQ-0fkwOHLfhx5gPrcSsE9DfmD_w-5rgXl7k9oWg/s1600/03-02_Avenue+des+Gobelins.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVBpWtw3Jf4Yv9X-Tf_CSohijM__zAFfrv6yIIxVqK_aREOzJPOlxZV-wibttGQUHSpMiRpJc2eI37zyJzAB5HHdsqKyse0b8NuM6sQ-0fkwOHLfhx5gPrcSsE9DfmD_w-5rgXl7k9oWg/s1600/03-02_Avenue+des+Gobelins.jpg" height="370" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Avenue des Gobelins – Paris (ca. 1877)
À esquerda, as avenidas de Port Royal e Arago;</span></div>
<div style="text-align: center;">
<span style="font-size: x-small;"> à direita, Boulevard Saint-Marcel. Ao fundo a silhueta do Panteão. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJeIRgqlNWzEEr7hVFKbc9H5kxxEx6Wd-0jzUNucTADszgdG5YiyQFmS7I8lxyAVq21A7r3VKNxH6eVtpgdxhf8WX0KEhPxra0xjMec47AHjlGtHe0BxN_SOfBW60ar4JLxFX4ZYFfPPM/s1600/03-03_Boulevard+Malesherbes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJeIRgqlNWzEEr7hVFKbc9H5kxxEx6Wd-0jzUNucTADszgdG5YiyQFmS7I8lxyAVq21A7r3VKNxH6eVtpgdxhf8WX0KEhPxra0xjMec47AHjlGtHe0BxN_SOfBW60ar4JLxFX4ZYFfPPM/s1600/03-03_Boulevard+Malesherbes.jpg" height="420" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Boulevard Malesherbes; rue Pasquier – Paris (1877) </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX-O4saA39EF8mc9_mRiOvjTsNgXczhdFkokLhO12LDFmrYkR9mko78NEcB1TbDZ9cD2ZhDoN0M1lOl8-CqghS6P2Lj6oRgEMl_ycU7QLBBtK-aPnPc4Y2mwPW64jJSSZ1ztZqqtPU4lo/s1600/03-04_rue-du-quatre-septembre_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX-O4saA39EF8mc9_mRiOvjTsNgXczhdFkokLhO12LDFmrYkR9mko78NEcB1TbDZ9cD2ZhDoN0M1lOl8-CqghS6P2Lj6oRgEMl_ycU7QLBBtK-aPnPc4Y2mwPW64jJSSZ1ztZqqtPU4lo/s1600/03-04_rue-du-quatre-septembre_m.jpg" height="370" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Rue du Quatre de Setembro – Paris (1877) </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMrtS6fj8UT-AmvGektVPuPuRvQ3dzP07Fp7hSJcRX5QHvIFvyCXYnWZdvdF1n69U9hv-MlWJzrYCQ-EAtUy2_X1eDSeAp6cRhY0ZaTJPKtzR4lC66VR-IDHZorLyNj9VUXqQAOCa78Q0/s1600/03-05_Les+Halles+centrales%252C+c.+1867.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMrtS6fj8UT-AmvGektVPuPuRvQ3dzP07Fp7hSJcRX5QHvIFvyCXYnWZdvdF1n69U9hv-MlWJzrYCQ-EAtUy2_X1eDSeAp6cRhY0ZaTJPKtzR4lC66VR-IDHZorLyNj9VUXqQAOCa78Q0/s1600/03-05_Les+Halles+centrales%252C+c.+1867.jpg" height="474" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Les Halles Centrales – Paris (1867) </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0rVPkbRx-MQh1m_Ay68Blkei2GB-k_SitkC-CL51axyoy-zVHAPi5ZBm_G0ebs3ERlUrVQUoCRVsmQLwDusSzc3eW4mva8UGQhHD7QE3PG2DN5cItPbGMd7M7D21CQ494lS8lad0qLlo/s1600/03-06_les-halles-centrales-1874.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0rVPkbRx-MQh1m_Ay68Blkei2GB-k_SitkC-CL51axyoy-zVHAPi5ZBm_G0ebs3ERlUrVQUoCRVsmQLwDusSzc3eW4mva8UGQhHD7QE3PG2DN5cItPbGMd7M7D21CQ494lS8lad0qLlo/s1600/03-06_les-halles-centrales-1874.jpg" height="514" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Les Halles Centrales – Paris (1874) </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizRPB6SJQE7cxbQI5SUmdiAjLNNvmHLv9Ze_PjDVb6eWHRjD0XDwzQS6ZoyoxMR_IjRux1VXpxynhd79Sad6gN1AoNrEeeZwlQbKGr18gLnt-YHbxvhHc0wtHFNjy_KMdZvNwpsbRlOjI/s1600/03-07_chalet-marche-fleurs_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizRPB6SJQE7cxbQI5SUmdiAjLNNvmHLv9Ze_PjDVb6eWHRjD0XDwzQS6ZoyoxMR_IjRux1VXpxynhd79Sad6gN1AoNrEeeZwlQbKGr18gLnt-YHbxvhHc0wtHFNjy_KMdZvNwpsbRlOjI/s1600/03-07_chalet-marche-fleurs_m.jpg" height="640" width="520" /></a></div>
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw1R42IAjL7125RU-OotpfAUvAX2KwSdg_AzR-Mu7JnkwZpGlI1FC7ynBbvAIqWU0EOKkwgQFpsLYZCYL2W59OPzSKq_slvScVRFOQge356idl57dlTvfxcNq1YLCtvIcQbuCrHzNdN84/s1600/03-08_Quiosque.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw1R42IAjL7125RU-OotpfAUvAX2KwSdg_AzR-Mu7JnkwZpGlI1FC7ynBbvAIqWU0EOKkwgQFpsLYZCYL2W59OPzSKq_slvScVRFOQge356idl57dlTvfxcNq1YLCtvIcQbuCrHzNdN84/s1600/03-08_Quiosque.jpg" height="640" width="470" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Quiosques como os das fotos acima foram estabelecidos nas estradas </span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">e nos passeios de Paris (ca. 1875), apresentados na Exposição Universal de 1878 </span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZEmnS4_f5ix2a4oFe10IneIxPIpWW2jf2CVr0H-fXt7JyAX_Sj8YsTL2zuXNgyJ37MmHSaVFvMCogKDEl3XSoSHeSepvecISlK8M59KRIIUWudv5qDYR9Lg_cFTap1eU5sAbYgATABQ8/s1600/03-09_-urinoir-muette_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZEmnS4_f5ix2a4oFe10IneIxPIpWW2jf2CVr0H-fXt7JyAX_Sj8YsTL2zuXNgyJ37MmHSaVFvMCogKDEl3XSoSHeSepvecISlK8M59KRIIUWudv5qDYR9Lg_cFTap1eU5sAbYgATABQ8/s1600/03-09_-urinoir-muette_m.jpg" height="640" width="466" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVbw6HDu9Pfp5jetSzhJVtC_IQgwa7hmo1DB67TVxY-Ft3qirIdvYUj8dVV6JWIGMOjQrFBpuy8E2PGJZgchFS_kqJpFShdMLTGhytTfxxGrVaNPEZ5jHDPGt3Pb_nvyMhP0qh8LWuMj4/s1600/03-10_barao_cabinets-en-bois.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVbw6HDu9Pfp5jetSzhJVtC_IQgwa7hmo1DB67TVxY-Ft3qirIdvYUj8dVV6JWIGMOjQrFBpuy8E2PGJZgchFS_kqJpFShdMLTGhytTfxxGrVaNPEZ5jHDPGt3Pb_nvyMhP0qh8LWuMj4/s1600/03-10_barao_cabinets-en-bois.jpg" height="426" width="640" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small;">Mictórios também foram instalados nas estradas e passeios de Paris, </span></div>
<div style="text-align: center;">
<span style="font-size: x-small;">também apresentados na Exposição Universal de 1878</span> </div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh126iRzoJYkE6pnswtkBbJQKq3FlI_bMN6W6LFk2GxgEOBTZIsBu3ZR8PRhTxqOYq3uqMTr4n-sHgLEdqj5-lSHv8J2VJzvCO6rlEQ6GodX-fOXpVMSKPAe6BX7zGH0yXYN32LtFDGOwQ/s1600/03-11_iluminacao-opera-obra-carpeaux.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh126iRzoJYkE6pnswtkBbJQKq3FlI_bMN6W6LFk2GxgEOBTZIsBu3ZR8PRhTxqOYq3uqMTr4n-sHgLEdqj5-lSHv8J2VJzvCO6rlEQ6GodX-fOXpVMSKPAe6BX7zGH0yXYN32LtFDGOwQ/s1600/03-11_iluminacao-opera-obra-carpeaux.jpg" height="640" width="500" /></a></div>
<div style="text-align: center;">
<span style="font-size: x-small; text-align: justify;">Candelabro perdiz frente (1878). À direita, o grupo de dança esculpido</span></div>
<div style="text-align: center;">
<span style="font-size: x-small; text-align: justify;"> por Jean-Baptiste Carpeaux, </span><span style="font-size: x-small; text-align: justify;">que causou um escândalo em 1869 </span></div>
<br /></div>
<div style="text-align: justify;">
<span style="color: #990000;">Fontes:</span> <a href="http://laflaneuse.org/paris-photographie-au-temps-d-haussmann/#" target="_blank">La Flaneuse</a>; <a href="http://www.metmuseum.org/en/exhibitions/listings/2014/charles-marville" target="_blank">Met Museum</a>; <a href="http://www.repro-tableaux.com/a/marville.html" target="_blank">Repro-Tableaux</a>; <a href="http://vergue.com/category/Auteurs/Charles-Marville" target="_blank">Vergue</a></div>
<div style="text-align: justify;">
<br /></div>
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<span class="Apple-style-span" style="color: #990000;"> ABBraços fraternos e</span><br />
<span class="Apple-style-span" style="color: #990000;">bom fim de semana!</span><br />
<span class="Apple-style-span" style="color: #990000;"><br /></span></div>
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<span class="Apple-style-span" style="color: #990000;">MarGGa Duval
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Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/03/paris-seculo-19-registro-fotografico.html</link>
<author>noreply@blogger.com (margga)</author>
<media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnJJck9TiISid8FQfuI0vUUXaWjWQpJRwHtRiDZREZ2GvaHeAFGZaqVtpR03zujBG7I-0Gy8dG7FmYo3K25pE2XQJFz7cWrUexgGmmBn_HLMu7-BpqaP2nG65ZAIRhZ4yaPdKELPxgJ5U/s72-c/01-1a_charles-marville_rue-champlain_paris-1872.jpg" height="72" width="72"/>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-9103175615652943327</guid>
<pubDate>Thu, 20 Mar 2014 02:28:00 +0000</pubDate>
<atom:updated>2014-03-19T23:28:31.520-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">Chong Chan Hwee</category>
<category domain="http://www.blogger.com/atom/ns#">claude mellan</category>
<category domain="http://www.blogger.com/atom/ns#">gravura</category>
<category domain="http://www.blogger.com/atom/ns#">rosto de Cristo</category>
<category domain="http://www.blogger.com/atom/ns#">sucesso web</category>
<title>Nada se cria tudo se copia</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<i>O título deste post é, obviamente, uma brincadeira. A motivação vem de recente trabalho do diretor de arte e designer cingapuriano<a href="http://mol-tagge.blogspot.com.br/2011/11/linha-arte-materiais-inusitados.html" target="_blank"> Chong Chan Hwee</a> que fez muito sucesso na web em 2011 [merecido, por sinal] e uma obra de Claude Mellan, feita em 1649.</i><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a blank="" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIkJ-turGX03BONeyi1RyL_XwkxxUO6Yrc6O8AqsQzudrYZg2NxQKK8_fJHcRSXdpgHjh0wbPm2OWN622PduQ9HyR7mSbCOIw5T9OAEAXm-v5W7NureeeEuIhfO4wt9DhCSOysgGFUexY/s1600/01_chong-hwee-linha-mona-lisa_sudario-claude-mellan.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;" target="blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIkJ-turGX03BONeyi1RyL_XwkxxUO6Yrc6O8AqsQzudrYZg2NxQKK8_fJHcRSXdpgHjh0wbPm2OWN622PduQ9HyR7mSbCOIw5T9OAEAXm-v5W7NureeeEuIhfO4wt9DhCSOysgGFUexY/s1600/01_chong-hwee-linha-mona-lisa_sudario-claude-mellan.jpg" height="412" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Mona Lisa, por <span style="text-align: justify;">Chong Hwee (esq.) e Rosto de Cristo, por Claude Mellan (dir.)</span></span></td></tr>
</tbody></table>
<h3>
<span style="color: #990000;">
Quem é Chong Chan Hwee </span></h3>
<div style="text-align: justify;">
O asiático Chong Hwee, em campanha publicitária para a Faber Castell, reproduziu algumas das maiores obras de arte de todos os tempos [Mona Lisa – da Vinci; Moça com brinco de pérola – Vermer; e, Autorretrato (van Gogh)] traçando todas as obras a partir de uma única linha usando uma caneta fabricada pela empresa contratante.</div>
<div style="text-align: justify;">
O designer contou que se inspirou em uma aranha tecendo sua teia e explicou a dificuldade que encontrou na realização do trabalho.
</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF78T_mE8lFVs2jkq1zUK9gZt1-nAqknXnNfW3xJbUG4si5GKsIkzKqGYHkeVQylJwVGxDR9Z_r4jc0VRI6kghsn37hgqBzrVzEItRu8lYXPAyR8QMnTWiIwwooWIVmjEUDiYjn9-7qEs/s1600/05_chong+chan+hwee_linha_detalhe+autoretrato_van+gogh.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF78T_mE8lFVs2jkq1zUK9gZt1-nAqknXnNfW3xJbUG4si5GKsIkzKqGYHkeVQylJwVGxDR9Z_r4jc0VRI6kghsn37hgqBzrVzEItRu8lYXPAyR8QMnTWiIwwooWIVmjEUDiYjn9-7qEs/s1600/05_chong+chan+hwee_linha_detalhe+autoretrato_van+gogh.jpg" height="424" width="640" /></a></div>
<h3>
<span style="color: #990000;">
Quem é Claude Mellan</span></h3>
<div style="text-align: justify;">
Claude Mellan (1598-1688) nasceu no norte da França, na cidade de Abbeville. No curso de sua vida artística se interessou muito mais pela <b>gravura </b>do que pela pintura. Viveu em Roma durante doze anos, trabalhando de forma convencional, mas ao retornar a França adotou uma técnica extremamente peculiar, baseado em linhas paralelas, regulando a tonalidade da gravura pela variação de sua amplitude e proximidade.
</div>
<h4>
<span style="color: #cc0000;">
A grande obra de Claude Mellan</span></h4>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipymzuimKrQBgdPBUkvRND1uElu9wN4nN1t549RHDTyxNg6l6_40zldInyxCP1KE9mwosdrifzVJzKANRIi-QKQwTSAkJF6WUkMGK_VZyeuQXnQNMhT5rbH0T7M6hUXNdB6ivhPvKwcY8/s1600/rosto-cristo-claude-mellan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipymzuimKrQBgdPBUkvRND1uElu9wN4nN1t549RHDTyxNg6l6_40zldInyxCP1KE9mwosdrifzVJzKANRIi-QKQwTSAkJF6WUkMGK_VZyeuQXnQNMhT5rbH0T7M6hUXNdB6ivhPvKwcY8/s1600/rosto-cristo-claude-mellan.jpg" height="272" width="640" /></a></div>
<div style="text-align: justify;">
<span style="text-align: justify;">A obra mais famosa do gravurista é o</span><b style="text-align: justify;"> rosto de Cristo</b><span style="text-align: justify;">, também conhecido como Sudário [suor no pano] ou “Véu de Verônica”, devido ao milagre atribuído a Sta. Verônica, que enxugou o suor do rosto de Cristo cuja imagem foi transferida para um pano.</span></div>
<div style="text-align: justify;">
<div style="text-align: justify;">
A obra de Mellan, como a de Hwee, também começa com uma linha, que se inicia na ponta do nariz do rosto de Cristo e segue em espiral, como se fosse uma impressão digital. A variação e a pressão que o artista imprimia à linha à medida que executava seu trabalho proporcionava sombras e profundidade ao rosto. </div>
<div style="text-align: justify;">
Até aí, aparentemente, a obra de Claude Mellan segue o mesmo processo percorrido por Chong Hwee.
</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9Hq0AP6c3MHRlfgsvXD_t0OsoEdd7aFhNB8LmH7D4-Dis6ZarVRlm3CkHVQHukCZsjk1wrtuHhs9yy0CfMV6gVa1TFPRcuc8qLWh156TSpbZ3lxbipMHBgwUYwrAJf6IQ7INrKRDhB9o/s1600/claude-mellan_veu-de-veronica_1649.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9Hq0AP6c3MHRlfgsvXD_t0OsoEdd7aFhNB8LmH7D4-Dis6ZarVRlm3CkHVQHukCZsjk1wrtuHhs9yy0CfMV6gVa1TFPRcuc8qLWh156TSpbZ3lxbipMHBgwUYwrAJf6IQ7INrKRDhB9o/s1600/claude-mellan_veu-de-veronica_1649.jpg" height="640" width="532" /></a></div>
<h3>
<span style="color: #990000;">
Diferenças entre as duas obras</span></h3>
<div style="text-align: justify;">
A obra de Hwee é um desenho feito com uma caneta da Faber Castell [nenhum demérito no processo].</div>
<div style="text-align: justify;">
Já a peça de Mellan é uma <b>gravura</b>, feita sobre uma grande folha de metal usando um buril [ou cinzel] de forma a traçar sulcos sobre a folha. </div>
<div style="text-align: justify;">
As linhas [ou sulcos] feitas, passou-se tinta sobre a placa de metal, ela foi virada de cabeça para baixo sobre um pedaço de papel, invertendo a imagem, e prensou-se a placa sobre o papel. </div>
<div style="text-align: justify;">
Vale ressaltar que o texto em latim – parte inferior da gravura – foi escrito de forma invertida, para que ficasse legível ao ser gravado. </div>
<div style="text-align: justify;">
Embora a obra tenha sido feita em 1649, ela só foi impressa em 1720, 32 anos após a morte do artista.<br />
<br />
Não há nenhum demérito na obra de Chong Chan Hwee, ao contrário, é de excelente qualidade. O que só aumenta a curiosidade de duas obras, tão distantes no tempo, realizadas por artistas tão diferentes, terem em seu cerne o mesmo processo criativo. [<span style="color: #990000;">Clique na imagem para vê-la em alta resolução</span>]</div>
<div style="text-align: justify;">
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<br /></div>
<b><span style="color: #990000;">Veja também: </span></b><br />
<a href="http://mol-tagge.blogspot.com.br/2011/05/gravuras-pinturas-william-hogarth.html" target="_blank">A vida de um perdulário em gravuras, pinturas e música </a><br />
<a href="http://mol-tagge.blogspot.com/2011/05/gravuras-pinturas-rakes-progress.html" target="_blank">A vida de um perdulário em gravuras, pinturas e música - Parte 2 </a><br />
<br />
<b><span style="color: #990000;">Fontes: </span></b><a href="http://blog.mam.org/2010/12/15/from-the-collection-claude-mellans-the-sudarium/" target="_blank">Museu de Arte de Milwaukee</a>; <a href="http://en.wikipedia.org/wiki/Claude_Mellan" target="_blank">Wikipédia </a><br />
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Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/03/sucesso-web-chong-hwee-claude-mellan.html</link>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-1278267929060299494</guid>
<pubDate>Tue, 18 Mar 2014 00:26:00 +0000</pubDate>
<atom:updated>2014-03-17T21:26:50.965-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">albrecht durer</category>
<category domain="http://www.blogger.com/atom/ns#">durer</category>
<category domain="http://www.blogger.com/atom/ns#">momento histórico</category>
<category domain="http://www.blogger.com/atom/ns#">movimento histórico-religioso</category>
<category domain="http://www.blogger.com/atom/ns#">os quatro apostolos</category>
<category domain="http://www.blogger.com/atom/ns#">pintura</category>
<title>História retratada em pintura I</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<div dir="ltr" style="text-align: left;" trbidi="on">
<div dir="ltr" style="text-align: left;" trbidi="on">
<i>Através da pintura remontamos o momento pessoal de um artista e o momento histórico em que vivia. Na obra “Os quatro apóstolos”, díptico de Albrecht Durer, é possível reconhecer o movimento histórico-religioso da Reforma Protestante e a conversão do artista ou sua propensão à nova teoria.</i>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiU7a470cAHVH23eUocqaX1_cRVr4hWnoOpJFPkzZVOq31VWpB6R9mypt1hDLycmAg8WDDn7Fjbp2q-TII2U2yfdvfdV1b-hBMhAZIQR8sDghVQcwcpCKmn0o9ZRgaH5zMub-uwjaLriY/s1600/os-quatro-apostolos_albrecht-durer.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;" target="blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiU7a470cAHVH23eUocqaX1_cRVr4hWnoOpJFPkzZVOq31VWpB6R9mypt1hDLycmAg8WDDn7Fjbp2q-TII2U2yfdvfdV1b-hBMhAZIQR8sDghVQcwcpCKmn0o9ZRgaH5zMub-uwjaLriY/s1600/os-quatro-apostolos_albrecht-durer.jpg" height="640" width="446" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"><span style="font-size: xx-small;"><b>Os quatro apóstolos</b> - Albrecht Durer (1526) – Alte Pinakothek - Munique/Alemanha [Díptico]</span></span></td></tr>
</tbody></table>
<h3>
<span style="color: #990000;">
Reconhecimento dos fatos – histórico e pessoal – através da pintura</span></h3>
<div style="text-align: justify;">
Durer retrata, em primeiro plano no díptico, os apóstolos favoritos de Lutero, São João (primeiro painel/esquerda) e São Paulo (segundo painel/direita).
Em segundo plano, no primeiro painel, está o apóstolo Pedro – segurando a chave para o Reino Celeste, identificado com a figura do papado e, no segundo painel, Marcos, segurando um rolo de papel.</div>
<div style="text-align: justify;">
O fato de Pedro estar atrás de João reflete a ideia de Lutero de que as pessoas deveriam se voltar para a Bíblia, a fonte original da palavra de Deus, único caminho pelo qual se poderia alcançar a salvação. Segundo a teoria luterana, o que salvaria as almas humanas não era a Igreja e suas práticas, mas a palavra de Deus. Ou seja, o papado não desbloquearia a entrada para o Reino e nem era o mediador entre os homens e a salvação. </div>
<div style="text-align: justify;">
Naqueles dias as pessoas já possuíam acesso ao texto bíblico, possibilitado pela invenção da imprensa por Gutenberg e a tradução feita por Lutero do latim para o alemão [anteriormente a leitura estava restrita aos monges e sacerdotes]. </div>
<div style="text-align: justify;">
Na pintura é possível ver, abaixo dos personagens, transcrição de quatro partes do texto bíblico, que remetem aos falsos profetas, advertem sobre a facilidade com que os homens podem se perder e a importância da escuta da Palavra de Deus. </div>
<div style="text-align: justify;">
O espaço comprimido do díptico para a representação das quatro figuras, muito provavelmente, foi a forma que Durer encontrou para transmitir, através da pintura, a reinvenção da compreensão religiosa do povo daqueles dias.
</div>
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<h4>
<span style="color: #cc0000;">
Analisando o primeiro painel do díptico</span></h4>
<div style="text-align: justify;">
Em primeiro plano, de vermelho, está João, identificado por sua serenidade. Atrás dele, careca e já mais idoso, está Pedro, segurando a chave do Reino dos Céus.
João lê serenamente e Pedro faz sua leitura quase por sobre os ombros de João, como se o primeiro estivesse a lhe mostrar [ou a lhe ensinar?] alguma coisa. </div>
<div style="text-align: justify;">
Na atitude de Pedro percebe-se humildade e até certa submissão.
A chave que traz nas mãos, um símbolo tão importante para a instituição da Igreja Católica Romana, símbolo da autoridade papal, perde sua importância, para o livro aberto [aparentemente inclusive para Pedro], onde estaria escrito o seguinte trecho:</div>
<blockquote class="tr_bq" style="text-align: center;">
“No princípio era o Verbo. E o Verbo estava com Deus, e o Verbo era Deus”.</blockquote>
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<h4>
<span style="color: #cc0000;">
Analisando o segundo painel do díptico</span></h4>
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Em primeiro plano, de branco, está Paulo, segurando o livro e uma espada. Paulo foi morto decapitado pela espada e a ele é atribuída a autoria de quatorze epístolas do Novo Testamento. Atrás de Paulo se encontra Marcos, apóstolo também muito importante para Lutero, segurando um rolo de papel, representando as imagens adoradas pelos católicos.</div>
<div style="text-align: justify;">
Paulo e Marcos parecem pressentir algum tipo de perigo. Há quase uma atmosfera de raiva. E aquele era, realmente, um momento de perigo. Lutero se rebelava contra a Igreja, haveria guerra e mortes. As pessoas teriam que fazer suas opções, decidirem de que lado estavam, qual o caminho a seguiriam. O destino de suas almas estava em questão.</div>
<div style="text-align: justify;">
Paulo escreveu: “O justo viverá pela fé”. A ideia central do protestantismo luterano era de que somente pela fé, e não pelas boas obras, se obteria direito ao Reino de Deus.</div>
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<h4>
<span style="color: #cc0000;">
No contexto pessoal do artista </span></h4>
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Na pintura de Durer sente-se a atmosfera do poder dos quatro homens representados. "Há uma sensação de monumentalidade". </div>
<div style="text-align: justify;">
Existiam também questões práticas que envolviam o artista.
A Igreja Católica era a grande mantenedora das artes e dos artistas. Ao decidir seu caminho, Durer estava abdicando do patrocínio da Igreja e de seu meio de subsistência. “Os quatro apóstolos” foi uma pintura independente, sem patrocínio algum. Albrecht Durer a deu aos anciãos da cidade, que a colocaram na Câmara Municipal de Nuremberg.</div>
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</div>
<div style="text-align: justify;">
<b><span style="color: #990000;"><br /></span></b>
<b><span style="color: #990000;">Veja também: </span></b></div>
<div style="text-align: justify;">
<a href="http://mol-tagge.blogspot.com.br/2014/02/pintura-movimento-video-arte.html" target="_blank">Pinturas em movimento – O Enigma da Beleza </a></div>
<div style="text-align: justify;">
<a href="http://mol-tagge.blogspot.com.br/2009/10/reflexo-espelho-pintor-museu.html" target="_blank">O reflexo como característica da pintura veneziana </a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="color: #990000;"><b>Fontes:</b></span> <a href="http://smarthistory.khanacademy.org/durer-four-apostles.html" target="_blank">Smarthistory – Khan Academy </a><br />
<b><span style="color: #990000;">Imagens:</span></b> <a href="http://www.flickr.com/photos/profzucker/8215478140/in/photostream/" target="_blank">Professor Zucker </a><br />
<br /></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="color: #990000;"> ABBraços fraternos</span><br />
<span class="Apple-style-span" style="color: #990000;">Boa semana!</span></div>
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<span class="Apple-style-span" style="color: #990000;">MarGGa Duval
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Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/03/pintura-momento-historico-movimento.html</link>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-4842526619503182346</guid>
<pubDate>Fri, 14 Mar 2014 16:39:00 +0000</pubDate>
<atom:updated>2014-03-14T13:40:42.139-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">chen man</category>
<category domain="http://www.blogger.com/atom/ns#">fotografia</category>
<category domain="http://www.blogger.com/atom/ns#">fotografia moda chinesa</category>
<category domain="http://www.blogger.com/atom/ns#">fotografia mundo fashion</category>
<category domain="http://www.blogger.com/atom/ns#">top fashion</category>
<title>Top Fashion – Revolução na fotografia de moda chinesa</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<i>Mulher, mãe [duas vezes], 33 anos, pintora, arquiteta, design gráfico, cenógrafa, acupunturista, praticante de Tai Chi, top fashion e revolucionária da fotografia de moda. Chen Man mudou para sempre o fotografar do mundo fashion chinês. </i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEJRLRGvtWqqumC8g2cZ6KDc8OK1BpWhgNTkGg60vlCYoHMRh3gb6WWnkV-QCk6bvENCJ1jROfs2Yk40vaih4bsiGV7CoXKtg69Z8FlcK9UcTcCll3KyASWpeOPIzrrv3EWpwesQRTeIU/s1600/chen-man_beleza-china-moderna1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEJRLRGvtWqqumC8g2cZ6KDc8OK1BpWhgNTkGg60vlCYoHMRh3gb6WWnkV-QCk6bvENCJ1jROfs2Yk40vaih4bsiGV7CoXKtg69Z8FlcK9UcTcCll3KyASWpeOPIzrrv3EWpwesQRTeIU/s1600/chen-man_beleza-china-moderna1.jpg" height="444" width="640" /></a></div>
<span style="text-align: justify;">Nascida em Pequim, criada à sombra da Cidade Proibida, sob a "lei do filho único", Chen Man iniciou seus estudos na Academia Central de Belas Artes antes ir para a faculdade. Apaixonou-se por fotografia quando se aperfeiçoava em software digital e técnicas de pós-produção. Sob a base de todo seu conhecimento construiu seu estilo de fotografar e seu trabalho que, hoje, pode ser visto apresentando marcas como Adidas, Dolce & Gabbana, Céline, Elle, Gucci, Harpers Bazaar, L’Óreal, MAC, Motorola, Nike e Vogue, entre outras.</span><br />
<span style="text-align: justify;">Ligada ao mundo atual, como seu marido, dono de uma marca de skate e líder de batalhas de Hip Hop Underground para crianças, Chen Man une o tradicional e o moderno em suas fotografias. Enlaçadas por quaisquer dos mais tradicionais destinos chineses suas fotos têm sempre um toque, ainda que sutil, de uma China moderna que ela deseja apresentar ao mundo. O que faz com maestria.</span>
<br />
<h3>
<span style="color: #990000;">
Definindo beleza</span></h3>
<div style="text-align: justify;">
A beleza para a fotógrafa nasce de duas fontes distintas e autênticas: a natural e a tecnológica. Por isso conta com poucos modelos profissionais, preferindo trabalhar com adolescentes tibetanos [um, dos vários grupos étnicos chineses] escolhidos pessoalmente e com extremo critério. Assim, considera que consegue captar e representar a beleza da China moderna.
</div>
<h4>
<span style="color: #cc0000;">
Beleza da China moderna</span></h4>
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<div>
<span style="color: #cc0000;"><br /></span></div>
<div style="text-align: justify;">
A beleza definida por Chen Man em suas fotografias quase sempre não é o ideal de seu povo. Há pouquíssimo tempo as mulheres chinesas começaram a usar maquiagem e a indústria da beleza chinesa ainda sofre resistências. Ainda assim, a fotógrafa prefere as modelos de pele clara, olhos asiáticos, perfeitos para um desfile de moda, como a modelo Fan Bing Bing.
</div>
<h4>
<span style="color: #cc0000;">
Fan Bing Bing interpretado personagens masculinos</span></h4>
A parceria da fotógrafa e da modelo interpretando personagens masculinos nada tem de rude ou grosseiro, ao contrário, é atraente, sensual e encantador.<br />
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<div style="text-align: justify;">
A beleza exposta por Chen Man é forte, ousada, chinesa, onde a realidade é o início e a tecnologia o apoio para atingir o ideal buscado, mantendo, entretanto, seu princípio básico: a autenticidade.
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<h4>
<span style="color: #cc0000;">
Beleza forte, ousada, chinesa</span></h4>
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<b><span style="color: #990000;">Veja também:</span></b>
<br />
<a href="http://mol-tagge.blogspot.com.br/2009/07/mulheres-moda-fotografa-lillian-bassman.html" target="_blank">Mulheres e moda através das lentes de Lillian Bassman </a><br />
<a href="http://mol-tagge.blogspot.com.br/2009/07/moda-multiuso-modelo-soepboerv.html" target="_blank">Moda multiuso: modelos criados por Soepboerv</a><br />
<br />
<span style="color: #990000;"><b>Fontes:</b></span> <a href="http://www.chenmaner.com/index.html" target="_blank">site de Chen Man</a>; <a href="http://www.bloginvoga.com/2012/01/30/i-d-magazine-capas-pre-spring-2012-li-zheng-quncuo-lu-meng-pan-yan-e-muito-mais-por-chen-man/" target="_blank">Bloginvoga</a>; <a href="http://i-d.vice.com/en_gb/read/interviews/1301/chen-man" target="_blank">I-D</a>; <a href="http://www.thechinawatch.com/2012/03/fan-bingbings-way-of-superman/" target="_blank">The China Watch </a><br />
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Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/03/top-fashion-fotografia-moda-chinesa.html</link>
<author>noreply@blogger.com (margga)</author>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-7566055521111924861</guid>
<pubDate>Thu, 13 Mar 2014 13:25:00 +0000</pubDate>
<atom:updated>2014-03-13T10:27:28.296-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">ilustrador</category>
<category domain="http://www.blogger.com/atom/ns#">ilustrações</category>
<category domain="http://www.blogger.com/atom/ns#">ilustrações surreais</category>
<category domain="http://www.blogger.com/atom/ns#">redmer hoekstra</category>
<title>Ilustrações surreais Redmer Hoekstra</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<div dir="ltr" style="text-align: left;" trbidi="on">
Fundindo cotidiano ao cotidiano ele recria a realidade e a funcionalidade das coisas, sem que percam suas características primórdio-essenciais. Assim, Redmer Hoekstra constrói suas fascinantes ilustrações surreais.<br />
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<br />
<blockquote class="tr_bq" style="text-align: center;">
"Eu sempre amei alienação e fantasiar, sonhar acordado." </blockquote>
<div style="text-align: justify;">
Formado em 2009 pela Escola de Arte em Zwolle como artista visual e ilustrador, Hoekstra (32) conta que desde criança possuía suas próprias teorias sobre o funcionamento do mundo. Contudo, foi a academia que lhe proporcionou o resgate dessa característica [ou capacidade?], ao abrir-lhe as comportas da criação. </div>
<div style="text-align: justify;">
Fascinado por tudo o que o rodeia, ao observar aparelhos e objetos preenche-lhes livremente os vazios [ou pseudo-vazios] e, assim, dá-lhes nova vestimenta, novas funcionalidades.</div>
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<blockquote class="tr_bq" style="text-align: center;">
<div style="text-align: justify;">
"[Sinto] minha inspiração andando de trem ou na estrada, onde a minha mente pode flutuar através da paisagem e fazer novas conexões entre as coisas que aparecem. A visão filosófica do mundo e eu. Quem sou eu? Qual é a minha realidade e como faço para decidir como ela se parece e funciona?" </div>
</blockquote>
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<br /></div>
<br />
Há muito mais para se ver na página <a href="http://www.flickr.com/photos/13827054@N03/" target="_blank">Flickr do ilustrador</a>.<br />
<br />
<b><span style="color: #990000;">Veja também:</span></b><br />
<a href="http://mol-tagge.blogspot.com.br/2009/09/o-poder-que-emana-da-caricatura.html" target="_blank">O poder que emana da caricatura </a><br />
<a href="http://mol-tagge.blogspot.com.br/2010/03/ilustrador-revista-vanity-fair-vogue.html" target="_blank">Ilustrador das revistas Vanity Fair e Vogue</a><br />
<br />
<b><span style="color: #990000;">Fonte:</span></b> <a href="http://www.redmerhoekstra.nl/index.html" target="_blank">site do artista</a><br />
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<span class="Apple-style-span" style="color: #990000;"> ABBraços fraternos</span></div>
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<div class="blogger-post-footer"><hr 'style: color black' />
Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/03/ilustracoes-ilustracoes-surreais-redmer.html</link>
<author>noreply@blogger.com (margga)</author>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-2820534932906642253</guid>
<pubDate>Tue, 11 Mar 2014 00:55:00 +0000</pubDate>
<atom:updated>2014-03-10T22:05:24.595-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">angélica dass</category>
<category domain="http://www.blogger.com/atom/ns#">cores pantone</category>
<category domain="http://www.blogger.com/atom/ns#">projeto humanae</category>
<category domain="http://www.blogger.com/atom/ns#">retratos fotográficos</category>
<category domain="http://www.blogger.com/atom/ns#">tom de pele</category>
<title>Arte ao tom de pele</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: 'Segoe Script', sans-serif;">Arte ao tom de pele. Registrar e catalogar cientificamente todos os possíveis tons da pele humana é o foco do Projeto </span><span style="font-family: 'Segoe Script', sans-serif;">Humanæ</span><span style="font-family: 'Segoe Script', sans-serif;">, de Angélica Dass – uma série de retratos fotográficos com o fundo em cores Pantone® no exato <b>tom de pele</b> do retratado. </span><br />
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<tr><td class="tr-caption" style="text-align: right;">Angélica Dass</td></tr>
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<span style="font-family: 'Segoe Script', sans-serif;">A carioca Angélica Dass, residente na Espanha, é design de moda (Senai/UFRJ), jornalista e fotógrafa. Filha de pai negro (adotado por brancos) e mãe descendente de índios e negros, iniciou, como projeto pessoal ,a construção da árvore genealógica da família, daí para a criação do <i>Humanæ </i>foi um "estalo" natural.</span></div>
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<span style="color: #990000;"> Processo</span></h3>
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<span style="font-family: 'Segoe Script', sans-serif;">Primeiramente Dass faz uma sequência de fotografias com voluntários, que após conhecerem o projeto, desejam participar. Depois extrai uma amostra de 11x11 pixels do rosto de cada fotografado e escolhe, entre a enorme variedade de cores da Pantone®, o exato <b>tom de pele</b> do retratado.</span>
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<h3>
<span style="color: #990000;">Objetivo</span></h3>
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<span style="font-family: 'Segoe Script', sans-serif;">O objetivo, segundo Dass, é o de provocar e usar a internet como plataforma de discussão sobre a identidade étnica, criando imagens que aproximem as pessoas, independentemente de fatores como nacionalidade, origem, situação econômica, idade ou padrões estéticos.</span> </div>
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<span style="font-family: 'Segoe Script', sans-serif;">O projeto deixa claro que o preconceito racial é de extrema ingenuidade. </span></div>
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<span style="font-family: 'Segoe Script', sans-serif;">Demonstra o incrível caminho percorrido pelos humanos que se separaram, uniram-se em pequenas comunidades, que se transformaram em vilas, cidades, estados e nações. Um caminho de separações que se entrecruzam e se multiplicam em raças e cores que, ao contrário de nos tornar diferentes, torna-nos mais iguais.</span>
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<span style="color: #990000;">A contrução</span></h3>
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<span style="font-family: 'Segoe Script', sans-serif;">A ideia era realizar 150 retratos, com representantes de 10 nacionalidades. Mas a intenção atualmente é muito maior. O sucesso alcançado, notadamente nos debates, usos educacionais e infinitas partilhas em redes sociais, levou a autora a expandir suas perspectivas: catalogar rostos em “todas” as partes do mundo.</span></div>
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<span style="font-family: 'Segoe Script', sans-serif;">O desafio, agora, é conseguir apoio para suas viagens, uma vez que a artista se recusa a aceitar patrocínio para não desvirtuar o ideal do trabalho.</span></div>
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<b><span style="color: #990000;">Veja também: </span></b><br />
<a href="http://mol-tagge.blogspot.com/2010/10/museu-alemao-museu-pintura.html" target="_blank">Exposição tenta decifrar popularidade da política de Hitler</a><br />
<a href="http://mol-tagge.blogspot.com/2010/03/fotografo-dos-direitos-civis.html" target="_blank">Fotógrafo dos Direitos Civis</a><br />
<b><span style="color: #990000;">Fonte: <a href="http://www.angelicadass.com/" target="_blank">Site da Artista</a></span></b><br />
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Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/03/cores-pantone-retratos-fotograficos.html</link>
<author>noreply@blogger.com (margga)</author>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-7659354319446684866</guid>
<pubDate>Fri, 28 Feb 2014 00:36:00 +0000</pubDate>
<atom:updated>2014-02-27T23:17:16.468-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">arte</category>
<category domain="http://www.blogger.com/atom/ns#">criatividade</category>
<category domain="http://www.blogger.com/atom/ns#">ilustração</category>
<title>Um poeta da ilustração</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: 'Segoe Script', sans-serif;">Victor Nunes é um poeta da <b>ilustração</b>, brinca com sua
<b>criatividade </b>e, assim, faz <b>arte</b>. É preciso ser muito lúcido para apreender do
cotidiano o lúdico. Sacar da brincadeira de criança os significados e trazer
nos traços os laços com a magia da ingenuidade infantil.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV3WzcoVFg4BCvcLegUcyb2NKjdSzT242ZigdCZspyRu3POz2Z52JYaLRxeyAnf_QGcaBh78tkQ_1DCDlYnOmwwpRIBBDZ9qkvY4_mCS2L_rJ-VxB_9YH7WN8C41XbwMnXH-CRrgF_jb4/s1600/victor-nunes_cotidiano17_2014.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV3WzcoVFg4BCvcLegUcyb2NKjdSzT242ZigdCZspyRu3POz2Z52JYaLRxeyAnf_QGcaBh78tkQ_1DCDlYnOmwwpRIBBDZ9qkvY4_mCS2L_rJ-VxB_9YH7WN8C41XbwMnXH-CRrgF_jb4/s1600/victor-nunes_cotidiano17_2014.jpg" height="480" width="640" /></a></div>
<div style="text-align: justify;">
<span style="font-family: 'Segoe Script', sans-serif;">Ele não se esconde, mas também não se mostra. Silencioso, as
palavras são suas ilustrações. Apenas se conhece seu sorriso maroto no rosto emoldurado
por barba e cabelos alvos.</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7swcwmFL00YATCy5ySIhqvMF5j09nXUKlC_H8qKfjdKRss2WnKf4nlVKY856e6nQTwBbaUDyfnC6dYsLYSWcHDzPSWXGXJ4Vo0cpiBT4Ewpgr3-Ynkr672Vd6GP0AdBOD0cQSwx2i51s/s1600/victor-nunes_2014.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7swcwmFL00YATCy5ySIhqvMF5j09nXUKlC_H8qKfjdKRss2WnKf4nlVKY856e6nQTwBbaUDyfnC6dYsLYSWcHDzPSWXGXJ4Vo0cpiBT4Ewpgr3-Ynkr672Vd6GP0AdBOD0cQSwx2i51s/s1600/victor-nunes_2014.jpg" height="608" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Victor Nunes<br />
<div style="text-align: justify;">
<span style="font-family: 'Segoe Script', sans-serif; font-size: small;">Transitando entre palitos, clips, tampas de caneta, espuma, pães, azeitonas e outro tanto de "coisitas", Victor constrói <b>ilustrações </b>repletas de vida e movimento.</span></div>
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<span style="color: #990000; outline: none; text-decoration: none;"><b>Veja também:</b></span><br />
<span style="color: black; outline: none; text-decoration: none;"><a href="http://mol-tagge.blogspot.com/2009/06/george-barbier-um-ilustrador-frances.html" itemprop="url" rel="bookmark" style="outline: none; text-decoration: none;">George Barbier: um ilustrador francês</a><br /><a href="http://mol-tagge.blogspot.com/2009/04/homenagem-aos-ilustradores-e.html" target="_blank">Homenagem aos ilustradores e desenhistas</a><br />
<br />Conheça mais do trabalho de <b>Victor Nunes</b> em sua <a href="https://www.facebook.com/victornunesfaces?fref=ts" target="_blank">Fanpage</a>.</span>
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<pubDate>Tue, 25 Feb 2014 09:54:00 +0000</pubDate>
<atom:updated>2014-02-25T13:23:32.837-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">fotografia</category>
<category domain="http://www.blogger.com/atom/ns#">fotografia pesca corvos´-marinhos</category>
<title>Fotografia e a pesca com corvos-marinhos na China</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: 'Segoe Script', sans-serif;">
Aparentemente nada a ver fotografia e pesca com corvos-marinhos na China. Mas é um casamento perfeito: o primeiro, extremamente curioso; o segundo, quase mágico.</span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXTJlnTGDooVpib3li2BawuLhAvrwtwYFM_LU957x_aRZb2aU8wybN1xPMJnL6H_VZPbESZNhQKF2chxI2WtSn4WrCqaTXAH9wj0nf-_fXnYB8wMTB0l4fi39idUEl0sz_FZfbn-AQeek/s1600/01_foto_weerapong-chaipuck_captura-biguas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXTJlnTGDooVpib3li2BawuLhAvrwtwYFM_LU957x_aRZb2aU8wybN1xPMJnL6H_VZPbESZNhQKF2chxI2WtSn4WrCqaTXAH9wj0nf-_fXnYB8wMTB0l4fi39idUEl0sz_FZfbn-AQeek/s1600/01_foto_weerapong-chaipuck_captura-biguas.jpg" height="510" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Weerapong Chaipuck</td></tr>
</tbody></table>
<h3>
<span style="color: #990000;">A pesca</span></h3>
<span style="font-family: 'Segoe Script', sans-serif; text-align: justify;">A pesca com cormorões [corvos-marinhos ou biguás], acontece milenarmente na China. Atualmente, na remota província de Guangxi, é realizada por alguns pescadores mais velhos. No entanto, o costume acontece atualmente muito mais para efeito turístico do que para a subsistência dos pescadores. A antiga arte está a morrer.</span><span style="text-align: justify;"> </span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBMxhrEl8JKV7KIeO9Yj9rHheQwMhi39jrfJg8J0xmyjEa5ZOtz-U-GKYZFwnWlbJMrmMgHeqrAL6ymtpz3rew0e8dX0OsxXZzHKuULSiWdNaXw3iQcfGx4Krr3fVpyZ-LgeizoTRQmNI/s1600/13_pesca-guangxi-cormorao-bigua-milton-alves-2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBMxhrEl8JKV7KIeO9Yj9rHheQwMhi39jrfJg8J0xmyjEa5ZOtz-U-GKYZFwnWlbJMrmMgHeqrAL6ymtpz3rew0e8dX0OsxXZzHKuULSiWdNaXw3iQcfGx4Krr3fVpyZ-LgeizoTRQmNI/s1600/13_pesca-guangxi-cormorao-bigua-milton-alves-2013.jpg" height="424" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Milton Alves</td></tr>
</tbody></table>
<div style="text-align: justify;">
<span style="font-family: 'Segoe Script', sans-serif;">Os Biguás são treinados pelos mestres-pescadores durante algumas semanas. Primeiro eles os mantêm numa gaiola onde os alimentam e os acariciam, formando um vínculo entre eles. Após esse período as aves se tornam quase como cães de estimação, comem nas mãos de seus donos e apresentam comportamento bastante amigável.</span> </div>
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<span style="font-family: 'Segoe Script', sans-serif;">Numa segunda etapa, os pescadores treinam os pássaros para mergulharem e pegarem os peixes. Contudo, eles são impedidos de engoli-los [pelo menos os maiores] porque suas gargantas são amarradas com um laço, o que impede a passagem do alimento. Ao capturarem um peixe são puxados para a “jangada” pelo pescador que força o pássaro a cuspir o pescado. No entanto, ao final do trabalho conjunto as aves recebem sua parte na pescaria.</span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifvEvgiQpJRRZz7n1gb3kntzGxinJQ_t03bSFicFe8G2JzMgdxTzxw185RWE5g3DRAEosaKCisGCVIJXAisYP6jQ_MD-218RqWPrVj5RHdB0Fw0_5AmvcrNNvHGZtZHLmUHJPQYsE39Vk/s1600/14_pesca-guangxi-bigua-peixe-francisco-maia-2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifvEvgiQpJRRZz7n1gb3kntzGxinJQ_t03bSFicFe8G2JzMgdxTzxw185RWE5g3DRAEosaKCisGCVIJXAisYP6jQ_MD-218RqWPrVj5RHdB0Fw0_5AmvcrNNvHGZtZHLmUHJPQYsE39Vk/s1600/14_pesca-guangxi-bigua-peixe-francisco-maia-2013.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: 'Segoe Script', sans-serif; text-align: justify;"><span style="font-size: x-small;">Aparentemente o sistema é brutal, mas é apenas aparência. <br />A relação homem e ave é afetuosa </span></span><span style="text-align: right;">[Foto: </span><span style="text-align: right;">Milton Alves]</span></td></tr>
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<h3>
<span style="color: #990000; text-align: left;">A fotografia</span></h3>
</div>
<div style="text-align: justify;">
<span style="font-family: 'Segoe Script', sans-serif;">Além da pesca e dos pescadores da região serem bastante exóticos, o que por si só é uma boa inspiração fotográfica. A área de Guangxi é exuberante, com suas formações calcárias de formas arredondadas e a pesca noturna no rio Li é um espetáculo à parte, fascinando qualquer fotógrafo.
Segundo o fotógrafo Michael Steverson, alguns dos locais, como o Sr. Huang (73) e seu irmão (83), já se tornaram “íntimos” das câmeras, contribuindo para imagens especiais.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg84itNGMqanHXPyzd_bnL0uDL9vECOwA26UZTHXNVmJsRv1Wd91jouoTpfk3NB5cDH4e8uiWTf5wm3UZPof8dT8znul2i_vx-STt3cq9vq3j8pop1g9Lh-upsoXB-o4BH8CvdCMRZIn1k/s1600/02_foto_weerapong-chaipuck_captura-biguas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg84itNGMqanHXPyzd_bnL0uDL9vECOwA26UZTHXNVmJsRv1Wd91jouoTpfk3NB5cDH4e8uiWTf5wm3UZPof8dT8znul2i_vx-STt3cq9vq3j8pop1g9Lh-upsoXB-o4BH8CvdCMRZIn1k/s1600/02_foto_weerapong-chaipuck_captura-biguas.jpg" height="554" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Weerapong Chaipuck</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGvZdezb-bDuvxHq8hACkK7ac3uDfOGyjhrm5Z2eRufy1faS89i9I_b8_Hf-GIrcdkLzQ2XXrJGF5vKDrs_9b3-52Uhp6keCJcN6Ju8juAsKXMRa_8Cdw5FOnZyHMk4S69CM1J83-7BKI/s1600/03_foto_weerapong-chaipuck_captura-biguas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGvZdezb-bDuvxHq8hACkK7ac3uDfOGyjhrm5Z2eRufy1faS89i9I_b8_Hf-GIrcdkLzQ2XXrJGF5vKDrs_9b3-52Uhp6keCJcN6Ju8juAsKXMRa_8Cdw5FOnZyHMk4S69CM1J83-7BKI/s1600/03_foto_weerapong-chaipuck_captura-biguas.jpg" height="482" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Weerapong Chaipuck</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrLrsnGxnwWfl4axX8KHFWfJB-fvEPtFxyi0W0UNYtsWzj23iZ45aZYu2TjxkpuDy4jOzuQLD4YJ3mOIR-_lK2YOFuzre7svqoeQaTkyTxmvisHpTLYAGYeoG3fqHWKtoYTDsHURYuS5k/s1600/04_foto_weerapong-chaipuck_captura-biguas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrLrsnGxnwWfl4axX8KHFWfJB-fvEPtFxyi0W0UNYtsWzj23iZ45aZYu2TjxkpuDy4jOzuQLD4YJ3mOIR-_lK2YOFuzre7svqoeQaTkyTxmvisHpTLYAGYeoG3fqHWKtoYTDsHURYuS5k/s1600/04_foto_weerapong-chaipuck_captura-biguas.jpg" height="438" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Weerapong Chaipuck</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH6tliOv5T5c7fdDKGB8UqbE9VCWK_XySyCpvqIYznQx4DoBEFIwQf-bUh7QgFRYyCtl2wIapnsXPIlb2vWSUWr6NhBjo2ZYSixH4igrUGT6oDX9n9vcpZ7bGkTFjsIjOWiZEeD1fPNt8/s1600/05_pesca-aldeia-xingping-guangxi-china-michael-steverson-2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH6tliOv5T5c7fdDKGB8UqbE9VCWK_XySyCpvqIYznQx4DoBEFIwQf-bUh7QgFRYyCtl2wIapnsXPIlb2vWSUWr6NhBjo2ZYSixH4igrUGT6oDX9n9vcpZ7bGkTFjsIjOWiZEeD1fPNt8/s1600/05_pesca-aldeia-xingping-guangxi-china-michael-steverson-2013.jpg" height="468" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Michael Steverson<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0ShxoVKrW7BbeIKubcuJ_LskSJljBKpmevZH2x5gPx1XIb_ccRk7N-gYyymz-oSKQXv6TfO6zAdS2hEAaWQaGLedtbkIQxZCbb_UjNeKNeMlMyMf8zQTGXa5YBZl61n2b09zeO0g1SsA/s1600/06_pesca-aldeia-xingping-guangxi-china-michael-steverson-2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0ShxoVKrW7BbeIKubcuJ_LskSJljBKpmevZH2x5gPx1XIb_ccRk7N-gYyymz-oSKQXv6TfO6zAdS2hEAaWQaGLedtbkIQxZCbb_UjNeKNeMlMyMf8zQTGXa5YBZl61n2b09zeO0g1SsA/s1600/06_pesca-aldeia-xingping-guangxi-china-michael-steverson-2013.jpg" height="508" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Michael Steverson</td></tr>
</tbody></table>
</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT6wrCvx6fe0bGdjXyO1qZWfQXWieIHdIoPruAUYoAOEZ23wuBWQjnGeRdvI-mzhR8kCiWWHQG-C2EYzFV3C4OPGUBjWuEuwzPneiRokxsqX76LxLAnJ6EjVjNcEaKAyhRE5pIysLf6RA/s1600/07_pesca-aldeia-xingping-guangxi-china-neville-jones-2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT6wrCvx6fe0bGdjXyO1qZWfQXWieIHdIoPruAUYoAOEZ23wuBWQjnGeRdvI-mzhR8kCiWWHQG-C2EYzFV3C4OPGUBjWuEuwzPneiRokxsqX76LxLAnJ6EjVjNcEaKAyhRE5pIysLf6RA/s1600/07_pesca-aldeia-xingping-guangxi-china-neville-jones-2013.jpg" height="444" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Neville Jones</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1mhuCQ39C_w4eQmmSZCuOJOpRbkQqJsRQQDDyQ0zppauLwwhGfi8maEi5f4KEHf4gc_5lYwb_WhOc1kgFuJPdxT2tVHaEN0tP9jL14VlsKIV7u0bZAVL_YuDV5PyBSB6OFiP9Efczy_I/s1600/08_pesca-aldeia-xingping-guangxi-china-michael-steverson-2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1mhuCQ39C_w4eQmmSZCuOJOpRbkQqJsRQQDDyQ0zppauLwwhGfi8maEi5f4KEHf4gc_5lYwb_WhOc1kgFuJPdxT2tVHaEN0tP9jL14VlsKIV7u0bZAVL_YuDV5PyBSB6OFiP9Efczy_I/s1600/08_pesca-aldeia-xingping-guangxi-china-michael-steverson-2013.jpg" height="416" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Michael Steverson</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghdsuDZ7KvzjXvdBwQiYkSr547sYp8RT34-K_xoP5SWw9uxPLgm9frno11f_7Z5rqhRqsw900CBb8FWZRRMZFhPIq1jv5sq7psayFEQsgkpfblqcWitRsjAeeYv-A_nCt4DM1jEx5HYF8/s1600/09_pesca-aldeia-xingping-guangxi-china-paul-weeks-2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghdsuDZ7KvzjXvdBwQiYkSr547sYp8RT34-K_xoP5SWw9uxPLgm9frno11f_7Z5rqhRqsw900CBb8FWZRRMZFhPIq1jv5sq7psayFEQsgkpfblqcWitRsjAeeYv-A_nCt4DM1jEx5HYF8/s1600/09_pesca-aldeia-xingping-guangxi-china-paul-weeks-2013.jpg" height="396" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Paul Weeks</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxHgpDUxwN7jF_Y6QImyQRXRSm1xkxcvFMAgdHKcwpVvs9RJNj6sJeiwXk1zN1av0klA7IGVBaPHD1rO-3e-zv7b60JzY4nfAI0fVIo76V-dSRMVyBowXnN_3b8c795hLOhG642fU9bTw/s1600/10_pesca-aldeia-xingping-guangxi-china-vern-fong-2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxHgpDUxwN7jF_Y6QImyQRXRSm1xkxcvFMAgdHKcwpVvs9RJNj6sJeiwXk1zN1av0klA7IGVBaPHD1rO-3e-zv7b60JzY4nfAI0fVIo76V-dSRMVyBowXnN_3b8c795hLOhG642fU9bTw/s1600/10_pesca-aldeia-xingping-guangxi-china-vern-fong-2013.jpg" height="422" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Vern Fong</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijFnfMiMIYYfKnYzCfN7V-U0LNBBXZE5_uL5rT01gUdOnaMTY6hmpItq7aQ2P26NJuDzVITki1JLiIeYtvdgJT0yKxRXuet7oZUtScOUN9scH9igmdXmOUXspbAypuodzzPL80NQVWkM0/s1600/11_pesca-aldeia-xingping-guangxi-china-andy-e-mila-2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijFnfMiMIYYfKnYzCfN7V-U0LNBBXZE5_uL5rT01gUdOnaMTY6hmpItq7aQ2P26NJuDzVITki1JLiIeYtvdgJT0yKxRXuet7oZUtScOUN9scH9igmdXmOUXspbAypuodzzPL80NQVWkM0/s1600/11_pesca-aldeia-xingping-guangxi-china-andy-e-mila-2013.jpg" height="418" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Andy e Mila</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPzE_4IXbcL9AC3GKycygu-Ep0LELSuzGG2EMB06HWYR6gw7dY6DgY8b12pVPCJlHnNYTrSYbDxHGkmTuNbQXtty-mE3x8FNSTHLdnAVB2m5oFQ2aLz_6SLHmQAbHRpr75fmkuM8qq_ls/s1600/12_pesca-aldeia-xingping-guangxi-china-cedric-hugelshofer-2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPzE_4IXbcL9AC3GKycygu-Ep0LELSuzGG2EMB06HWYR6gw7dY6DgY8b12pVPCJlHnNYTrSYbDxHGkmTuNbQXtty-mE3x8FNSTHLdnAVB2m5oFQ2aLz_6SLHmQAbHRpr75fmkuM8qq_ls/s1600/12_pesca-aldeia-xingping-guangxi-china-cedric-hugelshofer-2013.jpg" height="420" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: right;">Foto: Cedric Hugelshofer</td></tr>
</tbody></table>
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Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/02/fotografia-pesca-corvos-china.html</link>
<author>noreply@blogger.com (margga)</author>
<media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXTJlnTGDooVpib3li2BawuLhAvrwtwYFM_LU957x_aRZb2aU8wybN1xPMJnL6H_VZPbESZNhQKF2chxI2WtSn4WrCqaTXAH9wj0nf-_fXnYB8wMTB0l4fi39idUEl0sz_FZfbn-AQeek/s72-c/01_foto_weerapong-chaipuck_captura-biguas.jpg" height="72" width="72"/>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-6491475701442184253</guid>
<pubDate>Fri, 21 Feb 2014 21:30:00 +0000</pubDate>
<atom:updated>2014-02-21T18:44:29.665-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">cicatrizes</category>
<category domain="http://www.blogger.com/atom/ns#">cultura</category>
<category domain="http://www.blogger.com/atom/ns#">processo de escarificação</category>
<category domain="http://www.blogger.com/atom/ns#">tatuagens</category>
<category domain="http://www.blogger.com/atom/ns#">tatuagens mais dolorosas do mundo</category>
<category domain="http://www.blogger.com/atom/ns#">tribo</category>
<title>As Tatuagens mais dolorosas do mundo</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="MsoNormal">
<i><span style="font-family: 'Segoe Script', sans-serif;">A cultura das tatuagens africanas, de tribos etíopes e sudanesas, são
as mais dolorosas do mundo. Feitas com </span><span style="font-family: 'Segoe Script', sans-serif;">espinho e navalhas, são realizadas de forma voluntária
durante um ritual de 10 minutos onde normalmente não demonstram dor para não envergonhar
a família.</span></i></div>
<div class="MsoNormal">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWqe7GmOH0KyRpWF40pb9BgKVRet6vAq8WeBoEtI98y0I_b_jYJGIZBhR-KjeG2feJhTgNkkVT5SrEpqKW96nJ-S9zhbEGiRJEiZsY0w-hCo86u3XzhB1FpcV7XFmNDy7foCvXFcT8loQ/s1600/02_mulher-surma-tatuada-piercings.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWqe7GmOH0KyRpWF40pb9BgKVRet6vAq8WeBoEtI98y0I_b_jYJGIZBhR-KjeG2feJhTgNkkVT5SrEpqKW96nJ-S9zhbEGiRJEiZsY0w-hCo86u3XzhB1FpcV7XFmNDy7foCvXFcT8loQ/s1600/02_mulher-surma-tatuada-piercings.jpg" height="612" width="640" /></a></div>
<span style="color: #990000; font-size: 12pt;"><b>Rituais
e Significados</b></span><br />
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">
<span style="color: #333333; font-size: 12.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">
<o:p></o:p></span></span></span></div>
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<div style="text-align: justify;">
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">
As tatuagens feitas pelos membros das tribos Bodi, Surma e
Mursi (Etiopia), Nuer do Sul (Sudão, conhecido como povo do Nilo) e Karamojong
(Uganda), são mais que simples cicatrizes, têm significados diferentes,
dependendo da tribo. Geralmente as cicatrizes indicam beleza, chegada à
maturidade, demonstração de força e coragem, ou sinal de pertencimento. </span></span></div>
<div class="MsoNormal">
<span style="color: #990000; font-size: 12pt;"><b><br /></b></span>
<span style="color: #990000; font-size: 12pt;"><b>Processo de Escarificação - As tatuagens africanas</b></span><br />
<span class="notranslate"><span style="color: #333333; font-size: 12.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">
<o:p></o:p></span></span></div>
<span class="notranslate"><span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">
</span></span></span>
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<div class="MsoNormal">
<div style="text-align: justify;">
<span class="notranslate"><span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">As tribos etíopes usam o processo de escarificação, que são
cortes superficiais na pele<span style="background: white;">,</span> produzindo cicatrizes mais, ou menos, pronunciadas.
Na tribo Surma, as escarificações são feitas com espinhos e navalhas. Os Mursi
consideram as cicatrizes um sinal de beleza e força. Para que as cicatrizes
fiquem mais pronunciadas, após os cortes, é passada seiva orgânica ou cinzas
sobre as feridas.<o:p></o:p></span></span></span></div>
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<div style="text-align: justify;">
<span class="notranslate"><span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">Os Karamojong produzem
elaborados padrões de cicatrizes. </span></span></span><span style="font-family: 'Segoe Script', sans-serif;">Já os Nuers, segundo
maior grupo étnico do Sudão, marcam suas testas com o que chamam “marcas gaar”,
que são </span><span style="font-family: 'Segoe Script', sans-serif; font-size: 12pt;">seis linhas
esculpidas em cada lado da testa. O ritual é</span><span style="font-family: 'Segoe Script', sans-serif;"> uma
parte fundamental no processo de transição da infância para a maturidade [é,
nessas tribos não tem esse negócio de adolescência não. É logo de criança para
adulto] e registram o pertencimento do indivíduo à tribo.</span></div>
</div>
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<span style="color: #cc0000; text-align: left;"><b><br /></b></span>
<span style="color: #cc0000; text-align: left;"><b>Tribo Afar</b></span></div>
<h4>
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</span></h4>
<h4>
<span style="color: #cc0000;">Tribo Bodi</span></h4>
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<span style="color: #cc0000;"><br /></span></div>
<h4>
<span style="color: #cc0000;">Tribo Dassanech</span></h4>
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<span style="color: #cc0000;"><br /></span></div>
<div style="text-align: justify;">
<b><span style="color: #cc0000; text-align: left;">Tribo </span><span style="color: #cc0000;">Karrayyu</span></b></div>
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<b><span style="color: #cc0000;">Tribo </span><span style="text-align: justify;"><span style="color: #cc0000;">Menit</span></span></b><br />
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<span class="notranslate"><span class="notranslate"><span style="color: #cc0000;"><br /></span></span></span>
<span class="notranslate"><span class="notranslate"><b><span style="color: #cc0000;">Tribo </span><span style="text-align: justify;"><span style="color: #cc0000;">Mursi</span></span></b></span></span><br />
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<span style="text-align: justify;"><span style="color: #cc0000;"><br /></span></span></div>
<b><span style="color: #cc0000;">Tribo </span><span style="text-align: justify;"><span style="color: #cc0000;">Surma</span></span></b><br />
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<span style="text-align: justify;"><span style="color: #cc0000;"><br /></span></span></div>
<div>
<b><span style="color: #cc0000;">Tribo </span><span style="text-align: justify;"><span style="color: #cc0000;">Toposa</span></span></b></div>
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<span style="text-align: justify;"><span style="color: #cc0000;"><br /></span></span></div>
<h3>
<span class="notranslate"><span class="notranslate" style="color: #990000;">
<span style="font-size: 12.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">
O
fim anunciado do costume</span></span></span></h3>
<span class="notranslate"><span class="notranslate"><span style="color: #333333; font-size: 12.0pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">
<o:p></o:p></span></span></span></div>
<span class="notranslate"><span class="notranslate">
</span></span>
<br />
<div class="MsoNormal">
<div style="text-align: justify;">
<span class="notranslate"><span class="notranslate"><span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">Ao que parece, no
entanto, esses costumes desaparecerão com o passar do tempo, devido às doenças
infectocontagiosas, como a hepatite e a aids. Além disso a indicação de pertencimento do
indivíduo a determinada tribo, numa região em que os conflitos tribais são extremamente violentos e constantes, ser facilmente
identificável não é uma boa estratégia de sobrevivência.</span></span></span></span></div>
</div>
<div class="MsoNormal">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQnLiaRqZ-B_0Muu93wyKgP7a0A8uoVGkni3qLjRS0GxrdDUWI7m6H6pc_0vUaMK4Uu3m74TFMrISSzTStT6jCSma_CQb3QbRiv1OoA9KoAvpQFYNfI_EIJ2HUvD3MSdsqwgL6KgrrPDo/s1600/03_homem-nuer.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQnLiaRqZ-B_0Muu93wyKgP7a0A8uoVGkni3qLjRS0GxrdDUWI7m6H6pc_0vUaMK4Uu3m74TFMrISSzTStT6jCSma_CQb3QbRiv1OoA9KoAvpQFYNfI_EIJ2HUvD3MSdsqwgL6KgrrPDo/s1600/03_homem-nuer.jpg" height="640" width="632" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">As cicatrizes na testa indica que o indivíduo pertence à tribo Nuer</td></tr>
</tbody></table>
<span style="color: #990000; font-size: 12pt;"><b><br /></b></span>
<span style="color: #990000; font-size: 12pt;"><b>O
fotógrafo</b></span><br />
<div class="MsoNormal">
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">
</span></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggkHjPOPWGKXuaBvtUvm0vobROYWfuFO-C9p3n72kOwxFmVUAoiwYPaTBfhLJ9aYxwThz5RyGkXDir3pj1mY3jekabs9rAmpfm0fe13Vk8VrmEBFbwB8EP4St_fesHACv0y142IzPHCTE/s1600/Eric-Lafforgue-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggkHjPOPWGKXuaBvtUvm0vobROYWfuFO-C9p3n72kOwxFmVUAoiwYPaTBfhLJ9aYxwThz5RyGkXDir3pj1mY3jekabs9rAmpfm0fe13Vk8VrmEBFbwB8EP4St_fesHACv0y142IzPHCTE/s1600/Eric-Lafforgue-1.jpg" height="200" width="141" /></a></span></span></div>
<div style="text-align: justify;">
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;"><br /></span></span>
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">O fotógrafo Eric Lafforgue (foto ao lado) passa a maior parte do tempo
viajando e, desde 2006, tem dedicado sua vida à fotografia dos mais diferentes
povos e seus costumes. Em seu currículo estão lugares como Etiopia, Angola,
Ilha de Páscoa, Emirados, Índia, Cazaquistão, Quênia, Quirguistão, Lamur, Laos,
entre outros.</span></span></div>
</div>
<div style="text-align: justify;">
<span style="font-family: 'Segoe Script', sans-serif;">Seus trabalhos podem ser vistos em seu <a href="http://ericlafforgue.com/" target="_blank">site </a>ou no <a href="http://www.fotopedia.com/users/lafforgue" target="_blank">Fotopédia</a>.</span><br />
<span style="font-family: 'Segoe Script', sans-serif;"><br /></span><span style="font-family: 'Segoe Script', sans-serif;"><br /></span></div>
</div>
<span class="notranslate"><b style="background-color: transparent; text-align: left;"><span style="color: #990000;">Veja também: </span></b></span><a href="http://mol-tagge.blogspot.com/2013/07/pintura-corporal-papel-de-parede-ilusao.html" itemprop="url" rel="bookmark" style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: small; font-weight: bold; outline: none;">Um mágico da pintura corporal</a><span style="background-color: #fafafa; color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: x-small; font-weight: bold;"> </span><br />
<div style="margin: 0cm 0cm 0.0001pt;">
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<h1 class="title entry-title" itemprop="name" style="background-color: #fafafa; display: table-cell; margin: 0px; padding: 0px 40px 0px 0px; position: relative; text-align: center; vertical-align: middle; width: 670px;">
<div style="color: #333333; font-family: 'Helvetica Neue Light', HelveticaNeue-Light, 'Helvetica Neue', Helvetica, Arial, sans-serif; text-align: left;">
<br /></div>
</h1>
</div>
</div>
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial;"><br /></span></div>
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<div style="text-align: center;">
<div align="center" style="margin: 0cm 0cm 0.0001pt;">
<span style="color: #990000; font-family: Segoe Script, sans-serif;">Bom final de semana a todos!</span></div>
<span style="color: #990000; font-family: 'Segoe Script', sans-serif;">MarGGa
Duval</span></div>
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Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
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<pubDate>Thu, 20 Feb 2014 00:14:00 +0000</pubDate>
<atom:updated>2014-02-19T21:16:06.591-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">picture motion sobre arte; o enigma da beleza; rino stefano tagliafierro; vídeo; beleza</category>
<title>Pinturas em movimento – O Enigma da Beleza</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<div class="style1" style="background: #FFFDF7; text-align: justify;">
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">Na tentativa de criar uma reflexão sobre as emoções humanas, o videomaker
<b>Rino Stefano Tagliafierro</b>, através de técnicas especiais, construiu um </span></span><em><span style="border: 1pt none windowtext; color: #131313; font-family: "Segoe Script","sans-serif"; font-style: normal; padding: 0cm;">inigualável </span></em><em><span style="border: none windowtext 1.0pt; color: #131313; font-family: "Segoe Script","sans-serif"; font-style: normal; mso-bidi-font-family: Arial; mso-bidi-font-style: italic; mso-border-alt: none windowtext 0cm; padding: 0cm;"><b>Picture Motion </b>(1)<b> </b></span></em><span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">sobre a arte.</span></span></div>
<div class="style1" style="background: #FFFDF7; text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4lGdDJBcrbbzSFzgGlr-ycUhgJlaUpDMHPvjz7S9JNnKFv8DgiEBYYyfgF6eUVM4B3ZVSX12T6Ro4pgWKgoyvY4-u9tC4W81eI_jyMjFnoTECM_kxZKI1TMe-_ZBMxUoFLwJDuz-uIjk/s1600/01.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4lGdDJBcrbbzSFzgGlr-ycUhgJlaUpDMHPvjz7S9JNnKFv8DgiEBYYyfgF6eUVM4B3ZVSX12T6Ro4pgWKgoyvY4-u9tC4W81eI_jyMjFnoTECM_kxZKI1TMe-_ZBMxUoFLwJDuz-uIjk/s1600/01.gif" height="358" width="640" /></a></div>
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">Em <b>O Enigma da Beleza</b>, Stefano dá movimento a personagens de
famosas pinturas de grandes mestres </span></span><em><span style="border: none windowtext 1.0pt; color: #131313; font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial; mso-border-alt: none windowtext 0cm; padding: 0cm;">do período entre Renascimento e o Simbolismo</span></em><span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">, nos levando a uma
magnífica e assustadora aventura pelos momentos cruciais da vida humana – nascimento,
amor, sexo, medo, dor e morte.</span></span></div>
<div class="style1" style="background: #FFFDF7; text-align: justify;">
<blockquote class="tr_bq">
<div style="text-align: left;">
<div style="text-align: right;">
<span style="font-family: 'Segoe Script', sans-serif;">Uma noite, sentei a Beleza em meus joelhos.</span></div>
</div>
<div style="text-align: left;">
<div style="text-align: right;">
<span style="font-family: 'Segoe Script', sans-serif;">E achei-a amarga. </span><span style="font-family: 'Segoe Script', sans-serif;">E injuriei-a.</span></div>
</div>
<div style="text-align: left;">
<div style="text-align: right;">
<span class="notranslate"><i><span style="border: 1pt none windowtext; color: #131313; font-family: "Segoe Script","sans-serif"; padding: 0cm;">(Arthur Rimbaud)</span></i></span></div>
</div>
<span style="font-size: x-small;"><span class="notranslate">
</span></span></blockquote>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEg8OWCbSP5w32pt6Yiz7BFhftIJfDHyc3rjYodYOwNyYl4VwWWxwdDRAlZhVBLqmzEtQ9DNPpeyCZwyaCKWpbCf152h8U3CpjfG4xV3nltz5qnJY6JdrmBt5xon7IRsRAdUKzSWvLCFA/s1600/02.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEg8OWCbSP5w32pt6Yiz7BFhftIJfDHyc3rjYodYOwNyYl4VwWWxwdDRAlZhVBLqmzEtQ9DNPpeyCZwyaCKWpbCf152h8U3CpjfG4xV3nltz5qnJY6JdrmBt5xon7IRsRAdUKzSWvLCFA/s1600/02.gif" height="359" width="640" /></a></div>
<b style="color: #990000; font-family: 'Segoe Script', sans-serif;">Os efeitos da imobilidade</b></div>
<div class="style1" style="background: #FFFDF7; margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">
<o:p></o:p></span></span></div>
<div class="style1" style="background: #FFFDF7; margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">Os movimentos estão suspensos nas pinturas no tempo distante em
que foram realizadas. Essa imobilidade apresenta dois aspectos distintos. <o:p></o:p></span></span></div>
<div class="style1" style="background: #FFFDF7; margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">Por um lado, nos leva a viajar tempo e espaço na tentativa de recompor
as cenas observadas, o que aguça percepções e sensibilidades. De outro, restringe
nossa capacidade de apreensão das emoções que estão agregadas aos movimentos. Fotografia
e cinema vieram na esteira dessa busca pela aproximação do “real”.<o:p></o:p></span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKeRDm9mmOL4XYwWMq2ABlNfSL2O_5d53NMiQ_JL_TEWNMDNk_qwibUs7JtKAR9s0XpezRNQ2YrbaLAHx-kSNLcVYYLwFE47BKaKrcNpE7MMmpqxxIJ5CZgIY3waUfMBuqTv6Y1kpRtSs/s1600/04.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKeRDm9mmOL4XYwWMq2ABlNfSL2O_5d53NMiQ_JL_TEWNMDNk_qwibUs7JtKAR9s0XpezRNQ2YrbaLAHx-kSNLcVYYLwFE47BKaKrcNpE7MMmpqxxIJ5CZgIY3waUfMBuqTv6Y1kpRtSs/s1600/04.gif" height="358" width="640" /></a></div>
<br /></div>
<div class="style1" style="background: #FFFDF7; margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<span style="color: #990000; font-family: 'Segoe Script', sans-serif;"><b>As escolhas das obras</b></span></div>
<div class="style1" style="background: #FFFDF7; margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">
<o:p></o:p></span></span></div>
<div class="style1" style="background: #FFFDF7; margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">Sendo admirador de Caravaggio e </span></span><strong><span style="font-family: "Segoe Script","sans-serif"; font-weight: normal; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold;">Bouguereau [coincidentemente os
meus preferidos - brevemente um post sobre Bouguereau], </span></strong><span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">Rino Stefano,
partiu desses mestres para escolher, por semelhanças, as 116 obras que comporiam seu experimento visual. <o:p></o:p></span></span><br />
<span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">O vídeo em sua versão completa tem aproximadamente 10 minutos, mas o artista não disponibilizou o vídeo integralmente, devido a sua participação em alguns festivais. No entanto, os 2:37 </span></span><span style="font-family: 'Segoe Script', sans-serif;">min.</span><span style="font-family: 'Segoe Script', sans-serif;"> que liberou [veja abaixo] dá-nos uma ideia do impressionante redemoinho de emoções que carrega seu trabalho.</span></div>
<div class="style1" style="background: #FFFDF7; margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyUJvxPfYiE-kPCgpGq81diZecQopsH47y1FjLMbvCSr0OAbxtALRJJMwyF7uW9szRvdrF7s1CKxYkz0AhWyyAyUMI2-dLUA2hHfW6uHtCExqN4R1aiAYyd5XN1kTV7q7y3c4iZO_srAU/s1600/03.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyUJvxPfYiE-kPCgpGq81diZecQopsH47y1FjLMbvCSr0OAbxtALRJJMwyF7uW9szRvdrF7s1CKxYkz0AhWyyAyUMI2-dLUA2hHfW6uHtCExqN4R1aiAYyd5XN1kTV7q7y3c4iZO_srAU/s1600/03.gif" height="512" width="640" /></a></div>
<b style="color: #990000; font-family: 'Segoe Script', sans-serif;">O
processo</b></div>
<div class="style1" style="background: #FFFDF7; margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<span class="notranslate"><span style="font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial;">Segundo </span></span><span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">Tagliafierro, de
todo o processo, “o</span></span><span class="notranslate"><span style="border: none windowtext 1.0pt; color: #131313; font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial; mso-border-alt: none windowtext 0cm; padding: 0cm;"> mais demorado e desafiador foi a busca e a seleção de imagens”.
Depois de escolhidas, o </span></span><span class="notranslate"><span style="font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial;">diretor
iniciou a edição, usando o Photoshop e a técnica do cut-out (2).<o:p></o:p></span></span></div>
<div class="style1" style="background: #FFFDF7; margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<span class="notranslate"><span style="font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial;">Em seguida o diretor usou o software de composição
e finalização de vídeo After Effects e concluiu a obra junto com o <span style="background: white;">designer de som Enrico Ascoli.</span><o:p></o:p></span></span></div>
<div style="background: white; line-height: 16.5pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify; vertical-align: baseline;">
<blockquote class="tr_bq">
<div align="right" style="background-position: initial initial; background-repeat: initial initial; line-height: 16.5pt; margin: 0cm 0cm 0.0001pt; text-align: right; vertical-align: baseline;">
<span class="notranslate"><span style="border: none windowtext 1.0pt; color: #131313; font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial; mso-border-alt: none windowtext 0cm; padding: 0cm;">Toda a arte tende a busca da
beleza,<o:p></o:p></span></span></div>
<div align="right" style="background-position: initial initial; background-repeat: initial initial; line-height: 16.5pt; margin: 0cm 0cm 0.0001pt; text-align: right; vertical-align: baseline;">
<span class="notranslate"><span style="border: none windowtext 1.0pt; color: #131313; font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial; mso-border-alt: none windowtext 0cm; padding: 0cm;">não necessariamente a estética,<o:p></o:p></span></span></div>
<div align="right" style="background-position: initial initial; background-repeat: initial initial; line-height: 16.5pt; margin: 0cm 0cm 0.0001pt; text-align: right; vertical-align: baseline;">
<span class="notranslate"><span style="border: none windowtext 1.0pt; color: #131313; font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial; mso-border-alt: none windowtext 0cm; padding: 0cm;"> mas a que desperta a consciência</span></span><span class="notranslate"><span style="border: none windowtext 1.0pt; color: #131313; font-family: "Arial","sans-serif"; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"> <o:p></o:p></span></span></div>
<div style="text-align: right;">
</div>
<div align="right" style="background-position: initial initial; background-repeat: initial initial; line-height: 16.5pt; margin: 0cm 0cm 0.0001pt; text-align: right; vertical-align: baseline;">
<span style="font-size: x-small;"><span class="notranslate"><span style="border: none windowtext 1.0pt; color: #131313; font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial; mso-border-alt: none windowtext 0cm; padding: 0cm;">(</span></span><span class="notranslate"><span style="font-family: 'Segoe Script', sans-serif;">Rino Stefano Tagliafierro)</span></span></span></div>
</blockquote>
</div>
<center>
<iframe allowfullscreen="" height="281" mozallowfullscreen="" src="//player.vimeo.com/video/83910533" webkitallowfullscreen="" width="500"></iframe></center>
<div class="style1" style="background: #FFFDF7; margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<br /></div>
<br />
(1) <em style="background-color: #fffdf7; text-align: justify;"><span style="border: 1pt none windowtext; color: #131313; font-family: "Segoe Script","sans-serif"; font-style: normal; padding: 0cm;"> (imagens estáticas em movimento)</span></em><br />
<div class="style1" style="background: #FFFDF7; margin-bottom: .0001pt; margin: 0cm; text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixu7LLkYzoMRqgF9hZAJeGwlO5aMQnyU4QiVOOLh0v2uV-RwxTNIcvOr3GThQQktS6cdq2IioA9ghqqQoACqvB_SBheggaw37TTTZ5Qcgqfq9muNJhmPC68yHoFNm1UsHuAmXZCYzpaHU/s1600/06.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixu7LLkYzoMRqgF9hZAJeGwlO5aMQnyU4QiVOOLh0v2uV-RwxTNIcvOr3GThQQktS6cdq2IioA9ghqqQoACqvB_SBheggaw37TTTZ5Qcgqfq9muNJhmPC68yHoFNm1UsHuAmXZCYzpaHU/s1600/06.jpg" height="200" width="141" /></a></div>
<span class="notranslate"><span style="font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial;"><span style="font-size: x-small;"><br /></span></span></span>
<span class="notranslate"><span style="font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial;"><span style="font-size: x-small;">(2) Para quem desconhece, o cut-out é uma forma de manipulação
de imagens, com a finalidade de distinguir determinada área da fotografia. Uma
das formas de realizar esse efeito é selecionar o objeto que se deseja e
transformar todo o restante da cena em preto e branco. Para facilitar o
entendimento, quem assistiu ao filme “A lista de Schindler”, deve se lembrar da
cena em que a menina anda pelo gueto enquanto as pessoas estão sendo mortas. O
processo utilizado ali foi o cut-out. Atualmente, algumas máquinas vêm com esse
recurso.</span><o:p></o:p></span></span><br />
<span class="notranslate"><span style="font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial;"><br /></span></span>
<span class="notranslate"><b style="background-color: transparent; text-align: left;"><span style="color: #990000;"><br /></span></b></span><br />
<span class="notranslate"><b style="background-color: transparent; text-align: left;"><span style="color: #990000;">Veja também:</span></b></span></div>
<div style="margin: 0cm 0cm 0.0001pt;">
<div class="MsoNormal" style="background: white; mso-outline-level: 1; vertical-align: middle;">
<u><span style="color: #333333; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 18.0pt;"><a href="http://mol-tagge.blogspot.com/2012/07/pintura-chinesa-animacoes.html"><span style="color: #333333;">Pintura de nove séculos ganha vida</span></a> <o:p></o:p></span></u></div>
</div>
<div style="margin: 0cm 0cm 0.0001pt;">
<h1 style="background: white; margin-bottom: .0001pt; margin: 0cm; vertical-align: middle;">
<span style="color: #333333; font-size: 12pt; font-weight: normal;"><a href="http://mol-tagge.blogspot.com/2009/04/os-sonhos-de-akira-kurosawa.html"><span style="color: #333333; text-decoration: none;"><span style="font-family: inherit;">Os Sonhos de
Akira Kurosawa</span></span></a><span class="apple-converted-space" style="font-family: Calibri, sans-serif;"> </span></span><span style="font-family: Calibri, sans-serif; font-size: 12pt;"><o:p></o:p></span></h1>
</div>
<div style="margin: 0cm 0cm 0.0001pt;">
<span style="font-family: "Segoe Script","sans-serif"; font-size: 10.0pt;"><br /></span></div>
<b>Fontes<span style="font-family: inherit;">: <a href="http://neso-art.blogspot.it/2014/02/daydream-rino-stefano-tagliafierro.html" target="_blank">Neso Arte</a>; <a href="http://www.rinostefanotagliafierro.com/beauty_video.html" target="_blank">Site do Vídeo</a></span></b><br />
<div align="left" class="MsoNormal" style="text-align: left;">
<span style="font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial;"><br /></span></div>
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<div style="text-align: center;">
<div align="center" style="margin: 0cm 0cm 0.0001pt;">
<span style="color: #990000; font-family: Segoe Script, sans-serif;">Feliz por trazer este post para vocês!</span></div>
<span style="color: #990000; font-family: 'Segoe Script', sans-serif;">MarGGa
Duval</span></div>
</div>
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<div class="blogger-post-footer"><hr 'style: color black' />
Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/02/pintura-movimento-video-arte.html</link>
<author>noreply@blogger.com (margga)</author>
<media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4lGdDJBcrbbzSFzgGlr-ycUhgJlaUpDMHPvjz7S9JNnKFv8DgiEBYYyfgF6eUVM4B3ZVSX12T6Ro4pgWKgoyvY4-u9tC4W81eI_jyMjFnoTECM_kxZKI1TMe-_ZBMxUoFLwJDuz-uIjk/s72-c/01.gif" height="72" width="72"/>
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<guid isPermaLink="false">tag:blogger.com,1999:blog-4033978020249763687.post-9087368159396858471</guid>
<pubDate>Tue, 18 Feb 2014 01:53:00 +0000</pubDate>
<atom:updated>2014-02-19T00:44:19.459-03:00</atom:updated>
<category domain="http://www.blogger.com/atom/ns#">pintura</category>
<category domain="http://www.blogger.com/atom/ns#">putin</category>
<category domain="http://www.blogger.com/atom/ns#">travesti</category>
<title>Travestiram o Czar</title>
<description><div dir="ltr" style="text-align: left;" trbidi="on">
<div dir="ltr" style="text-align: left;" trbidi="on">
<div align="left" class="MsoNormal">
<div style="text-align: justify;">
<i><span style="font-family: 'Segoe Script', sans-serif;">É
privilégio do artista se apropriar das mazelas sociais em suas criações. Foi o
que fez </span><span style="background-color: white; font-family: 'Segoe Script', sans-serif;">Konstantin Altunin ao pintar e expor Putin e Medvedev
em </span></i><i><span style="background-color: white; font-family: 'Segoe Script', sans-serif;">roupas femininas. Altunin travestiu o <b>czar</b>!</span></i></div>
</div>
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<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGOW3-T1rNrXgc7g7-IHdHCUsCdy0NUhxGUhUe2KHb6iEa0kuyJg1dPTT1egvDzbfTzTrtDJ08Oj4qS8ta-rCuXt0bErLUS4ZuSUxhjfRNYcWkY0EqwpxvGOpuj0xEjCKCpO3piqORfzQ/s1600/putin_medvedev-em-roupas-femininas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGOW3-T1rNrXgc7g7-IHdHCUsCdy0NUhxGUhUe2KHb6iEa0kuyJg1dPTT1egvDzbfTzTrtDJ08Oj4qS8ta-rCuXt0bErLUS4ZuSUxhjfRNYcWkY0EqwpxvGOpuj0xEjCKCpO3piqORfzQ/s1600/putin_medvedev-em-roupas-femininas.jpg" height="640" width="384" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="MsoNormal">
<span style="font-family: 'Segoe Script', sans-serif; line-height: 150%;"><span style="font-size: x-small;">Travesti</span></span><span style="font-family: "Segoe Script","sans-serif";"><o:p></o:p></span></div>
</td></tr>
</tbody></table>
<div style="text-align: justify;">
<span style="background-color: white; font-family: "Segoe Script","sans-serif";">Putin, que incorpora grotescamente
o papel de super-homem versão KGB, é um dos maiores defensores da lei que proíbe
e pune <span style="font-size: 11pt; line-height: 150%;">a difusão de "propaganda gay" </span>e criminaliza a </span><span style="font-family: 'Segoe Script', sans-serif; font-size: 11pt; line-height: 150%;">"divulgação de informações sobre o comportamento
sexual não tradicional para menores de 18 anos"</span><span style="background-color: white; font-family: 'Segoe Script', sans-serif;"> e ofensas contra crenças religiosas. Em bom português, proíbe qualquer
manifestação homossexual, seja passeata, desfile , hipertextos e o que mais
venha.</span></div>
</div>
<div align="left" class="MsoNormal">
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4RL8gxBzlCMmp-xxOVkgqpYEWoPEScJ6gGdZ57-NgNSWcG0IQczXwdkkY4P-FpplUnMx5GMJkqNNVtbW3OJH2y9rhUjLEk2TTrPYqjkHvqvo3YotZhyIpZTxNF76PUlD2IFLxngsfxTY/s1600/putin_o+cowboy+das+estepes.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4RL8gxBzlCMmp-xxOVkgqpYEWoPEScJ6gGdZ57-NgNSWcG0IQczXwdkkY4P-FpplUnMx5GMJkqNNVtbW3OJH2y9rhUjLEk2TTrPYqjkHvqvo3YotZhyIpZTxNF76PUlD2IFLxngsfxTY/s1600/putin_o+cowboy+das+estepes.jpg" height="426" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; font-family: 'Segoe Script', sans-serif; text-align: -webkit-left;"><span style="font-size: x-small;">Super-Homem versão KGB [sem camisa pode]</span></span></td></tr>
</tbody></table>
<div style="text-align: justify;">
<span style="background-color: white; font-family: 'Segoe Script', sans-serif;">Altunin satirizou o(s) líder(es) de seu
país fragilizando-o(s). Travestiu o czar que prima [e mantém em rédeas curtas] sua
imagem viril [é possível vê-lo em 35 poses "heroicas" no </span><a href="http://www.theatlantic.com/infocus/2011/09/vladimir-putin-action-man/100147/" style="font-family: 'Segoe Script', sans-serif;" target="_blank">The Atlantic</a><span style="background-color: white; font-family: 'Segoe Script', sans-serif;">. Não fosse
real seria hilário!]</span></div>
<div style="text-align: justify;">
<span style="background-color: white; font-family: 'Segoe Script', sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="background-color: white; font-family: 'Segoe Script', sans-serif;">Quando se está em um país que
legisla sob argumentos pífios e condena milhares de pessoas à clandestinidade,
é dever do artista levar o tema a debate, criando fóruns de discussões sociais.</span></div>
</div>
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI-aRd6Elhkr-sfQzqmHTWRLRMXMULmXkfM94N_gHdyi0zRJ9rUkK5U0tEwrBWnT2dNfm07Xb1WD5J2ujPY3_Q33uf2KJiyyteqg5Fw8EIM2Ui44xdzcKD6jXuFvF6oHfUHEvRGfWnyQs/s1600/travesti.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI-aRd6Elhkr-sfQzqmHTWRLRMXMULmXkfM94N_gHdyi0zRJ9rUkK5U0tEwrBWnT2dNfm07Xb1WD5J2ujPY3_Q33uf2KJiyyteqg5Fw8EIM2Ui44xdzcKD6jXuFvF6oHfUHEvRGfWnyQs/s1600/travesti.jpg" height="640" width="448" /></a></div>
</div>
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<blockquote class="tr_bq" style="text-align: justify;">
<blockquote class="tr_bq">
<span style="background: white; font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial;">“</span><span style="background: white; font-family: "Segoe Script","sans-serif";">As relações sexuais tradicionais
são as relações entre o homem e uma mulher</span> [...] <span style="background-color: white; font-family: 'Segoe Script', sans-serif;">Estas relações precisam ser protegidas pelo Governo"</span><span style="background-color: white; font-family: 'Segoe Script', sans-serif;"> </span><span style="background-color: white; font-family: 'Segoe Script', sans-serif; font-size: 10pt;">(</span><span style="color: #333333; font-family: 'Segoe Script', sans-serif; font-size: 11.5pt;">Yelena
Mizulina</span><span style="background-color: white; font-family: 'Segoe Script', sans-serif; font-size: 10pt;">, deputada do partido Rússia Justa – centro-esquerda – coautora
da lei</span>)</blockquote>
</blockquote>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxW-GFK4psC_niUGYHHRF9ISZX-QhQ0nD6bNK1r-QO9l3N1VOfK_PsFSxXKpilQkSIlnXorzeLGNs84bbwldNrVSo6FyJkvYn5W4rd8ATNahGhrCdlC2qChs9RYwM3XcMRc6CxAyRUxFs/s1600/altunin-putin-patriarca-Kirill.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxW-GFK4psC_niUGYHHRF9ISZX-QhQ0nD6bNK1r-QO9l3N1VOfK_PsFSxXKpilQkSIlnXorzeLGNs84bbwldNrVSo6FyJkvYn5W4rd8ATNahGhrCdlC2qChs9RYwM3XcMRc6CxAyRUxFs/s1600/altunin-putin-patriarca-Kirill.jpg" height="510" width="640" /></a></div>
<blockquote class="tr_bq">
<blockquote class="tr_bq">
<span style="background-color: white; font-family: 'Segoe Script', sans-serif;">"[...] atos públicos que expressam desrespeito
para com a sociedade, com o objetivo de ofender os sentimentos religiosos de
crentes" </span></blockquote>
</blockquote>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9cmd3jliUPGSQvbHKQCiAgmntUKG-BSfdcCzfWOsz84owh5JkE19ZlgReCoZUQQSNoUSOYGqaSY1zLRUWbkSf4azYA0FztlU8rL4P-zWh5cJD_pTpzjiEgoXnFWRpYDnbkTVnlph9PdQ/s1600/duas+ninfas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9cmd3jliUPGSQvbHKQCiAgmntUKG-BSfdcCzfWOsz84owh5JkE19ZlgReCoZUQQSNoUSOYGqaSY1zLRUWbkSf4azYA0FztlU8rL4P-zWh5cJD_pTpzjiEgoXnFWRpYDnbkTVnlph9PdQ/s1600/duas+ninfas.jpg" height="640" width="486" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div style="margin: 0cm 0cm 0.0001pt; text-align: center;">
<span style="font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial;"><span style="font-size: x-small;">Duas
ninfas</span></span><span style="color: #990000; font-family: "Segoe Script","sans-serif"; font-size: 13.5pt;"><o:p></o:p></span></div>
</td></tr>
</tbody></table>
<blockquote class="tr_bq">
<blockquote class="tr_bq">
<span style="background-color: white; font-family: 'Segoe Script', sans-serif;">“gays são automaticamente pedófilos”
[pasmem! – mesmo que pesquisas científicas comprovem
que 90% dos pedófilos são heterossexuais]</span></blockquote>
</blockquote>
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<b style="font-family: 'Segoe Script', sans-serif;"><span style="color: #990000;">Exílio
do Artista</span></b></div>
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<span style="font-family: "Segoe Script","sans-serif"; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">A exposição, no Muzei Vlasti (Museu de Autoridades),
em São Petersburgo, com as obras de Konstantin Altunin foi fechada e o museu teve suas portas
lacradas (veja vídeo). As obras foram confiscadas pelo governo. Altunin, esposa
e filha, se auto-exilaram em Paris e aguardam asilo francês.<o:p></o:p></span></div>
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<b><br /></b>
<b><span style="color: #990000;">Veja também:</span></b><br />
<div style="margin: 0cm 0cm 0.0001pt;">
<span style="font-family: inherit;"><span style="border: 1pt none windowtext; color: #1155cc; padding: 0cm; text-decoration: none;"><a href="https://www.blogger.com/blogger.g?blogID=4033978020249763687#editor/target=post;postID=8255791178331234199;onPublishedMenu=allposts;onClosedMenu=allposts;postNum=2;src=postname">A arte da pintura em tela e a realidade homossexual de Steve Walker</a></span><span style="color: #990000;"><o:p></o:p></span></span></div>
<div style="margin: 0cm 0cm 0.0001pt;">
<span style="border: 1pt none windowtext; color: #1155cc; padding: 0cm;"><a href="https://www.blogger.com/blogger.g?blogID=4033978020249763687#editor/target=post;postID=926277198597991460;onPublishedMenu=allposts;onClosedMenu=allposts;postNum=4;src=postname"><span style="font-family: inherit;">Mundo dos quadrinhos –
Super-heróis gays</span></a></span><span style="color: #990000; font-family: 'Segoe Script', sans-serif; font-size: 10pt;"><o:p></o:p></span></div>
<div style="margin: 0cm 0cm 0.0001pt;">
<span style="font-family: "Segoe Script","sans-serif"; font-size: 10.0pt;"><br /></span></div>
<b>Fontes<span style="font-family: inherit;">: </span></b><span style="text-align: left;"><span style="font-family: inherit;"><a href="http://www.dailymail.co.uk/news/article-2403692/Russian-police-seize-painting-Vladimir-Putin-womens-underwear-claiming-illegal.html#ixzz2ohuWMOr5" target="_blank">Dailymail</a>; <a href="http://gawker.com/5330778/putin-shirtless-again" target="_blank">Gawker</a>; <a href="http://www.jn.pt/PaginaInicial/Mundo/Interior.aspx?content_id=3265683&page=4" target="_blank">Jornal de Notícias</a></span></span><br />
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<span style="color: #990000;"><span style="font-family: 'Segoe Script', sans-serif;">Olha
aí</span><span style="font-family: 'Segoe Script', sans-serif;"><o:p></o:p></span></span></div>
<div align="center" style="margin: 0cm 0cm 0.0001pt;">
<span style="color: #990000;"><span style="font-family: 'Segoe Script', sans-serif;">a
gente voltando devagarzinho!</span><span style="font-family: 'Segoe Script', sans-serif;"><o:p></o:p></span></span></div>
<span style="color: #990000; font-family: 'Segoe Script', sans-serif;">MarGGa
Duval</span></div>
</div>
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<div class="blogger-post-footer"><hr 'style: color black' />
Este artigo pertence ao <a href="http://mol-tagge.blogspot.com/">Mol-TaGGe</a>.<br/>
Plágio é crime e está previsto no artigo 184 do Código Penal.</div></description>
<link>http://mol-tagge.blogspot.com/2014/02/cultura-putin-pintura-travesti.html</link>
<author>noreply@blogger.com (margga)</author>
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